The Invoice: A Novel by Jonas Karlsson (Hogarth 2011)

It was such an incredible amount, 5,700,000 kronor. Impossible to take seriously. I assumed it must be one of those fake invoices, the sort you hear about on television and in the papers. Unscrupulous companies trying to defraud people, often the elderly, out of their money.

It was very well done. There was no denying that. The logo looked genuine, at least to me. I don’t really know, I don’t get much post, apart from the usual bills. This one looked pretty similar. Except for the amount, of course. W.R.D., it said in large letters, and the bit about conditions of payment was very convincing. The whole thing had that dry, factual tone, just like something from a genuine organization.

But if it was genuine, there must have been a massive mistake. Some computer must have gotten me mixed up with a big company, or maybe a foreign consortium. 5,700,000 kronor. Who gets bills like that? I chuckled at the thought that someone might actually pay that amount of money by mistake and never question it.

I drank a glass of juice, dropped some advertising leaflets into the recycling box, all those offers and brochures that somehow managed to get past the “No Ads, Please” sign, then put on my jacket and went off to work.

32 Programmes by Dave Roberts (Bantam Press 2011)

Then suddenly, midway through the first half and after several hours of watching cars whizz past us, a Terry lookalike in a beaten-up VW slowed down and came to a halt. Seeing the red brakelights got my heart beating rapidly with excitement. Kevin, the driver, just nodded at us knowingly, and uttered the word 'karma'. We got in and Terry sat in the front, taking care of the conversation, while Dave and I took the back seat where we sat in a cloud of Brut. The driver didn't know where the ground was, which I saw as conclusive proof that most hippies don't like football, but said he'd drop us off in the city centre.

He was as good as his word, and half an hour later we were in the middle of Southampton, frantically looking around. Dave asked a woman where the football ground was and she gave us detailed directions. It was within walking distance, but we ran. It was now 3.55 by my watch so we were still in with a chance of watching the last half hour or so, as long as we could get there quickly. Eventually the floodlights came into view, and not long after that I saw a road sign saying THE DELL and heard the sound of the crowd. We arrived at the turnstiles dripping with sweat, but we'd made it. In a rare piece of good luck we didn't have to pay to get in, having missed about three quarters of the game.

Exhausted from all the physical exertion, we wearily clambered up the step terracing just as a chorus of boos was ringing out. What was going on? We arrived at the top just in time to see a lone figure in a white shirt trudging off the pitch, head bowed. The referee, Lester Shapter (Paignton), was brandishing a red card and pointing towards the tunnel. I didn't need to see the number 7 on his back to know that the dismissed player was George Best.

According to the jubilant Saints fans standing next to us, George had taken exception to the awarding of a free kick and had made his displeasure known to Mr. Shapter with an extensive rant. The only  consolation was the possibility of George being the first player ever to get a red card (the card system was in operation for the first time that day), but he was narrowly beaten to that honour by Dave Wagstaffe of Blackburn.

We had hitched all the way to Southampton to see our hero walk sulkily off the pitch. We had major hangovers, we hadn't slept, and we would now have to stand in the rain and watch an irrelevant Second Division game that, without its main attraction, none of us would have watched even if it had been played in our back garden.

(From Chapter/Programme 12 - Southampton v. Fulham, 2 October 1976)

Peace, Love & Petrol Bombs by D. D. Johnston (AK Press 2011)

This is how the Anarchist Bookfair goes. At midday, you want to celebrate the libertarian tradition in all its diversity. After half an hour, you remember that anarcho-primitivists are mental. At one o'clock, you tell your mate, "if it's not class struggle, it can fuck off play in the traffic." At three o'clock, you remember that Situationists are annoying, autonomist Marxists are boring, and platformists are Trotskyists in disguise. By five o'clock, it's only your old mates Dave and Jim who are even worth talking to. And at seven o'clock, you remember that Jim sprays everywhere after he's had a few, and Dave has an annoying habit of quoting Malatesta.

Fuck the lot of them.

There are weird people everywhere: girls with bullrings through their noses and dreadlocks thick as anchor ropes; boys with tall, flopping Mohicans; bookish men in raincoats; the Spartacist League—even crazier than the year before. People are reluctant to lower their political guard, so they ignore your leaflets, or they pause, suspicious, as if you're a circus performer who might squirt them with water.

No Way are you coming back next year.

"Fuck this," I said, "let's go for a pint."

"That's a poor level of commitment," said Lucy—no, if you're wondering, she hadn't fallen in love with me and we weren't now a couple. She had left Dundule as planned, and though she she sent me e-mails with her news and smiley faces and exclamation marks to point out the jokes, this was the first time I'd seen her since that night.

Buzz waved his leaflets. "Aye, fuck this."

It has to be said that Spocky, who had escaped into the council communism meeting, was the only one of us with an activist work ethic. We probably would have left then had someone not crept up on me. She put her hands over my eyes and said, "Police, freeze!" I spun round, pushing her away—it was her. She said, "You do not recognise me?"

Of course I did.

"You manage to stay off the railway tracks then?"

Her hair was in a black bob with a dyed red fringe and her voice was different—almost London sounding—but the little nose, the eyes like melted chocolate!

"You do not talk any more?"

"Fuck, it's good to see you. Why—How come you're here?"

"I live in London now."

Bullfighting by Roddy Doyle (Viking 2011)

His parents went to the chipper after funerals. Bill found this out when he drove them home from one – the dead husband of his mother’s long-dead sister. He’d driven them there because the church and the graveyard were down the country, in a small kip of a village that seemed untouched by the now dead boom, except for the fact that the priest was Polish. His father wasn’t happy driving off the main roads any more, and his mother had shrunk. She couldn’t reach the pedals.

So she said.

Bill had said he’d bring them, and they’d climbed into the back of the car like they were his kids and they were all going off on a picnic. Already, he was making it up. He couldn’t wait to tell his wife and kids – his real kids.

He even bought them ice creams on the way.

He didn’t actually do that, but it was what he told Hazel and the girls when he got home. He saw the big cone outside a shop ahead of them.

—D’yis fancy a 99?

—Ah, no, said his mother.—It wouldn’t be right.

—Go on. Where’s the harm?

—Alright.

He had them licking away in the back of the car while he turned off the main road, onto a glorified lane that was all corners and gear changes.

They found the village. He drove through it before he knew they were there.

There was the mass. The priest sounded like a culchie who’d spent his childhood in Eastern Europe.

—Paddy was populler wit’ al’ the neighbours.

—He was not, he heard his father whisper.

—Shush, Liam.

There was the walk to the graveyard.

—There’s the clouds now, look.

—We’ll be drenched before he’s buried.

—We might make it.

—Wait and see. The bastard’s up there, orchestrating the whole thing.

The coffin was lowered and they went back to the village’s one pub for coffee and a few sandwiches. Bill met cousins he didn’t know he had and an uncle he thought had died in 1994. He kissed a woman’s cheek because he thought they were related, then watched her filling a tray with empty cups and bringing it through a door behind the counter.

(from 'Funerals')

In Search of Alan Gilzean - The Lost Legacy of a Dundee and Spurs Legend by James Morgan (BackPage Press 2011)

“What happened to you as a footballer?” he asks.

A few training sessions with Bangor and Crusaders. A scout from Reading watched me four or five times.“I was too interested in having a drink and women, but I wasn’t good enough, if I’m honest. My brother was much more dedicated.”

“There was a kid at Spurs, Paul Shoemark. He was an England youth internationalist. Big, big things were expected of him, but he couldn’t make the step up. You get that with some players,” he says to me.

Paul Shoemark made one reserve team appearance for Tottenham. It was significantly closer than I ever got to making it as a footballer.

The talk turns to newspapers. “I haven’t spoken to the press for years,” he says. “A journalist wrote an article one time in which he quoted me as saying that Tottenham were right to get rid of George Graham because he had done nothing at Spurs. The journalist never even spoke to me. So, now, when journalists look for me I tell them I’m not interested. I didn’t really speak to the press as a player. I tell Ian just to say I’m not interested. What did he say to you?”

He’s looking at me directly, now. He doesn’t look much older than he did when he was at Spurs. An advantage, I suppose, of looking older when you’re younger.

“He said that to me, but I think I might have had a bit of leeway because he knew my brother.”

“Possibly.”

I show Gillie an excerpt from a play about Jock Stein and Bill Shankly which had aired on Radio Scotland a few weeks previously. He is genuinely surprised when I tell him he was mentioned favourably in it. “Was ah?” he asks, his voice once again rising in that peculiarly east coast of Scotland manner.

Stein: Bob’s a good man.
Shankly: He is, yes.
Stein: That team he put together at Dundee, beautiful stuff, the way to play.
Shankly: Gifted players ...
Stein: Great wing-men
Shankly: Playing for the jersey
Stein: And Gilzean ...
Shankly: Aye, what a player ...

I show Gillie print-outs from the SFA Hall of Fame. He expresses surprise that Gordon Smith, his team-mate at Dundee, is not there. I risk a question not related to the nuts and bolts of the book. Ian Ure told me to ask Gillie who his favourite player was. Ian felt sure Gillie would say Dave Mackay.

“Naw, it was Jimmy Greaves. He was a class player. There’s a picture of us playing England and Ian Ure and Jimmy are running for the ball. Every muscle is standing out on Ian’s neck and Jimmy is just starting to move away from him. He was like lightning. He had this lovely style of pushing the ball away from him, just a yard. You know the way Messi just keeps it ahead of him but no-one can get near him? He was the best player I ever played with. Some of the goals he scored were unbelievable. It was a sad day for everyone at Spurs when Jimmy Greaves left.”

We talk for almost two hours, the conversation bouncing about. I ask him about Bill Nicholson and he tells me that he was “just a great man” and that there were three other managers who had impressed him most.

“The first was Tommy Walker, the Hearts manager. He spoke to me once before a game at Dens, before I had broken into the first team. I was gathering up balls during the warm-up and as I came off the pitch he started asking me how I was.

“The second was a Celtic manager, Jimmy McGrory. I remember him standing on the sideline and puffing on this great, big pipe. He was holding court with everyone around him in this real Irish brogue. I’ll always remember what he said: ‘It’s great to see all these people here. We’re really looking forward to the game, I think both teams are going to put on a real show of good football for them.’ And then, as I walked past, he said, ‘Hello there,’ as if I was an old friend. I wasn’t even in the first team at this stage. He didn’t need to do that, but it was a measure of the man.

“And the last manager was Matt Busby. I’d just signed for Spurs and I was walking towards the entrance of White Hart Lane, when all of a sudden, he appeared beside me with his arm outstretched and said, ‘I just wanted to congratulate you on your move and to wish you all the best.’ Those three, as well as Bill Nicholson, will always stand out in my mind because each of them took the time to speak to me at a time when I wasn’t as well known as they were. I didn’t want to go into management. I saw what it did to Bill Nicholson and thought, ‘It’s not for me’. I tried it at Stevenage when I came back from South Africa but I didn’t enjoy it.”

Is Everyone Hanging Out Without Me? (And Other Concerns) by Mindy Kaling (Three Rivers Press 2011)

Alternate Titles for This Book

Here were some titles for my book that I really liked but was advised strongly not to use.

The Girl with No Tattoo 

When Your Boyfriend Fits into Your Jeans and Other Atrocities 

The Book That Was Never a Blog 

Always Wear Flats and Have Your Friends Sleep Over: A Step-by-Step-How-To Guide for Avoiding Getting Murdered 

Harry Potter Secret Book #8 

Sometimes You Just Have to Put on Lip Gloss and Pretend to Be Psyched 

I Want Dick Nowitzki to Host Saturday Night Live So Much That I'm Making It the Title of My Book 

Barf Me to Death and Other Things I've Been Known to Say 

The Last Mango in Paris (this would work best if "Mango" were the cheeky nickname for an Indian woman, and if I'd spent any time in Paris) 

So You've Just Finished Chelsea Handler's Book, Now What? 

Deep-Dish Pizza in Kabul (a touching novel about a brave girl enjoying Chicago-style pizza in secret Taliban-ruled Afghanistan) 

There Has Ceased to Be a Difference Between My Awake Clothes and My Asleep Clothes 

I Don't Know How She Does It, But I Suspect She Gets Help from Illegal Immigrants

Pack Men by Alan Bissett (Hachette Scotland 2011)

Let us blame nostalgia. I was born in 1984, two years before Graeme Souness took over Rangers and caused a sea-change in Scottish football. Rangers were thinking big and spending big, and the rest of the Scottish league trailed in their red, white and blue wake for well over a decade. I had a phase of Rangers-supporting, which lasted from about the ages of eleven to fifteen (until I grew out of it, y'know, like proper adults should) coming just at the end of the Nine In A Row era, when Rangers won the league year-upon-year and the only thing Celtic fans had to cheer was Ireland winning Eurovision, and when they were still challenging to be a major European club. That kind of thing leaves a mark on a boy, which even the deep mental cleansing of an arts degree can't quite wash away.

Let us blame: Colin 'Frannie' Franton.

WhoHasBeenwaitingForThisDayAllofHisRangersSupportingLife

AndWhoHadtheBusBookedtheMinuteNachoNovoScoredThePenaltytoPutRangersintotheFinal

That'sRightAlvin

TheUEFA!

C U P!

F I N A L!

Let us blame: Wee Jack. Neil took Jack to a game at Ibrox last month, and Dolby, incensed, demanded of Leanne that he, as the boy's own father, should be the only one permitted to take Jack to a football match. This is despite the fact that Dolby can't even stand football, let alone Rangers, and that Jack described his Ibrox experience with Neil as both 'boring' and 'weird'. So how does Dolby top Ibrox? Manchester. All to get back at some other fucker.

Aye well that's men for ye, son.

Leanne only let Dolby on the condition that Jack wasn't going to be subjected to drunk men pishing against buildings. 'Never mind the songs,' she'd said. 'He cannay understand whit they're about anyway. It's the pishin in public I cannot abide. Dirty.'

Let us blame: given Dolby's a father, I've been working like a pharoah's slave on the pyramids of books at the front of Potterstone's, and Frannie's out spinning discs in Falkirk bars most weekends - fuelling his dream of swapping the early-morning shifts in Tesco for the Radio 1 Breakfast Show, ignoring the playlist with a crisp wink and a thumbs-up to the webcam - we just hardly ever see each other any more. Trying to get the bastards twenty miles from Falkirk to Edinburgh requires the summoning powers of the One Ring. We have to take an opportunity for Lads' action where we can, especially with Brian gone, the same way everyone rushes outside when there's sunshine. I didn't want Dolby being the only poor, lone, not-that-fussed-about-the-Gers-refusenik on the bus, so I came with him. Why not? It's the sort of thing we would've done, way back, when both Brian and I were still in Falkirk and all four of us were presuming our eternal presence in each other's lives.

Crying Out Loud by Cath Staincliffe (Severn House Publishers 2011)

Strangeways is just north of the city centre, a couple of minutes’ drive from Victoria train station. The tall watchtower is Italianate in style, a landmark I could see as I drove closer. It’s a familiar feature of the city skyline. The building is Victorian Gothic – red and cream brick, and the main entrance boasts two rounded towers and steeply pitched roofs. The prison was designed by Alfred Waterhouse, the same man who had done Manchester’s town hall. Strangeways is a panopticon design: the wings run off from the central vantage point – like spokes from a wheel.

They don’t actually call it Strangeways any more; it was renamed HMP Manchester in the wake of the riots that destroyed most of the original buildings. The worst riots in the history of the penal system. On April Fool’s Day, 1990 it all kicked off. A group of prisoners had decided to accelerate their protest against inhuman conditions: the rotten food, men held three to a cell (cells twelve foot by eight and built for one), the degrading business of slopping out, the lack of visits, of free association, the racism and brutality of many guards. The ringleader, Paul Taylor, spoke after Sunday morning’s chapel service and when guards intervened, the prisoners got hold of some keys. Taylor escorted the chaplain to safety and then declared it was time for some free association. It lasted for twenty-five days. The leaders of the riot spent much of the time up on the high rooftops, communicating with the press and waving clenched fists for the photographers on board the helicopters swooping above them. Iconic images.

I remember the sense of dread and panic as the early reports came in: stories of prisoners being torn apart, of twenty dead, of people burnt alive, of hundreds of inmates breaking into the segregation unit where the paedophiles and informers were held, hauling them into kangaroo courts where summary justice was doled out, victims castrated and dismembered in orgies of operatic violence. The men on the roof had hung out a home-made banner: a sheet with the words No Dead daubed on it. Among the clamour of moral outrage and lurid speculation one or two more measured accounts were heard; the local journalists built up a rapport with the protesters and made every effort to give an accurate account of events. There was great sympathy for the prisoners’ cause in the city and beyond. And the eventual truth was that two men had died. Both in hospital, not in the prison: a prison warder who had suffered a heart attack and a man on remand for sex offences who had been beaten. No one ever stood trial in either case. The prison was effectively destroyed and when it was rebuilt along with the new name there was a change in conditions.

I Want My MTV: The Uncensored Story of the Music Video Revolution by Craig Marks and Rob Tannenbaum (Penguin 2011)

“A WHOPPING, STEAMING TURD”

THE WORST VIDEO EVER MADE

BILLY SQUIER, artist: I came up with “Rock Me Tonite” on holiday in Greece, swimming off Santorini. I came out of the water and said to my girlfriend, “I’ve got a hit for the next record.”

MICK KLEBER: “Rock Me Tonite” is often ranked as one of the worst music videos of all time.

RUDOLF SCHENKER: I liked Billy Squier very much, but then I saw him doing this video in a very terrible way. I couldn’t take the music serious anymore.

STEVE LUKATHER: Billy Squier was a cool guy. I worked on one of his records. But that video killed his career.

PHIL COLLEN: The first big tour Def Leppard did in the States was in ’83, as the opening act for Billy Squier. A year later, Squier learned the hard way that rock singers shouldn’t skip through their bedroom, ripping their shirts off. That’s in the first chapter of the rock handbook. You should know that straight off the bat.

BILLY SQUIER: I had an idea for the video, based on the ritual of going to a concert. If we admit it, when we’re getting ready to go out, we’re checking our clothes and our hair. So I wanted to show me doing that in my apartment, then cut back and forth with kids getting ready to go to a Billy Squier concert and sneaking out of the house. In the last chorus, they get to where they’re going, I get to where I’m going, we’re all in it together.

The first person we went to is Bob Giraldi, the biggest video director in the world. I sent him the song, he loved it, we had a meeting, everything was good. Three weeks later, he called my office and said, “I’m out.” He decided it wasn’t something he’d want his kids to see. I was like, “Huh?”

BOB GIRALDI: Having seen the video, he was right: I should have been the director.

MICK KLEBER: Giraldi said he was routinely turning down projects that were underfunded. He was interested, if we could enlarge the budget. Compared to other labels, Capitol budgets were conservative. Bob understood and politely bowed out.

The End of Days by Douglas Lindsay (Blasted Heath 2011)

0759hrs London, England

The PM petulantly pushed the newspapers off the desk. Here he was, suddenly at the peak of his career, and the media were barely taking any notice of him.

'What do I have to do?' he said, looking at Prime Ministerial aide Bleacher, Barney Thomson, diary secretary Lucy, and cabinet secretary Blaine. 'I'm busting my balls here. I've ordered more troops to Afghanistan, I'm crushing the other guy in my iron fist, I opened up a can of whoop-ass at PMQs, I told the Prime Minister of Pakistan how to run his country, and I've got the best hair of my life. What else can I do? Yet what do we get today? More Tiger flippin' Woods. Banks, banks, banks. The Mail says they cost forty thousand a family, the Telegraph, five and a half. Hah! Seems I'm not the only one can't do maths. And now these bloody murders and everyone's going to be peeing in their pants about that.'

They were all staring at him, waiting for the invitation to speak.

'Well?' said the PM. 'What about me?' Another pause. 'People say, where's our Obama? Well, don't they see? I'm their Obama. It's me. I could be PM for twenty years. I can cement our place as a world leader.'
There was another extended pause around the room. None of them gawped at the PM in quite the manner that his words demanded. They were all quite used to his self-obsession; even Barney Thomson, who had only been there three days.

'Prime Minister,' said Blaine dryly, 'we lead the world in pregnant teenagers, binge drinking teenagers, divorce, cocaine addiction and litter. If you'd like to be the Prime Minister who cements that, I salute you, but I just came in to remind you that there's an emergency cabinet meeting to discuss the crisis at 0900hrs.'

He turned to leave.

'What crisis?' barked the PM, scowling.

'The murders,' said Blaine. 'At Westminster,' he added, in case the PM might have thought he meant Midsomer.

The End of the Wasp Season by Denise Mina (Orion Books 2011)

Thomas was watching a wasp die on the window ledge when Goering came for him. The sun burned hot through the windows, a shaft of yellow like a pathway to heaven, lying low over the long lawn in front of the old house, burning in through the glass that gravity had warped and two hundred years had tinged yellow. The wasp was struggling to get onto its stomach, antennae writhing, the little comma body contracting, the essential shape of it the trap that killed it.

End of the wasp season.

Londoners: The Days and Nights of London Now, As Told by Those Who Love It, Hate It, Live It, Left It and Long for It by Craig Taylor (Harper Collins 2011)

LUDMILA OLSZEWSKA

Former Londoner

She has recently returned to Warsaw after spending a year working in a pub in Kilburn. Her voice through the telephone is raspy, and I can hear her daughter playing contentedly behind her.

I REMEMBER THE ENGLISH WEATHER, English cigarettes, gray skies, but sometimes beautiful skies, Oxford Street, Topshop. Irish men in my pub all day. They were so sad but also very funny, and also very respectful. They ask me what I was in London for. I said to them: money. I asked them what they came to London for. They said: money. They sit still for so long, all day, and some tell you things at the end of the night that you don’t want to hear. I remember the music, the light of the pub, the Guinness, the waiting for the Guinness. That was one of the first things I learned in London: to wait for the Guinness with them.

I would make time each day to call my daughter, Alexandra, who was four and living with my mother in Warsaw. I would text my mother to make sure it was a good time. It was hard to hear my daughter from so far away. She comes on the phone, she doesn’t always speak to me, and I said, “Come on, say something,” and there was her breathing and other small sounds but sometimes no words, and that is so hard to hear. Just sounds. It made me wonder if she knew it was me. She did. That is when you think, what am I doing in London? How much do I make? What do I have to do before I go home?

I remember the old churches, the London Eye, Shoot Up Hill, and many women who are well-dressed, though not in Kilburn. My money, my toothbrush, my mobile phone, my sim card, my makeup, my shampoo, some clothes, some clothes I never took out of my bag. Primrose Hill once for an afternoon. I ate my lunch there. The buses. Always listening to Polish people on the buses. They think that no one understands them.

“Where are you going?” they asked at the pub when I left, and I said, “I am going home.” They knew about my daughter because they sat in the pub all day. “Don’t leave us,” one man said t

GEORGE IACOBESCU

CEO, Canary Wharf Group PLC

The Tower of London, that is the dividing line. William the Conqueror created the Tower: to the west was money and pleasure, and to the east was poverty, and it is still here. It tells the story of London, that for so long all this area had no transport. When we started building Canary Wharf in 1987, the Jubilee Line didn’t exist, and the DLR was just one line here and a bit of line going to the Isle of Dogs. That was the whole transport. How could it be that a city as rich as London has the whole eastern part of the town with no transport? How could you expect all these people to go to work? I mean it was a reservoir of cheap labor, but you didn’t even give them the opportunity to be slaves.

Today Canary Wharf is 15 million feet and there’s another 10 million feet to go. So it’s two and a half times the size that we looked at the first time. Canary Wharf is the most important thing to happen to London in the past one hundred years, and probably Crossrail is going to be the next one. It has an extension that goes to London Bridge, which makes a big difference; it starts creating the network of transport. We designed the Jubilee Line in such a way that it intersects with every other line. It is just two steps to come to Canary Wharf. Crossrail will change London forever, because a lot of the companies in Canary Wharf or in the City would like to use a lot of the manpower coming from the east. They are more economical, not having to pay the rents of Kensington, Chelsea, and Mayfair. And those areas have different salary expectations. So the labor force coming from the east is cheaper. The east of London will become the dormitory of London, because what London is missing is the Queens and the Brooklyn of New York. You don’t have a place where the nurses and the teachers and the policemen and the firefighters can live very close to the city. If they all have to travel two or three hours to get to work, how productive are they and how tired are they by the time they get home? So the east of London is going to be where all these things happen.

Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes (Faber and Faber 2011)

After an encore, as the revelers filed out toward the frigid night and the year ahead, the DJs slipped on a gentle acoustic number: a cover of Suicide's 'Dream Baby Dream" by, of all people, Bruce Springsteen. Springsteen played the song as a coda to nearly every show on his solo 2005 Devils and Dust tour. This particular version, a hypnotizing mantra-cum-lullaby-cum-benediction, was released on an import-only compilation right around Alan Vega's seventieth birthday.

Springsteen had always liked Suicide: he was especially impressed by the story-song "Frankie Teardrop." When he was working on The River in '79, he and Vega crossed paths up at 914 Studios in Blauvelt, where Springsteen had recorded so much of his early work. Vega and Marty Rev were finishing their second LP, which included "Dream Baby Dream." Bruce and Vega talked about rock 'n' roll, taking nips off Vega's flask. "You know, if Elvis came back from the dead," Springsteen said later, "I think he would sound like Alan Vega."

The Football Men: Up Close with the Giants of the Modern Game by Simon Kuper (Simon & Schuster 2011)

When Cruijff returned to Ajax in 1981, the Dutch were sceptical. The Calvinist Holland of the time distrusted anyone who thought he was special. Cruijff had never been very popular in his own country, where he was known as ‘Nose’ or ‘the Money Wolf’. By now he was thirty-four, with a broken body. Surely he was just coming back for the money?

He made his Second Coming in an Ajax–Haarlem game. Early in the first half, he turned two defenders and lobbed the keeper, who was barely off his line. For the next three years, Dutch stadiums sold out wherever Cruijff played, as people flocked to see him one last time. He gave us 30-yard passes with the outside of his foot that put teammates in front of the keeper so unexpectedly that sometimes the TV cameras couldn’t keep up.

But what he did on the field was only the half of it. The older Cruijff was the most interesting speaker on football I have ever heard. ‘Until I was thirty I did everything on feeling,’ Cruijff said. ‘After thirty I began to understand why I did the things I did.’ In 1981 I was twelve, living in Holland, and for the rest of my teens I imbibed everything he said about football. It was as if you could read a lucid conversation with Einstein in the paper every day or two.

Cruijff said things you could use at any level of football: don’t give a square ball, because if it’s intercepted the opposition has immediately beaten two men, you and the player you were passing to. Don’t pass to a teammate’s feet, but a yard in front of him, so he has to run on to the ball, which ups the pace of the game. If you’re having a bad game, just do simple things. Trap the ball and pass it to your nearest teammate. Do this a few times, and the feeling that you’re doing things right will restore your confidence. His wisdoms directly or indirectly improved almost every player in Holland. ‘That’s logical’ – the phrase he used to clinch arguments – became a Dutch cliché.

Cruijff had opinions on everything. He advised the golfer Ian Woosnam on his swing. He said the traffic lights in Amsterdam were in the wrong places, which gave him the right to ignore them. His old teammate Willem van Hanegem recalls Cruijff teaching him how to insert coins into a soft-drinks machine. Van Hanegem had been wrestling with the machine until Cruijff told him to use ‘a short, dry throw’. Maddeningly, the method worked.

(from 'Johan Cruijff - May 2009')

Red: My Autobiography By Gary Neville (Bantam Press 2011)

Jaap Stam was sold, which was a bombshell as big as Sparky leaving, even for the players – especially for the players. We were as mystified as anyone. All kinds of conspiracies swirled around because Jaap’s exit came on the back of his ‘controversial’ autobiography; but I’ve always believed that the book was a minor factor, perhaps irrelevant. I know the manager wasn’t thrilled about the book, and nor was I at being called a ‘busy cunt’. Jaap had called me that to my face many times, and I know it was meant affectionately, but it didn’t look quite so clever spread across the front of the Daily Mirror.

He was very apologetic, because he was a big softie at heart, a big playful bear. Phil, Butty and I used to wind him up by flicking his ears or tapping him on the back of the head so he’d run after us, like a father chasing after a naughty kid. He didn’t mean any harm with the book, he’d just not thought through the consequences of serialisation, when little passages get blown up into big stories. As I explained to him, you can say Ruud van Nistelrooy was selfish when he was near goal but the headline won’t explain how that selfishness was part of his brilliance.

People came up with their conspiracy theories for Jaap’s exit, but all that counted was that the manager had lost confidence in him – a mistake, as he’d later admit. He thought Jaap had lost a bit of pace, and was dropping off. But even if that was partly true, he remained an immense presence for us in defence. He was missed.

The Impossible Dead by Ian Rankin (Orion Books 2011)

‘Any other names?’ Fox asked.

‘One or two are probably still a bit cracked – living as hermits in the Western Isles and writing anarchist blogs. Most of them probably found that as they got older, they became the sort of person they’d previously despised.’

‘The establishment, in other words?’

‘These were bright people, in the main.’

‘Even the ones scooping up handfuls of anthrax from Gruinard?’

‘Even them,’ Professor Martin said, sounding sleepy from all the wine. ‘It’s all changed now, though, hasn’t it? Nationalism has entered the mainstream. If you ask me, they’ll sweep the next election. A few years from now, we could be living in an independent European democracy. No Queen, no Westminster, no nuclear deterrent. That would have been impossible to predict a scant few years back, never mind quarter of a century.’

‘Pretty much what the SNLA and all the others were fighting for,’ Fox concurred.

‘Pretty much.’

‘Is there anyone I could try talking to about all of this, other than psychiatric patients and hermits?’

‘Do you know John Elliot?’

‘I don’t think so.’

‘He’s on TV all the time. News and current affairs.’

‘Never heard of him.’

‘He merits a mention in my book.’

‘What about Alice Watts?’

‘Who?’

The Leftovers by Tom Perrotta (St Martin's Press 2011)

The coverage felt different from that of September 11th, when the networks had shown the burning towers over and over. October 14th was more amorphous, harder to pin down: There were massive highway pileups, some train wrecks, numerous small-plane and helicopter crashes - luckily, no big passenger jets went down in the United States, though several had to be landed by terrified co-pilots, and one by a flight attendant who'd become a folk hero for a little while, one bright spot in a sea of darkness - but the media was never able to settle upon a single visual image to evoke the catastrophe. There also weren't any bad guys to hate, which made everything that much harder to get into focus.

Depending on your viewing habits, you could listen to experts debating the validity of conflicting religious and scientific explanations for what was either a miracle or a tragedy, or watch an endless series of gauzy montages celebrating the lives of departed celebrities - John Mellencamp and Jennifer Lopez, Shaq and Adam Sandler, Miss Texas and Greta Van Susteren, Vladimir Putin and the Pope. There were so many different levels of fame, and they all kept getting mixed together - the nerdy guy in the Verizon ads and the retired Supreme Court Justice, the Latin American tyrant and the quarterback who'd never fulfilled his potential, the witty political consultant and that chick who'd been dissed on The Bachelor. According to the Food Network, the small world of superstar chefs had been disproportionately hard hit.

Pigeon English by Stephen Kelman (Houghton Mifflin Harcourt 2011)

I saw a real dead person. It was where I used to live, at the market in Kaneshie. An orange lady got hit by a trotro, nobody even saw it coming. I pretended like all the oranges rolling everywhere were her happy memories and they were looking for a new person to stick to so they didn't get wasted. The shoeshine boys tried to steal some of the oranges that didn't get run over but Papa and another man made them put them back in her basket. The shoeshine boys should know you never steal from the dead. It's the duty of the righteous to show the godless the right way. You have to help them whenever you can, even if they don't want it. They only think they don't want it but really they do.