Pilgrimage to Kilcock, County Kildare

Members and friends of the Catholic Heritage Association joined together last Saturday for a Traditional Latin Mass for the repose of the soul of one of our founder members.

Reports of previous Traditional Latin Masses organised by the Association in Kilcock can be found here: 2009, 2010, 2011, 2012, 2013, 2015, 2017.

The Patroness of the Parish is St. Coca. You can find out more about her here.

St. Ninian of Scotland began his career in Cloncurry, also in the Parish. You can find out about his connection with Kilcock here.

Buildings of Ireland gives a detailed description of the Church of St. Coca here.

Annual Mass for Deceased Members

https://saintlaurencescatholicheritage.blogspot.ie/2017/11/radio-maria-broadcast.html

Pilgrimage to Rome 2017 (6) - Mass for All Saints

To celebrate the Feast of All Saints one couldn't do better than to be in Rome, surrounded by so many of the relics of the Saints, and upon the ground which so many of them have trod... except perhaps to be in the Roman Church dedicated to All the Saints (or almost so), the Pantheon, which was dedicated to Santa Maria ad Martyres. We had visited the Pantheon on Day 1 of our Pilgrimage, on the eve of All Saints, but include the pictures here.

Mass for the Feast of All Saints in the Basilica of Sant'Eustachio in Campo Marzio On the Feast of All Saints itself, we came to the Basilica of Sant'Eustachio, only feet away from the Pantheon, for the celebration of Holy Mass and to explore our Catholic heritage in Rome a little further. Although called Sant'Eustachio in Campo Marzio, it is actually in the Rione or District of Sant'Eustachio. Saint Eustachio himself was one of those brave Roman Soldier converts and martyrs. His symbol, the stag with a cross in its antlers, is to be seen all over the Basilica. He is also one of the Fourteen Holy Helpers, to which there was much devotion in the Middle Ages, and well worth recalling on the Feast of All Saints. The Church was founded, perhaps during the reign of Pope St. Gregory the Great, and is certainly mentioned in the reign of Pope Gregory II as a Diaconia, a Deacon's Church or center for Corporal Works of Mercy, and that work continues today with the poor of the area dining in the loggia of the Church each day. The only obvious remnant of the Medieval structure is the impressive campanile. The interior is decorated in a gentle French baroque style.

Pilgrimage to Rome 2017 (3) - After Mass in the Minerva

The Sacristy of Santa Maria Sopra Minerva

The Chapel of Saint Catherine is located behind the Sacristy of the Basilica. The Sacristy itself is an amazing and historic space. It has housed at least two Papal Conclaves, those of 1431 and 1447, to elect Popes Eugene IV and Nicholas V respectively. It can be found behind a gate just to the left of the Gospel-side Transept of the Basilica but, as ever, our intrepid pilgrimages organizer obtained for us access to some of those places in Rome where very few and only seldom go. The decoration of the Sacristy is by Andrea Sacchi in 1600, including the Crucifixion in the niche at the far end of the Sacristy (behind which is the Chapel of Saint Catherine). The ceiling scene of St. Dominic in glory is attributed to Giuseppe Puglia. The fresco of the Roman painter G. B. Speranza is placed on the front door, dating from 1640, and represents two conclaves which took place here. The Barberini bees - a motif that will recur throughout our pilgrimage - appear in several places in the Sacristy. In this case, they are the emblem of Cardinal Antonio Barberini, Archbishop of Reims, known as Antonio the Younger, one of the Cardinals Nephew of Pope Urban VIII. The Barberini family was a great benefactor of the Dominican Order and funded the decoration of the sacristy. The vestment benches and presses are also 17th cent. and are of walnut.

Inside the Basilica of Santa Maria Sopra Minerva

The Basilica is too filled with historic and artistic gems to cover all but those that our group concentrated upon were the tomb of Saint Catherine of Siena under the High Altar (seen below with the tomb of Pope Clement VII Medici behind. Opposite it out of shot the tomb of Pope Leo X Medici, both Florentines with strong connections to the Dominican Order), next to it, the Capranica Family Chapel of the Holy Rosary, where we had Mass on a previous Pilgrimage, the Caraffa Family Chapel with the tomb of Pope Paul IV at the end of the Epistle-side Transept (opposite the Chapel of St. Dominic at the end of the Gospel-side Transept, built for Pope Benedict XIII, the Dominican Pope, and containing his tomb), and finally, just next to the Caraffa Chapel, the tomb of the redoubtable Durandus.

Outside the Basilica of Santa Maria Sopra Minerva

In the Piazza outside the Basilica is Bernini's famous Obelisk supported by an Elephant, erected here by Pope Alexander VII Chigi, the first member of the Sodality of Our Lady (of a total of 20) to be elected Pope and of whom we shall hear much throughout the pilgrimage. Opposite the Basilica is the Palace of the Pontifical Ecclesiastical Academy, or the Academy of Noble Ecclesiastics, the finishing school for Vatican diplomats.

Just around the corner is the discreet - but fascinating - shopfront of Ditta Annibale Gammarelli, Ecclesiastical tailors since 1798, who provided the vestments for our pilgrimage.

Just a few steps up the street is the Pontifical French Seminary and the Seminary Church of Santa Chiara. Across the tiny Piazza di Santa Chiara is the Palazzo di Santa Chiara. This was once a house of Dominican Tertiaries and the actual site of the death of Saint Catherine of Siena. As already mentioned, the room itself where she died was moved into place behind the Sacristy of the Minerva, and the space left by that removal has been replaced by an amazing little chapel of 'Santa Catarina in Transito' which remains open to the public despite the Palazzo now being a public theatre - where some of the pilgrims also attended a selection of operatic pieces one evening of the trip.