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Walsh Bay costs hit $370 million, with taxpayers affected

Walsh Bay costs hit $370 million, with taxpayers affected

The state government has conceded the arts precinct has nearly trebled in cost and taxpayers will also make a contribution towards the reopening of the Theatre Royal.

  • by Linda Morris

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'This is what Shakespeare should be'
Review

'This is what Shakespeare should be'

Bell Shakespeare opens 2020 with a new production of Hamlet. It’s where they began, in 1990.

  • by Harriet Cunningham
'Living art': New life for heritage ferry
Art

'Living art': New life for heritage ferry

A vintage Sydney ferry has received a makeover for the 22nd Biennale of Sydney.

  • by Linda Morris
An illuminating experience for artist and beholder comes to city laneway
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Clover Moore

An illuminating experience for artist and beholder comes to city laneway

A lightbox tribute to Australian female leaders and feminist slogans has been installed at Reiby Place.

  • by Linda Morris
Superstar David Hallberg to head up Australian Ballet
Updated
Performing arts

Superstar David Hallberg to head up Australian Ballet

In a major coup for the Australian Ballet, legendary US dancer David Hallberg will replace David McAllister as artistic director of the company.

  • by Valerie Lawson and Nick Galvin
Nothing left off the table in new doco about psychedelic drugs
What's on

Nothing left off the table in new doco about psychedelic drugs

A controversial Canadian documentary uses home-grown experiments to explore how psychedelic drugs could help depression.

  • by Jake Wilson
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Just being Hamlet - on a second-by-second basis
What's on

Just being Hamlet - on a second-by-second basis

Harriet Gordon-Anderson is all too aware of the immensity of the task of playing the title role in Bell Shakespeare's new Hamlet.

  • by John Shand
Waves of sound leave SSO audience refreshed and invigorated
Review

Waves of sound leave SSO audience refreshed and invigorated

The sea is represented with benign beauty in Debussy masterpiece.

  • by Peter McCallum
How the Violent Femmes bassist found himself playing Paganini
Live music

How the Violent Femmes bassist found himself playing Paganini

In just one 'song' with ACO Underground, Brian Ritchie plays more chords than in an entire Violent Femmes concert. He loves the challenge.

  • by Nick Miller
'I've got to get this job': A Chorus Line lays bare the pleasure and pain of performers
Stage shows

'I've got to get this job': A Chorus Line lays bare the pleasure and pain of performers

More than 40 years after it first premiered, A Chorus Line's stories of triumph and struggle still ring true for a new generation of performers.

  • by Louise Rugendyke
Frustrated scientist's answers are blowing in the wind
What's on

Frustrated scientist's answers are blowing in the wind

Reid Butler is fed up with his work being ignored and has expressed that feeling in art.

  • by Nick Galvin