Jan 20, 2020

RhoDeo 2003 Re Up 222

Hello, that's a big batch this week , this when a seriously confused visitor still didn't get how to request a re-up, the procedure has been up here for years now....


11 correct requests for this week, one too early, one at the wrong place,   whatever another batch of 45 re-ups (15.gig)


These days i'm making an effort to re-up, it will satisfy a smaller number of people which means its likely the update will  expire relatively quickly again as its interest that keeps it live. Nevertheless here's your chance ... ask for re-up in the comments section at the page where the expired link resides, or it will be discarded by me. ....requests are satisfied on a first come first go basis. ...updates will be posted here remember to request from the page where the link died! To keep re-ups interesting to my regular visitors i will only re-up files that haven't been re-upped at least 12 months previously (the older the better as far as i am concerned), and please check the previous update request if it's less then a year old i won't re-up either.

Looka here , requests fulfilled up to January  19 th... N'Joy

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5x Aetix Back in Flac (  The Damned - Damned Damned Damned , The Damned - Music For Pleasure, The Damned - Machine Gun Etiquette, The Damned - The Black Album, The Damned - The Black Album Bonus )


4x Sundaze Back In Flac (Strangled Voice - Beauty Of Decay, R.Roo - Mgnovenie, R.Roo - Innerheaven, R.Roo - Hydref  )



4xGrooves  Back in Flac (The Jacksons - The Jacksons, The Jacksons - Goin' Places, The Jacksons - Destiny, The Jacksons - Triumph)



4xSundaze  Back In Flac (B.L. Reininger - Colorado Suite/Paris En Automne, Steven Brown - Music For Solo Piano, Winston Tong - Theoretically Chinese, Peter Principle - Tone Poems)



4x Sundaze Back in Flac ( Jonn Serrie - Planetary Chronicles Vl II , Jonn Serrie - Ixlandia , Jonn Serrie - Upon a Midnight Clear , Jonn Serrie - Spirit Keepers )



5x Sundaze Back in Flac ( Flying Saucer Attack - In Search Of .., Flying Saucer Attack - New Lands, Flying Saucer Attack - Mirror , Flying Saucer Attack - P.A. Blues, Flying Saucer Attack - Instrumentals)



3x Aetix Back in Flac (  The Plimsouls - The Plimsouls...Plus, The Plimsouls - Everywhere At Once, The Plimsouls - One Night In America)



7x Berlin Back in Flac  (To Rococo Rot - Hotel morgen, Allien, Ellen - Stadtkind , Tanzwut - Labyrinth der Sinne, T.Raumschmiere - Radio blackout, Malaria ! - Delirium (Remixed*Remade*Remodelled) , Thomas Fehlmann - Good Fridge 90-98, Rammstein - Live aus Berlin)



3x Beats Back in Flac (  Squarepusher ‎- Burningn'n Tree, Squarepusher ‎- Hard Normal Daddy, Squarepusher - Big Loada )


3x Beats Back in Flac ( The Aloof - Cover The Crime,  Eat Static - Implant,  The Grid - Evolver)



3x Beats NOW in Flac (  Renegade Soundwave - RSW 1, Renegade Soundwave - RSW 2, VA - Brit Hop & Amyl House )


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Jan 19, 2020

Sundaze 2003

Hello,  today's artist spent most of his life studying Sufism and Mysticism as such being 'out there ' that much may well have led him deciding to stay there, instead of returning to his aging body, after all he had given what he had to give..


Today's artist is is a German ambient drone. While the early releases of the early 80s (almost exclusively released on cassette) were characterized by droning singing bowls, tambouras, zithers and natural sounds, these natural sound sources were combined more and more delicately on the late works, so that the sound source itself can no longer be identified was. The result was a deep, dronic sound current. If you listen closely, you will discover the incredible complexity that swells up and down and gives the sounds something organic. Each album was under a spiritual (often Sufic) motto and probably opened a corresponding door in open-minded listeners to touch or awaken that emotional level. Do listen to this guy, whose music, while hardly including a single word, has so much more to say to us than words, no matter their number, could ever communicate. .......N-Joy

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Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm) was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star's End.

Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Outrageously, twenty-four albums of material were released in 2004 alone. He traveled the East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music. Klaus Wiese died on 27 January 2009 at the age of 67. "It wasn't obvious he was sick and he was not suffering from any known illness. He died unexpectedly during the night."

Wieses approach to ambient music is based on the minimalist tradition of composers such as John Cage, Steve Reich and Philip Glass; The greatest similarities between his space-flooding, ethereal, sometimes almost statically persistent, and genre-typical extended (sometimes over 60 minute long) drone passages exist for artists such as Robert Rich and Steve Roach. Wiese was a self-taught multi-instrumentalist throughout his life and used various Persian stringed instruments, drums, Tibetan singing bowls, chimes and a number of other instruments in addition to the zither on his recordings.

Klaus Wiese's life's work, however, is difficult to reduce to his music as such, because for him mystical elements were always an integral part of his art, he himself emphasized spiritual, therapeutic and healing motives. Multiple trips to the Orient brought him in particular in connection with the teachings of Sufis Hazrat Inayat Khan, experiences that should also be reflected in his musical expression (and many of his artworks). Through Wiese, a piece of the Sufis' love of music came to Europe, which, although distant from classical Sufi music, still has similarities such as ecstasy (wagd) and rapture (hal)

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Trance is consistently balanced, relaxed, harmonious, soothing, which for a full hour borders on a miracle. An ideal sound space for special actions of action and sanctification, initiation, meditation. Perhaps it's because of the pitches - the vibration of this recording touches the heart chakra in an incomparable way. Not an absolutely "everyday" experience but still really deep and nice



Klaus Wiese - Trance - Tibetische Klangschalen (flac 164mb)

01 Tibetische Klangschalen Part One 23:27
02 Tibetische Klangschalen Part Two 7:12
03 Tibetische Klangschalen Part Three 19:54
04 Tibetische Klangschalen Part Four 8:37

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Space, the final frontier this is the voyage of Klaus Wiese, it's atmospheric, hypnotic, meditative, repetitive, peaceful. Think minimalistic, spiritual, soothing, psychedelic, ethereal, instrumental and you get a perfect description of Claus Meadow's space



Klaus Wiese - Space (flac 192mb)

01 Space I 29:56
02 Space II 30:13

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"El-Hadra - The Mystic Dance" became Klaus Wieses "hit album". El-Hadra is a rhythmic meditation of the Sufis. Breath and heartbeat are equally involved and thus lead to trance-like states, not unlike Christian “heart prayer”, although Sufi meditation is carried out in a group and is anything but self-contained and quiet. Together with keyboardist and ambient musician Mathias Grassow (whose albums are always worth a recommendation) and long-time companion Ted de Jong on the tablas, Klaus Wiese merges and centers his previous sound achievements to a large whole and incidentally meets the taste of tens of thousands handset.

The focus is on the rhythm, which slowly but steadily increases in speed and leads the listener, or fellow dancer, ever further into the trance. Incidentally, the tablas were played through in a take, which probably also explains the natural flow of this recording. You are the pulse. The keyboards stretch the space and the zither seems to grind up all the rising thoughts and blow into an endless space. Even if the music seems very simple, very reduced, it is filled with treasures. Such music can only be a key, we provide the door and space.



Klaus Wiese - el-Hadra, The Mystik Dance ( flac   226mb)

01 el-Hadra, The Mystik Dance 52:28


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Klaus Wiese is a musical genius. He has proceeded beyond the purist's realm of acoustic singing bowls. Ceremony is a subtle blend of psychotropic bowls and psychoactive synths. Wiese explores the very limits of probability and goes to the nth degree of a new purity. The levels to which he can take the psyche build upon each other exponentially. It is like the proverbial upside-down pyramid. Thus, it is also a metaphor for life. As listeners travel this path of a conscious mind flux, they gather tools along the way. Some tools are intellectual, some are emotional, and some are devotional. All of the tools are, to some degree, spiritual. The six compositions are, in essence, merely movements in a long-form composition. The new purity is an essential device.



Klaus Wiese - Ceremony (flac   214mb)

01 Intro I 1:56
02 Déjà vu 28:19
03 Intro II 1:23
04 The Dream 16:53
05 Fergana I 5:16
06 Fergana II 6:31

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Two long meditative / obscure tracks from these masters of esoteric music done with sonorous sculptures resonances. Nono Orchestra are Klaus Wiese, Rick Rummler and Mani Reisser. They use what appear to be enormous sections of sheet metal formed into resonant instruments which make pluritimbral vibrations and layers of very low frequencies noise. This is very different than other deep noise projects. Often electronic artists create low noise using electronics and feedback but the sound here are formed much in the same principle of acoustic music. Various members of this quartet actually employ bows to create the vibrations of the metal in much the same way that a string musician would play his instrument. The result is an original and audibly vibrant low noise experience. Very textured, minimalistic, sombre, atmospheric, meditative, in short..fascinating.



Nono Orchestra - A-Kaori (flac 214mb)

01 A-Kaori 30:07
02 Dajjall 35:56

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Jan 17, 2020

RhoDeo 2002 Grooves

Hello, after all these male rappers these last months, it's about time women got a word in, that said they really didn't get a big foot between the door, i guess misandry doesn't sell as good as misogyny in a world abused by men. Nevertheless women did impact the hip hop world as we'll see the coming weeks.




Today's Artists  are  an American hip-hop girl group formed in 1985. Group members included Salt (Cheryl James), Pepa (Sandra Denton), and DJ Spinderella (Deidra Roper). They were signed to Next Plateau Records and released their single "Push It" on March 8, 1987, which hit number one in three countries and became a Top Ten or Top Twenty hit in various other countries. Their debut album Hot, Cool & Vicious sold more than a million copies worldwide, making them the first female rap act to achieve gold and platinum-status. The group has been nominated for a Grammy Award several times, the trio won the 1995 Grammy Award for Best Rap Performance by a Duo or Group for their song "None Of Your Business", making them one of the first female rap acts to win a Grammy Award. Their success in rap and hip-hop culture has earned them the honorific title "The First Ladies of Rap and Hip Hop"   . ....... N Joy

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In mid-1985, Brooklyn native Cheryl James met Jamaican-born Queens resident Sandra Denton, both studying nursing at Queensborough Community College. The pair became close friends and co–workers at Sears. Another co-worker, Hurby "Luv Bug" Azor was studying record production at the Center of Media Arts and asked James and Denton to record for him as a class project. This resulted in the single "The Showstoppa", an answer record to Doug E. Fresh's hit single "The Show" by the duo, who originally called themselves "Super Nature", along with DJ Latoya Hanson in late 1985, produced by Azor. The single utilized a melody from the 1984 film Revenge of the Nerds. The finished recording garnered some airplay on a New York City rap radio program. The independent Pop Art Records gave it an official release, and "The Show Stoppa (Is Stupid Fresh)" became a modest R&B hit. The single reached No. 46 on the Billboard R&B chart. In September 1985, the group signed to Next Plateau Entertainment (formerly Next Plateau Records), adopting the stage name Salt-N-Pepa and released their debut album Hot, Cool & Vicious in December 1986.

In 1987, the group recruited Deidra Roper, a 15-year-old high-school student DJ named "Spinderella" after the departure of Hanson. The group entered the music industry at a time when hip hop was believed to be a fad and major record companies were very reluctant to sign hip hop artists. Many early hip hop artists recorded for independent labels. Salt-N-Pepa made their impact on hip hop by being one of the first all-female rap groups. With lots of concerns about sexist lyrics and video clips that objectified women's bodies in hip hop, many feminists disliked rap and hip hop because of its bad portrayal of women. However, Salt-N-Pepa changed the look of hip hop. They were scantily clad in sexy clothing and were not afraid to talk about sex and their thoughts about men. Their song "Let's Talk About Sex" was a huge hit.

With the success of "The Show Stoppa," the group's name was changed to Salt-N-Pepa. The group changed their name because in "The Show Stoppa" they rap the lines "Right now I'm gonna show you how it's supposed to be 'Cause we, the Salt and Pepa MCs". This resulted in radio stations getting phone calls requesting "The Show Stoppa" by Salt & Pepper. They signed to the independent Next Plateau Records to record a full-length album.[4] The group's first album Hot, Cool & Vicious was released in 1986 with the original DJ Latoya Hanson, who was later replaced by Deidra "Spinderella" Roper. The album was produced by Hurby Azor, Salt's boyfriend at the time and also the group's manager. Years later, the women found themselves with legal issues with Azor as they accused him of paying unfair royalties. Hot, Cool & Vicious provided some moderate R&B hits with the singles "My Mic Sound Nice", "Tramp", and "Chick On The Side". But when San Francisco DJ and producer Cameron Paul created a remix to "Push It", the B-side of the "Tramp" single, it gave the group their first major hit. "Push It" (US #19, UK #2) became a platinum single in the United States, and a hit in several other countries, and was added to subsequent pressings of Hot, Cool & Vicious. It was nominated for a Grammy Award, and the strength of that single catapulted the album to platinum sales in the US with over one million copies sold, making Denton, James, and Roper the first female rap act to go platinum. The album ultimately sold 1.4 million copies worldwide. Salt-N-Pepa's next album, A Salt with a Deadly Pepa was released on July 26, 1988, contained the Top Ten R&B hit "Shake Your Thang", featuring the go-go band E.U. A top 20 R&B hit and a minor pop hit were seen in "Get Up Everybody (Get Up)" and "Twist and Shout", respectively; with "Twist and Shout" becoming a major hit in the UK (#4), and several other European countries. The album became certified gold-status, for excess sales of 600,000 copies sold in the U.S. and a total of 800,000 copies sold internationally.

The group's third album Blacks' Magic was released on March 19, 1990. Pepa would become the first group member to become pregnant. Azor would produce some songs on the album. As he was producing other acts, he agreed to let the artists work with different producers to finish the album. James and Roper took on producing assignments themselves and the trio also hired different producers such as Invincible's producer Dana Mozie. This was the first album to feature Roper on vocals as well as DJ'ing. The result was six singles released by Next Plateau Records, several of which became hits: "Expression", a platinum single that had been certified gold before it even cracked the US Hot 100 as it had already been #1 on the R&B Chart for 8 weeks, and produced by Salt; "Independent"; "I Don't Know" (featuring Kid 'n Play); "Do You Want Me" certified gold; "Let's Talk About Sex" certified gold, and later re-recorded as "Let's Talk About Aids"; and "You Showed Me". The album ultimately sold 1.6 million copies worldwide with a million of those sold in the US.[citation needed] A greatest hits album called A Blitz of Salt-N-Pepa Hits, featuring some remixed versions of songs from the group's first three albums was subsequently released.

Salt-N-Pepa's fourth studio album Very Necessary was released on October 12, 1993 on London Records/PolyGram. The album featured songwriting and production by Salt, Pepa, Spinderella, and Azor. Buoyed by the hits "Shoop", co-produced by Pepa; "Whatta Man" (featuring En Vogue); and "None of Your Business", a Top 40 US hit and a Top 20 UK hit, the album eventually sold seven million worldwide, with five million of those in the US (5x platinum), making them the first female rap act (solo or group) to have a multi-platinum selling album. The group toured and Salt went on to co-star in the motion picture comedy Who's the Man?. Pepa co-starred in the movie Joe's Apartment. Pepa had also been romantically involved with Treach of the rap group Naughty By Nature. The trio won the Grammy Award for Best Rap Performance by a Duo or Group in 1995 for the single "None of Your Business", making them the first female rap act to win Grammy. The album is the best selling album by a female rap act.[

By the time of their next album release, Salt-N-Pepa had gone through the legal process of completely breaking away from Azor, whom they accused of unfair royalty payments. Salt had already stopped being romantically involved with him due to their many ups-and-downs. The trio also left London Records after one album and signed with Red Ant Records, though still distributed by PolyGram Records through its Island Records label. Red Ant offered the trio a $15 million signing bonus to sign with them. The group undertook production duties once again, but without Azor involved in any part of the album. The result was their fifth album, Brand New which released on October 21, 1997, which hit stores a few months later. However, Red Ant filed for bankruptcy soon afterwards, halting promotion on all its releases, including Salt-N-Pepa's album. The group toured in support of the album, but without any promotion or marketing from the now-defunct Red Ant, they only scored minor hits with "R U Ready" and "Gitty Up". The album was certified gold in the U.S. for sales of over 500,000 and sold approximately another 200,000 worldwide. Although not as big a seller as its predecessor, it kept intact an unbroken string of platinum and gold studio albums by the trio.

In March 1999, Salt-N-Pepa embarked on a tour. Pepa married Treach of Naughty by Nature on July 27 of the same year. Salt-N-Pepa's greatest-hits album, entitled The Best of Salt-N-Pepa, was released in Europe on January 25, 2000. Pepa and Treach would remain married for two years but their tumultuous marriage would end in divorce on July 31, 2001. With no albums contractually due at the time, Salt decided to quit the group, stating she had enough of the music industry and no longer wanted to be involved in it. They officially disbanded in 2002. Some time later, Salt announced that she would be releasing her first solo album, but never ended up doing so. She was featured on the remix version of the Salt City Six's "Shine", on the album Holy South Worldwide, a compilation of Christian rap and Christian R&P (Rhythm & Praise) songs. The album was executive produced by ex-Three 6 Mafia member-turned-Christian rapper Mr. Del. Salt also revealed in later interviews that she had suffered from bulimia "many years ago". Pepa appeared on the fifth season of VH-1's The Surreal Life. Spinderella became a radio personality on KKBT 100.3 in Los Angeles, California. She hosted The Backspin (with DJ Mo'Dav), a nationally syndicated weekly radio show featuring old school hip hop music. She also periodically DJs at various clubs. The trio was disbanded for a total of five years.

Both Salt and Pepa appeared on VH-1's Hip Hop Honors in September 2005, as the trio were honorees. All three women reunited the following year for the next Hip Hop Honors program and performed "Whatta Man" with En Vogue. It was the trio's first performance in six years, and was their first ever performance of "Whatta Man" with En Vogue on stage.[20] Salt-N-Pepa reformed in 2007. All three women now have children. Spinderella has a daughter with former NBA player Kenny Anderson. Her daughter has appeared on MTV's My Super Sweet Sixteen in 2008. Pepa has a son and a daughter. Salt has a daughter and a son.

On October 14, 2007, The Salt-n-Pepa Show debuted on VH1. Pepa initially started the formation of the series as she had previously appeared on the network in The Surreal Life. The Salt-n-Pepa Show chronicled events in the lives of Pepa and Salt as they work out past issues and return to the recording studio. Spinderella has been featured in several episodes. Later in 2008, the trio performed with MC Lyte, Yo-Yo, and Lady of Rage at the BET Hip Hop Awards. Pepa released an autobiography entitled Let's Talk About Pep in August 2008. The book was co-written by author Karen Hunter and offers a glimpse behind the fame, family, failures, and successes of Pepa's life, as well as being a member of one of hip-hop's most successful acts.

Since, Salt n Pepa have been cashing in their name performing here and there mostly as part of a package deal/tour. In March 2019, it was announced that Salt-N-Pepa would have a biographical miniseries coming to the Lifetime network, highlighting the rise of the group to become one of the first successful female rap groups in hip hop.
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One of the first albums to be released by an all-female rap group, Hot, Cool & Vicious is paced by its opening track, "Push It," one of the first rap songs to hit number one on the dance singles charts. Considering how little Salt-n-Pepa actually rap on "Push It," which is all about its instrumental hook, they maintain a surprisingly strong presence over most of Hot, Cool & Vicious. No, they aren't technical virtuosos on the mic, but their fairly basic raps are carried off with brash confidence and enthusiasm. Some of the other key tracks borrow ideas from outside sources: the single "Tramp" is a rap remake of the Otis & Carla soul classic, and "The Show Stopper" is an answer record to Doug E. Fresh's "The Show." The duo's sass comes across very well on "My Mic Sounds Nice" and "I'll Take Your Man," and they're equally assertive on "Chick on the Side." In the end, the album needs a little more weight to really come across well, but it's fun and danceable all the same.



 Salt-N-Pepa - Hot Cool And Vicious  (flac   254mb)

01 Push It (Remix) 4:26
02 Beauty And The Beat 4:44
03 Tramp (Remix) 3:30
04 I'll Take Your Man 5:06
05 It's All Right 4:10
06 Chick On The Side (Remix) 4:54
07 I Desire 3:53
08 The Showstopper 4:57
09 My Mike Sounds Nice 4:08

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Attempting to follow up the crossover success of "Push It," Salt-n-Pepa hastily recorded A Salt With a Deadly Pepa, which essentially tries to replicate the charms of their debut without expanding on them very much. It doesn't end up quite as engaging, and the duo's limitations start to show themselves on the more underdeveloped material here. There are some good moments, but the album's centerpieces are once again borrowed ideas. "Shake Your Thang" is another hip-hop remake in the vein of "Tramp," this time of the Isley Brothers' "It's Your Thing"; there's also a less-satisfying Isleys cover from a different era in "Twist and Shout" (which lifts the beat of Toni Basil's "Mickey"), plus a rap take on Joe Tex's "I Gotcha." Elsewhere, "I Like It Like That" recycles the beat and brash shout-outs of "Push It." Thankfully, the next time out, Salt-n-Pepa would rethink their music and assume much greater creative control.



 Salt 'N' Pepa - A Salt With A Deadly Pepa  (flac   239mb)

01 Intro Jam 0:40
02 A Salt With A Deadly Pepa 3:29
03 I Like It Like That 4:06
04 Solo Power (Let's Get Paid) 3:30
05 Shake Your Thang 3:58
06 I Gotcha 4:09
07 Let The Rhythm Run (Remix) (From "Colors") 3:25
08 Get Up Everybody (Get Up) 3:37
09 Spinderella's Not A Fella (But A Girl D.J.) 4:00
10 Solo Power (Syncopated Soul) 3:44
11 Twist And Shout 4:54
12 Hyped On The Mic 3:29


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Prior to the release of their third album, Blacks' Magic, Salt-N-Pepa were viewed as little more than pop crossover artists. Most of their singles had been rap remakes of old R&B songs, and they hadn't even rapped all that much on their biggest hit, "Push It," which got by on its catchy synth hook. But Blacks' Magic was where Salt-N-Pepa came into their own. It wasn't that their crossover appeal diminished, but this time they worked from a funkier R&B base that brought them more credibility among hip-hop and urban audiences. More importantly, they displayed a stronger group identity than ever before, projecting a mix of sassy, self-confident feminism and aggressive -- but responsible -- sexuality. The album's trio of hit singles -- "Expression," "Do You Want Me," and the playful safe-sex anthem "Let's Talk About Sex" -- summed up this new attitude and got the group plastered all over MTV. But there was more to the album than just the singles -- track for track, Blacks' Magic was the strongest record Salt-N-Pepa ever released. Even if there's still a bit of filler here and there, Blacks' Magic successfully remade Salt-N-Pepa as their own women, and pointed the way to the even more commercially successful R&B/pop/hip-hop fusions of Very Necessary.



Salt 'N' Pepa - Blacks' Magic (flac   354mb)

01 Expression 4:04
02 Doper Than Dope 4:21
03 Negro Wit' An Ego 3:40
04 You Showed Me 4:01
05 Do You Want Me 4:52
06 Swift 4:04
07 I Like To Party 4:35
08 Blacks' Magic 4:16
09 Start The Party 3:51
10 Let's Talk About Sex 4:40
11 I Don't Know 3:11
12 Live And Let Die 3:07
13 Independent 4:46
14 Expression (Brixton Bass Mix) 3:28

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