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Review: Two-hander sails along in escalating saga of romantic mishaps

Review: Two-hander sails along in escalating saga of romantic mishaps

This tumultuous family drama is drawn from a lived experience of intergenerational and cultural conflict.

  • by Cameron Woodhead

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Contessa Treffone roasts Sydney's food obsession in Fully Committed
Stage shows

Contessa Treffone roasts Sydney's food obsession in Fully Committed

“I hope audiences can have a chuckle about the side [of high-end dining] that is sometimes a bit over the top"

  • by Nicole Elphick
A quiet word with Kenneth Lonergan, master of the unexpected
Spectrum

A quiet word with Kenneth Lonergan, master of the unexpected

The acclaimed US writer/director has long been a local favourite.

  • by John Bailey
Review: The Shadow Whose Prey the Hunter Becomes
Review
Arts

Review: The Shadow Whose Prey the Hunter Becomes

Back to Back Theatre's new show dives into a spiky philosophical exploration of some intractable failures of human imagination.

  • by Cameron Woodhead
Quixotic Palestinian drama lost in translation
Review
Arts

Quixotic Palestinian drama lost in translation

This whimsical work from Amir Nizar Zuabi loses fuel performed in English rather than Arabic.

  • by Cameron Woodhead
Going beyond black and white
Sydney Theatre Company

Going beyond black and white

Playwright Anchuli Felicia King understands the way the world is shaped by conflicting narratives.

  • by Neha Kale
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Come for the samosa, stay for the show
Melbourne Festival

Come for the samosa, stay for the show

Asha Jain and her son Ravi co-star as themselves in Brimful of Asha, about Asha's attempts to find Ravi a wife.

  • by Hannah Francis
Wonders never cease
Review
Melbourne Festival

Wonders never cease

Wonders is delivered with such charisma and contagious enthusiasm, it will leave you wanting – even as the seemingly impossible happens before them – to believe your eyes.

  • by Cameron Woodhead
Sentimental storytelling lessens show's musical power
review
Melbourne Festival

Sentimental storytelling lessens show's musical power

Cora Bissett’s What Girls Are Made Of falls into a hole between live music gig and theatricalised memoir.

  • by Cameron Woodhead
Strange and captivating odyssey
Review
Melbourne Festival

Strange and captivating odyssey

An exhilarating, visually and sonically immersive sci-fi experience.

  • by Cameron Woodhead
Black is the new white for Australian social satire
Review
Melbourne Festival

Black is the new white for Australian social satire

The cast takes to the central comedy of manners with a dynamic, infectious sense of fun that had the opening night audience in gales of laughter.

  • by Cameron Woodhead