Performance poets announced for Fremantle Poets 3 - FREMANTLE PRESS

8th July 2011 - Fremantle Press Poetry Publisher Georgia Richter announced the writers selected for Fremantle Poets 3: Performance Poets today.

Eleven Western Australian performance poets have been chosen for the collection which will be published in Fremantle Poetry Month in July 2012. They are: Allan Boyd (aka the antipoet), Jeremy Balius, Liana Joy Christensen, Gabrielle Everall, Amber Fresh, Afeif Ismail, Janet Jackson, Sam Knee (aka Byron Bard), Dosh Luckwell, Kaitlyn Plyley and John Charles Ryan.

Richter said the poets selected showed the range of voices and styles in Western Australia.

“These poets give a sense of the diverse talent, variety and vigour of our performance poetry scene,” said Richter.

Guest editor and performance poet Scott-Patrick Mitchell said he believed Fremantle Poets 3 was something West Australians would be intrigued by.

Article here:  http://www.fremantlepress.com.au/news/229

draft advice for political stanzas

brothers: this is not a blue light shed on yr brutal masculinity
women: you are not what you wear, ever, indeed
babies: take less medication please
this is a 2AM training session
for the 8000 watt burger-shopper
cooler than fuck we are
and this time, on the inside
dismiss this kiss then - the frilly red thing you wear
mothers: in this light, this ullulating bliss
children: defy this exotic white amplification of words
but i may actually be dead
sisters: I'm part of the walking undead hordes
these door-stop memories - flashes of XXXO
wives: in dark fremantle spaces at weddings
imagining my calloused fingers
inside you shopping for more
my nails scratch deep in yr head
a morphic resonance of grey matter
your camera sowing seeds
of red carpet messages to indonesia
mentions of my skin
and I'm outside the church smoking joints
then corporate memes a US drone across pakistan
standard plutonic treatment - friends of bent nations
fathers: my black wet guts spilled across your table
sage words to shoot down planes with
the bushfire mind to dig new graves with
cancel the thing i said i would do
I'll be in the lobby drinkin for two
and no-one mentions the elephant in your womb…

art is our artillery

sisters and brothers - art is our artillery

i'm not backin up my utility - not sitting down collectively - your resistance is my futility - facing up to the humanity - this gut-drenched humility - we paint these walls they erected for our security

and art is our artillery - we are the stones at tanks - this rock-star pose at the barricades - we are black mask window smashers - with words - not guns - we bomb walls not gods - these bricks thrown at bricks - are linguistic tricks - our armour is personal - our products are political

like a one-dollar-a-day comical hedge-fund - a stand-alone reptile of climate capital - the fine sand particles get stuck in yr teeth - like a profit-driven fascist tool - as we shout azadi from the watchtowers - then this art is our artillery

when freedom is tantamount to oxygen - not just a word to breath out - but a depth of necessity for your mentality - to consume like blood - to pray at deaf gods for quality of life - of death - not air-conditioners - not cosmetic practitioners - not holistic nutritionists

up there they're spruiking spin spin spin - like cleaner shinier coal - less oilier oil spills - prettier more vibrant sunsets - claiming nicer weather in other hemispheres - and we cannot scream politely - art is our artillery

our mechanical images of boots and guns projected on your houses - our street theatre is more than automatic - coz we deny the democratic - where losers lose - and winners win without consensus there is no reality

and at woomera as the fences tore to the sacred desert - from the palisades she saw them paint freedom in blood - on fences on the cameras, the walls - then art is our artillery - our radical capillary

your coded hacking the concrete apartheid - and the tanks in the streets become cardboard burning - in gaza, in palestine these words are our our intifada - our blistered feet and dusty faces weapons

the fences ripped near checkpoints - the ideas thrown at walls - that wall - that wall twice the height of the last one - more than four times the length of the last one - and it came down - we tore it down - and walls come down - walls come down - the walls come tumbling down - and walls come down - walls come down - the walls come tumbling down

they tear down the segments with car-jacks - and fists and hammers and bricks - thrown at bricks thrown at bricks thrown at bricks…

so under the tear gas grenades - art is our artillery - in the back of this police van - the seared flesh, no sirens in the coolgardie sun - the paint flaked - and we march toward the stolen lands in mass strides - the colonial treatyless regions - to the open sea of refugees - the children in boats - the unfree freedom fighters - the flags torn and sewn - kids in the water never overthrown - only spin spin spin from the parliamentarians - the negativity versus the bravery - the token corporate slavery

sisters, brothers, fathers, mothers - we demand dignity - and art is our artillery

our tongues rush at the barricades - and in the desert street again she picks up a stone at the military - chanting no borders no nations - no borders no banks - no borders no politics - no borders no gods - no borders no masters - no borders no government - to tell me that - art is our artillery

---

composed and delivered by allan boyd (antipoet) 10 nov 09 at scitech for: artilleryfestival.com

EXPERIMENTAL WRITING WORKSHOP - DEC 5 - PCWC JOONDALUP

NO BORDERS - NO NOTIONS: AN EXPERIMENTAL CREATIVE WRITING WORKSHOP with Allan Boyd (aka the antipoet) Saturday 5th December 2009 - 1-4pm Peter Cowan Writers Centre - ECU Joondalup

Experienced performance poet, experimental writer, artist, musician and Curtin University writing teacher - Allan Boyd (aka the antipoet) debunks the so-called "writers-block" myth in a three-hour workshop.

Allan will attempt to demystify the process of creative writing and encourage participants to take an explorative, experimental and radical approach to the process of creative writing.

The workshop provides exercises and examples to unearth new ideas, exposing processes that are often unconscious.

This workshop is suitable for both beginners and experienced writers, and involves challenging exercises and opportunities to develop their skills.

TO BOOK: Peter Cowan Writers Centre
Office hours Tuesdays and Thursdays, 10am-3pm
Phone/Fax: 9301 2282
E-Mail cowan05@bigpond.com
Web: www.pcwc.org.au

===

allan boyd (the antipoet)

Based in Perth, Western Australia, Allan Boyd has been delivering performance poetry at and organising dynamic poetry arts and music events since 1995.

He has performed his "difficult and acerbic words" as featured guest of the Queensland Poetry Festival; Melbourne Overload Poetry Festival; Newcastle This Is Not Art; Electrofringe and National Young Writers Festivals; the WA Poetry Festival; Artrage; Perth International Arts Festival; WA Fringe and others.

He is also singer/songwriter/guitarist for Perth original bands, MiteyKo and Blac Blocs - and creates music and soundscapes for film, theatre, tv and radio as well as live laptop sonics as Bozo.

Whilst studying creative writing at Curtin University he founded the popular Openmouth Poetry sessions at PICA Bar in Perth from 1996-2001, published a regular poetzine: Woodwork - as well as organised countless other poetry/music events since in WA, NSW and Melbourne.

His radical poetry and experimental short stories have been published in various journals and underground publications around Australia.

His Antipoet Manifesto, written as Emerging Writer in Residence at the Fellowship of Australian Writers WA in 2004, has been distributed across the planet.

Allan is a regular presenter/producer at Perth's largest community radio station RTRFM. He is also a web-designer/developer, administrator, graphic-artist, editor, activist, photographer and psuedo-journalistic hack.

Allan is the WA Poet Host for the Australian National Poetry Slam Perth heats.

Allan also facilitates workshops on performance poetry, experimental writing, zine-making, stencil-making and web-publishing.

He also teaches Creative Writing at Curtin University.

Kevin Gillam - Allan Boyd Antipoet - Nick Cave

THE MOUNTAIN POEM

(planning to perform this piece at perth poetry club sat 29 aug 09)

well, I stand up next to a mountain - and I chop it down with the edge of my hand.. (voodoo chile: jimi hendrix)

listen: listen - my sisters – to the syllables, the syllables

poet: yr sitting on this wasted red country - a political dystopia: a brand new system now recommended by most post-sheep’s-back billionaires and rabid-rim-job taxation-officers – in cars

theme: ultra-violent cashed-up-nutritionists, plus twenty-two-percent of flammable psychologists - and fifty-five point five solid-cream-fat neurologists - bangin at the gates of a detention centre urologist – in cars

and now they listen at apology speeches wrapped in union jack n stars on beaches

and i stand up next to a mountain... in cars

and then our sorry generation of tears to break the droughts of murray-darling cotton farms, remembering Anzacs like broken biscuits on the sweetest shores of cannon-fodder obedience – of blind dominance of rats on a boat – in cars

a porn-skool swimming-pool gorgon nightmare, the flatback turtle happy to hurt the carnivorous expansion of another island, wheelbarrows of cunts, telling each other to fuck off because we’re somehow full of burning racist stubble, the fascist bubble, an intellectual equivalent of a one-digit gesture at a festival of poets – in cars

back on the mainland we’re peeling back our foreskins, aiming at the pigs, barking at the dogs, gnashing at the bacon, baking at the bikini tensions – the syllables, oh syllables –in cars

well, I pick up all the pieces and make an island - might even raise a little sand - I don’t take no for an answer - well, I stand up next to a mountain - and I chop it down with the edge of my hand

simile: like stunning corporate laces of a perfect corset, snapping at the straining eyelets, busting out in terrorist gangs, leaping the ethnic fences of air-conditioned harbour bridges - our naked backs lashed n split skin the rock-salt of the left divided by the right - like an anarchist knitting circle, a moshpit of broken dreams, the guitar hammers waltzing matilda, yr neck arched high at the strobes, the crucifix of my baritone manifesto – in cars

metaphor: tearin up the tree-lined streets on the way to buy more vitamins i sold my steel soul to titanium, rubber and lube – my erection of utterances, of stanza upon fucking stanza – together man we make the meaning – like shaving yr triangle with my broken angle grinder – in cars

and the sixteen muscles of my flexing tongue, the semiotic syllable the syllable, the syllable...

well, I pick up all the pieces and make an island - might even raise a little sand - I don’t take no for an answer - well, I stand up next to a mountain - and I chop it down with the edge of my hand... in cars

-------------------------------------------

allanboyd antipoet- august 28, 2009

Australian Poetry Slam 2009

The search is on for Australia’s next poetry slam champion!

Speak, scream, howl, whisper or sing your original poem at the Australian Poetry Slam 09 – an electric live eventght where the audience is the judge! Slam heats are currently being held in city and regional venues across Australia until November 2009. Two finalists from each slam heat will compete in their state final.

http://australianpoetryslam.org

speak to me saint nick!

(apologies to Nick Cave - many stolen and bastardised lyrics inside this performance piece - al)

“my face is finished - my body's gone - and I can't help but think - standing up here in all this applause and gazing down at all the young and the beautiful with their questioning eyes - that I must above all things - love myself...”

like lazza himself - dig yourself nick - get ready for love – set me free

but my mouth like black black cotton up here in this foyer of justice – a cave of wet remembrance

coz a long black-haired skinny god of cool is in the house now, this ghost of the baddest seed, this bastard museum of bashed, bent n biblical lyrics - of birthday parties and boys next door – of orgiastic guitar, of painted strippers on my munted body – my mortality, this love of organised stanzas of hate and the perfect strut and stance - of naked full-blooded violence – the birth of a concrete vulture – this darkest night..

yr subway words hammer in my head - yr blood as a pen, beaten n robbed in the fading city light – yr face like a bug, an art school failure

and i’m not fit to tie yr fucking shoes – i’m hideous to the eye - a fat little insect - the stripper dancin on all fours in his birthday fucking suit – the stench of London, the st kilda scum – a punk gothic

we call upon the sainted author to explain – yeah man – we need the authors’ explanation – the underlying seeds of all this – the cognac, pethidine, the heroin of it all - the grinderman’s methadone plan – a twelve-step poem, a bleeding Wangaratta nightmare

hey my friends, lovers, diggers and beggars – so we ain’t believing - in interventionist gods here tonight man - one microscopic cog in his catastrophic plan

but if we did, if i did, if you did motherfuckers - I would kneel down and ask Him not to intervene - not to touch a hair - yet to leave you baby as you are - to direct you, direct you into my arms

and hey, we don't believe in the existence of angels either - but looking at you I wonder if that's true - and ask the angels to watch over you - to each burn a candle for you - to make bright and clear your path - and to walk, like Christ, in grace and love

and i believe in love - in some kind of path – man, we can walk down it, me and you - always and evermore - Into my arms, into my arms - my broken, scarred and pricked arms, my germanic syringes, yr pornography of religion

nick man, let’s take a litlte walk to the edge of town - across the track, where the viaduct looms, like a bird of doom as it shifts and cracks - where secrets lie in the border fires, in the humming wires

he's a ghost, he's a guru – and they're whispering his name through this disappearing land but hidden in his coat is a red right hand - here he comes

you'll see him in your head, on the TV He's a ghost, he's a god, he's a man, he's a guru - designed and directed - his nest high up in the autumn branches, built from nothing but high hopes and thin air, collected up some baby blasted mothers who took their chances

and we've laid the cables and the wires, we've split the wood and stoked the fires - we've lit our town so there is no place for crime to hide - our little church is painted white and in the safety of the night we all go quiet as a mouse - since the word got out - from the North down to the South - no-one's left in doubt - there's no fear about - if we all hold hands and very quietly shout Hallelujah - god is in the house

back here in this july city night – in their bloated museums, all the magicians, the mathematicians - across the wet-paved, tree-lined light-lit thoroughfares - and baby, we're hip to the sound of six billion people going down, blocking the sun - blood running down the inside of her legs, the moon in the sky is battered and mangled and the bells from the chapel go jingle-jangle - we made every effort not to abuse her - crazy bracelets on her wrists and her ankles - and the bells from the chapel go jingle-jangle – do you love me? do you love me? do. you. love. me?

lets celebrate the murder of sadness, the rape of the melancholy muse – busting the rhymes – the batman regret – a permanent fear of the denial of youth – the killing of aggression – growing to each other’s faces – no grace in rebellion – no end to the 30 years of relentless scars – the unreliable muse is dead – the author unexplained – look yonder – look yonder - sailing ships around me... never enough exclamation marks anyway – dig dig dig...

so yeah man, I bought her a dozen snow white doves - I did her dishes in rubber gloves - I called her honey bee, I called her love - but she just still didn't want to - she just never wants to – Damn...!

and you there, perhaps still with us in this friday cello cave rant leave religion to the psychos and fanatics – we’re tired and hardly breathing – we’re sick and tired of all this self-serving grieving

Kevin, go tell the women that we're leaving...

=====================
antipoet - allanboyd - july 2009 - for the nick cave exhibition... july 10 2009

Perth Heats - 2009 National Poetry Slam

From the waslamheats.com website...

The Perth heats of the 2009 National Poetry Slam will be held at the 459 BAR of the ROSEMOUNT HOTEL, Cnr Angove and Fitzgerald Sts in North Perth.

Theres a map here, on the venue page.

PLEASE NOTE: We will not be accepting Heat registrations until early September 2009.

BUNBURY? there is also talk of a Heat in Bunbury! More details will be posted on this website when we have confirmed.

When are the Perth Heats?

• * HEAT 1: Friday 9th October
• * HEAT 2: Friday 16th October
• * HEAT 3: Friday 23rd October
• * HEAT 4: Friday 30th October
• * FINAL: Friday 6th November
  

Each night starts at 7.30PM

Its $5 Entry for Slam consumers - to be used to help cover costs of running the event and providing prizes for the winners.

If you wish to compete in the Slam heats, registration will cost you $5 - to be paid on the night of your heat.

REGISTER HERE (currently disabled) Please come back early September to stick things in boxes...

If you have any dramas please phone Allan Boyd - WA Slam Heats organiser on 0402 573 580 - Or use the Contact form here...

Thanks comrades... Werd!

From the waslamheats.com website...
--

The Antipoet Band - Thurs May 14 - Hyde Park Hotel

Doing it again - the Antipoet Band assembles at the Hyde Park Hotel Front Bar, Bulwer St, North Perth - this Thursday night 14th May - from 8pm. $5 entry - AP Band on at 10.30pm.

Details are dirty and sketchy but Al, Riche, Ray, Buddah, Subaware and maybe Kev will mount the mics at Hydey...

With DIE SCOUNDRELS
http://www.myspace.com/scoundrelsband

and CHAINSAW HOOKERS
http://www.myspace.com/chainsawhookersbloodrock

The Antipoet Band Manifesto:

The way this band works is we only have a short rehearsal shortly before each gig.

We have no full songs, no verses/choruses or formulated ideas - just a few improvised hooks and riffs to act as a bed of music/sound to free-form anti-poet lyrics - which may manifest as songs during the performance.

The band consists of Allan Boyd (the Antipoet) - frontman of Blac Blocs on the mic and occasional guitar, with backup by his partner "Subaware"; Steve Buddah is the drummer; Ray (the armed poet) Grenfell from Blac Blocs pumps the basslines; Richard (willterra) Eames provides guitarscapes - and Kevin Gillam plays cello...

There is a FACEBOOK EVENT if you wish to confirm or find out more...

cheers
al

this is the construct

relax brothers, sisters
so I'm standing here in the black black light of this respirated room
this court of stonewalled rainbow pride - a razor cult
not a stolen cushion amongst you
this is a spoken saturday tragedy

question: but should i drop the blue pill

the tainted red of a sunset billionaire
a capital traffic-jam - a gridlock mindfuck
am i such a pissback-coded n fully stunted fringe
all in for the stunt-kilted mullet
a blitzkrieg of carnal spasticity
do I need a specific singular linguistic geography

right - so do i imply - allude - suggest - recommend
demand this, your collective adverbial fascism
an online zeitgeist continent

that we're licking the corporeal shine off the rigid midnight shaft
a pulsing throb of sleek exit signs and signifiers

the twitter-hit of a sub-literary militias mormonism
the twilight agenda - a drug-infused recovery
a spray-on skin grant applicator

do these shopping centre remedies poke or bend
a quantum mouthfuck, an empty bed of hedge-fund toxicity
as if I were a snare skin junkie in the crumpled sheets
i’d still sell at the best price - seek the best leather

she said this in sleek dental glass tone
the steel between her bloodied fingers, the latex sheen
this is the core, man, an old skool vs gnu skool stoker

where we smash it up yeah – push light like lipstick in bits
the broadcast of our unique pirate signal
and hack, swallow each other’s lolly

i’m sure all here get the drum, cobbers - you, yeah you

that your appearance now is what we call residual self image
it is the mental projection of your digital self

so, should you drop the blue pill

hey am i this pixilated concrete canvas?
talking about what you can feel, yet what you can smell
that which you can taste and see
then this real is simply electrical signals interpreted by your brain
this is the world that you know
it exists now only as part of a neural-interactive
some post-anarchist simulation
a simulacra of ecosystems, producers and consumers
of decaying text, a virus of agents upon the biosphere
chapter by chapter - a genesis to revelation

so, should you drop the blue pill

welcome comrades to the desert of the real
we have only bits and pieces of wiki-information
but what we know for certain is
early 21st century mankind united in celebration

marvelling at our own magnificent insignificance
our bastardised singular consciousness
spawning an entire race of machines to shout at

never knowing who struck first like a face slap trade
it was us that scorched the sky in a free based orgy
an alcoholic's last ideological beer, a recycled sharp
dependent upon our machines to survive in the rusty oceans
the sticky fate not without a sense of pig-irony
perversions of a basic reality
medicine and the army - favoured terrains of simulation

yet we liquefy the dead fed intravenously to the living
while we boil the bilious roads and roads and roads
all leading to here to this moment
this stand-up simulation - an economic packet

should you drop the blue pill

and my inner-neo says:
i thought I should call and let you know how things stand
I know you're real proud of this world you've built
the way it works, all the nice little rules and such,
but I've got some bad news. i've decided to make a few changes

and they sprout like arum lillies at the front-lines
human definition a reality of suffering and misery at the barricades
the perfect magazine world, this dream that
your primitive cerebrum kept trying to wake up
from a clusterfuck viral civilisation

a morpheus evolution, a classical trinity, a spoon-bent oracle
an agent for change - a placard - a slogan - a clown suit
at the G20 - the suits pressed against my bleeding face

should you drop the blue pill

me, trained to accept only what is rational and logical
yet unable to separate the possible from the impossible
the younger mind easier to free, he says from the script

all around us, here even in this room
you can see it out your window - or on your television
you feel it when you go to work - or go to church - or pay your taxes

the brochure world pulled over your eyes to blind you from the
born-into-bondage truth - kept inside a prison that you
cannot smell, taste, or touch - this prison for your mind.

you take the blue pill and the story ends - you wake in your bed
and you believe whatever you want to believe - you take the red pill
and you stay in wonderland and I show you how
deep the rabbit-hole goes

you take the red pill
you take the blue pill

this is the construct

---

Performed at the Perth Poetry Club, 4th April 2009

Matrix Script: www.imsdb.com/scripts/Matrix,-The.html

Perth Poetry Club Begins - Every Saturday 2-4pm at the Court Hotel

Excited organisers of a fresh weekly poetry reading, Janet Jackson and Helen Child say:

The Perth Poetry Club will be kicking off on Saturday, March 28, from 2-4pm, and every Saturday thereafter, at The Court hotel and restaurant, 50 Beaufort Street, Perth.

This is opposite the museum, just along from the train station, about as central as it gets.

For those with recalcitrant feet: no stairs! - we will meet in the front corner room, on the right as you come in the front door.

Entry is free but donations will be encouraged. We want to be able to pay our guest poets, and there may be some expenses.

Expect a Guest poet each week, plus lots of 3-5 minute open mike slots and some time to chat. Under-18s are allowed in the venue until 8pm but they must be with their parent or guardian.

If you'd like to be included in the reading line-up for the first Poetry Club performance afternoon, email Helen child at: helchild@tpg.com.au

MCs, Helen Child and Janet Jackson say: "It will be a fun and relaxing way to spend a Saturday arvo. It's also a great place to try out that latest poem, or hone your performance skills!

Come and share some poems, and while you're there, enjoy the full bar and restaurant service of The Court to the extent allowed by your wallet and your mood..."

Its just a slam ramble

From a thread on Perth Indymedia

Whilst its kinda interesting to read the analysis of a slam here on perth indy, the point of a slam is NOT the competition. At all.

The competition is an illusion, a delusion.

Slam events are purposely designed to produce random judges from the folks in the crowd, ie not literary judges, not high-brow poets, not beret-wearing snobs! Although if those are in the audience then they may get to be a judge.

Its random. Its open and transparent.

Slams began in the 80s in Chicago as an attempt to get more people along to poetry readings. And it works!

For me: having organised hundreds of poetry events since the mid-90s - including dozens of slams - the idea of a slam is to bring people to poetry events. Not for poets to compete with each other. The competition is certainly tongue-in-cheek and just a way of presenting new work to new audiences.

A slam event takes poetry to a higher place.

For poets: its an opportunity to perform your work in bite-sized chunks to a decent audience of people who may not necessarily be poets. Its a chance to perform quality work in a quality space. To be the best poet YOU can be - not the Winner of the comp!

For those that want to win a slam: Please don't enter it to win! Enter to hone your work, to take the opportunity to perform new stuff to new people. Refine and polish, rehearse and edit, craft and shape etc... Be the best poet you can be.

For the audience: its an opportunity to be entertained by contemporary and exciting poetry. The competition factor is a ruse. A joke. A ploy to get people in the venue. And it works. Every heat of this series was booked-out. We even needed a TV in the bar for those who couldn't fit in the theatre.

And the best bit about slams: I get to declare the next poet like they were a World Wrestling Federation superstar...

Nobody wins a slam. Everybody wins a slam.

:)
cheers,
al boyd
http://perthpoetryslam.com

From a thread on Perth Indimedia

Perth Poetry Slam 2009 FINAL - see hear touch taste and smell it

SLAM FINAL - Wednesday 4 March
These are the 12 finalists for the final of the inaugural Perth Poetry slam:

Belowsky
Karla Hart
Raageh Ismail
Gabby Everall
Mark Lloyd
Tiffany Ha
Paul Harrison
Elizabeth Tan
Stephanie Megatronn Low
Vivienne Glance
Jeremy Balius
Khin Myint

All welcome. Audience tickets are $5. The venue has limited capacity - so please book at the Blue Room website or phone the Blueroom on: 9227 7005

blac blocs supporting propaghandi

Come and vent...

"Canada’s Propagandhi are finally dragging their politically charged punk rock arses back to Australia. From their earlier roots in the punk and skate punk tradition to their more recent heavier, hardcore thrash-influenced sound, this band has a reputation for their energetic live finesse. It has been 11 years since they last turned themselves loose upon us and the anticipation for their return is now over..."

Yeah - and local rascals 3 Days Later and Blac Blocs support Propaghandi this Weds night at Capitol...

Fucking A. Circle A.

Wed 25th Feb Capitol - Perth
393 Murray St - Perth
www.amplifiercapitol.com.au/home

Doors open 7.30pm

Suburban anarchistas Blac Blocs on first (8pm) - followed by bitumen-dirt punkers Three Days Later - then Propaghandi

Propaghandi:
www.propagandhi.com
www.myspace.com/propagandhi

3 days Later:
www.myspace.com/3dayslater6285

Blac Blocs:
www.blacblocs.com
www.myspace.com/blacblocsband

Tickets:
www.moshtix.com.au/event.aspx?id=23709&ref=moshtix

george rip and the c-word

not enough red wine to kill it
not enough beer to say this
not enough buds to cough it up
no amount of cheap bourbon can quell it
not enough left of you to really do this justice

and I wait with notions of you
the personal political, the poetic farce of this page

and so this stupid necessary heat, this molten national face
drips like bushfire climate fantasy - the C word on my lips

and there you are: floating like the sheep station buddah
your guitar slung like jesus would've stood at the mic
legs apart, stand low, that beast between you

yet the plastic tubes taped to yr thigh
you rip chops back still like you ever did
pain for days after, Verity said - like it was the news
and now here's the cancer that ate into your head

trashing thru the global dissent, the lava light of all this fiscal shit
and god speaks in mysterious rhymes in this place tonight

the sonic glitches and cello sweeps, a missing break beat
in the shitty heat - like a drunken Toodyay shooting gallery

firing 410s at the trees, laughing at the twisted kites
and the faces of stars - despite their gaseous, glittering
glamourous intent like crystals on a thrusted mirror
my sweating face and…

and at last, tears - the early ZZ Top, Stray Cats, Satriani riffs
the salt at my side, the colour-blind totality of this

this funeral moment - these Beer Drinkers and Hell Raisers
and if you see me walkin' down the line
with my fav'rite honky tonk in mind
well, I'll be there around suppertime
with my can of dinner and a bunch of fives

ahhh play it boy…

and here we're on our collective knees for the insurance for sure
this conflagration, this chronic addiction to the C-word
a church without pews, without confession
without the trojan horses of prayer, perhaps a hankerchief
a hug another hug, the tears of brothers in my stubbled face
another hot hug at the casket, another few wrinkled memories
like a fucking car crash, a jack thru the quarter-vent
the cops at the morning sky

the people are poets in here, the profit sang loudly in ellipses
our parenthesis, our mocked children of the speed culture
we stack these endless shelves and empty them, these boxes
we consume the brilliant trademarked colours, the colossal binge

and the cheap credit bubbles like whore spit lips
in the sheep runs rubble like the rock-crushed ships

and the alliteration becomes meaningless, doesn't it?
and the repetition becomes pointless, doesn't it?
and the question becomes rhetorical, doesn't it?

the neologisms spat thru the busted syllables
its all for nothing - just to engage in ruptured couplets
a cheap cambell soup-tin nightmare

and the tree-blurred concrete freeway grips
the white lines a hideous cliched exit
but the graf makes me hard, the grubby clouds, wet

everything makes me think of the thin grey jim dunlop pick
I left on your coffin yesterday amongst the cluster of petals,
and moments before you disappear
you and that stupid beautiful wooden container
the grain as pretty as the forest it took
and you're in there man - dead

dead as the C-word - dead like a bushfire culdesac

this funeral moment - these Beer Drinkers and Hell Raisers
and if you see me walkin' down the line
with my fav'rite honky tonk in mind
well, I'll be there around suppertime
with my can of dinner and a bunch of fives

ahhh play it boy - and he did

and we skated the crushed skulls of those
that trod the red ground
our new steel strings softer than skin
a Marshall stack in the stage-light
blue red green blue red green… red red white.

and is this nausea for real?
why does this grief keep smashing sidelong into the text?
what is this fear of an A minor 7th?
and just how does a G# make F almost credible?
what is the relative key I asked him?

and if you see me walkin' down the line
with my fav'rite honky tonk in mind
well, I'll be there around suppertime
with my can of dinner and a bunch of fives

we never really knew the maths of those chords,
or the meanings - just the nature of progression,
the popular uprising within this song structure
this poem collapsing faster than the C word

here it is then - under it:

Capital Capital Capital Capitalism

and your exit from this poem makes me breathe a little slower
the grief-hell
the faded flannelette
the mullets
the empty bourbon bottles
the stinking bongs for writing songs
and poems
and words
and chords
and rhythm
and melody
and poems
and words
and death

and can you feel this cello puncturing my heart
here - our collective body, my words not even
meant to go here - this poem about capital never built

instead

this funeral moment - these Beer Drinkers and Hell Raisers
and if you see me walkin' down the line
with my fav'rite honky tonk in mind
well, I'll be there around suppertime
with my can of dinner and a bunch of fives

ahhh play it boy

and he did

and he fucking did


rest in peace brother

____________
allan boyd - antipoet
february 12, 2009
for Baden 1964-2009

Perth Poetry Slam 2009

Perth Poetry Slam 2009

Full details coming soon...

Openmouth and The Blueroom present the inaugural "Perth Poetry Slam"

Starting Wednesday the 4th February 2009, the Perth Poetry Slam runs each Wednesday night until the 4th March - with up to 20 wordmongers will dazzle you in a battle to the death.

Five randomly chosen audience members will judge the performances to see who wins the final on the 4th March. Prizes etc to be announced soon...

And you're invited! Contact: email us here...

The Slam is part of the "25 nights of Summer" program at the Blue Room... 53 James Street, Northbridge in the Perth Cultural Centre. The Blue Room will become an artist club for members and friends to hang before heading out to a Festival show, rock up after a show, or head straight down and spend the evening witnessing any number of performances taking place throughout the venue.

Hosted by WA performance poet Allan Boyd - aka the antipoet

Find out more: perthpoetryslam.com - or phone 0402 573 580 to get involved.

Or email us here...

December 2008 - STOP

some shit whats comin up:

FRIDAY 12 DEC - Blac Blocs Band - performing hard, wet, thoroughly blister on yr transistor - at the Castle Hotel, North Perth at around 11PM - preceded by this. Okay?
=
SUNDAY 14 DEC - at 700PM I'm performing with Maitland Shnaars and Kevin Gillam.

the missing link festival

and stuff...

see also: facts...

poem published: under the creaking shifting weight

This poem has just been published in the [literature shelf] at the German/English poetry/arts magazine: REGAL8

under the creaking shifting weight of a hundred billion words (Feb 2008)

under the creaking shifting weight
of a hundred billion words: we sit we sip

in this central aromatic structure
this giggling monastic carbonated room
this carpeted annexe of caffeine
ink and sugar and cream and pages

all the roads and rails lead here
to this ambrosial concrete space
a footpath prayer to the lactose
and storage of lipids
those ceramic word separators
those little packets of essential carbohydrate

we sip under the histrionic canister
of shelves of shelves of shelves
we sit n stare through the temporal utterings
of this - the cultural light

a drooling echo of blanket willingness
a fractured window filled with educated pedestrians
unable to consume all meanings at once
like a hallucinogenic crystalline title
like a solidified footnoted poem
a reader, a writer, a speaker, an etching
an unspoken convergence of us
a realtime advertisement for watches

a psilocybinistic celebration
oh monomythic word
ohm ohm ohm
we sit we sip we sit we sip

stand and deliver
he said, in public reflection:
all hail ye to the angels
of post-structuralist textual expression
nay this thy ego disintegration, dude
these thousand words for you
oh gangs of nouns and figures and graphs
and adverbial connotation
the corporeal assonance
oh hear the contextual summoning, mate

author: can you feel it
the paper, the plastic, the binding, the edges
the petro-chemical electronic hum of us here
the chronic history of these telekinetic wordscapes
wrapped in epic rock stance
this swagger and thrust
of academic lust
and technique
and diction
and dust

oh collection of leaves
hurtling through bitter freeways of veins
our esoteric ramblings
bending, heaving westward
to the coastal forest of words

and books and books and books and books
we sit we sip we sit we sip
under the creaking shifting weight of a hundred billion words

some denying the ancients stories
the crimson fettered massacres, an ochre river
of black skin and white ideological forms
ignored as a holocaust fabrication
a little aussie culture battler
a violent synesthesia of history war
a fair dinkum blackened armband version

that these sun-burnt broken station fences
need not reveal a truth
that these tomes breed us - all here
under this scripted boomtown ceiling

and we burn the ones who disagree with ease
in piles of flames and disease
yet these leaves, this sheet, this page
a rustle of bibliophilic rage

yes we sit we sip we sit we sip
under the creaking shifting weight of a hundred billion words

aware the frozen block-universe
a single pre-existing
ever-existing future is wearing thin
and sacred sites are rarely random
she wrote of vivid nourishing terrains

under the creaking shifting weight of a hundred billion words
we sit we sip we sit we sip

our vacant obese skeletal bodies
hurling sentence after sodden sentence
of brazen self-aggrandisement
tearing strips of busted, bloody
brutish english language

that queens not mine, she said
not bloody legal, she said
of our glassy, robust limbs
and wrinkling skin and signs
a challenge here
our lips and tongues and ears
failing to resolve these fragments

all manufactured trees
the reverberating bark
of understanding
of signifiers
this barren semiotic orgasm

under the creaking shifting weight of a hundred billion words
we sit we sip we sit we sip

a calculation of deliberate misreadings,
without form or function
we breathe the air-conditioned reality
the bing-dinging whisperers
the foyer security never trusting a bag
as the fossil fuel collapse gets beyond grasp
a suicidal mother, bleeding of this
a battered social institution
a glacial redundancy
a cap-rocked cult
of global ecological ignorance

under the creaking shifting weight of a hundred billion words
we sit we sip we sit we sip

and the bibliomaniacal capital groupthink creeps in
a cabinet spilling street-fighter consoles
a lighthouse of ideas
like a formaldehyde dreaming
a chloroform kansas
hey dorothy our brothers are bitumen deserts
white lines of you cut up
and hammered til pulp and injected spaces
rendering a speed-reader dull
yr busted hand littered with paper-cuts

and then you are this:
a crack pipe renaissance
a credit-driven existence
a crumpled chapter
a battered pamphlet
a crushed stone petroglyph
of answers without questions
a dead ledger
a novel product
a manual of abstract clarification

until the word stops
the back cover looms
the lights fail

and we sit we sip

under the creaking shifting weight of a hundred billion words

we sit we sip we sip
we sit we sip we sip

© allan boyd (antipoet)
also published here

wake up and smell the poetry

Documenting Slam 07:

"It's the 21st century and I think it's time to wake up and smell the poetry."

SOURCE - ABC Albany 19/09/07

So says Alan Boyd, a West Australian performance poet who was in Albany to run workshops ahead of the local heat of the National Poetry Slam. The Albany heat of the National Poetry Slam was just one of the many events on offer at the Sprung Writers Festival. The slam encourages people to present a poem to the audience in less than two minutes.

Even though he's running workshops in poetry, Alan calls himself an anti-poet. "Poetry perhaps is an old art form and many people think it's irrelevant these days," says Alan. "If that's the case I say I'm the anti poet and that poetry is relevant, and it's in our faces every day, in our ears as we listen to the radio and you see it in the street you see it in advertising and you see people and hear people making their own poetry."

He says there has been a renaissance in performance poetry. "If you think about performance poetry it predates written history," says Alan. There's no mystery about what makes a performance poem, he says.

"Once you take the words off the page then it becomes a performance poem." "It's about performance, it's about theatre, making the use of the stage, engaging the audience and making people part of the performance," he says. "A lot of academics dont like the idea of slams or performance poetry because it's too entertaining."

Alan describes the Slam as "poetry for the people". Even the judging is democratic. "The performers are judged by randomly chosen members of the audience," he says. In terms of what it takes to be successful, Alan says "rehearse, rehearse, rehearse".

"I suppose it's just a matter of being confident in the work that you're going to present," says Alan. "That means knowing your stuff, rehearsing it, recording it, pacing it, understanding things like enunciation and delivery, making the use of the space and things like that. It's just generally taking away some of the nerves because I think that's where some of us trip ourselves up. The more you practice and the more you're in tune with your work, the more confident you are and the better performance you'll give." Albany ABC RADIO