Super Djata de Bamako -- Vol. 2 (1983 -- Musique Mondial, MAD 004) *Flac

"Zani Diabaté, prominent guitar player in the Super Djata Band, one of the most popular bands from Bamako during the 1980s, joined the Ballet National in 1963, where he sang, danced and played guitar, kora, balafon and percussion. In his spare time, he would play in Harmonica Jazz, where he played harmonica, and later he formed the Ganoua Band with Daouda Sangaré on kamalen n'goni and on vocals, and with Maré Sanogo on djembé. In the early 1970s, the Ganoua Band was appointed the third National Orchestra of Mali (Formation C). When they were left without work, Zani and his fellow band members decided to switch to a private band which they named (Super) Djata Band. It was in 1974 that they started recording for Radio Mali.

The sound of Super Djata, based on the, compared to the mellow malinke sound of for instance the Rail Band, hard hitting Bambara rhythms and melodies, is highly coloured by the outstanding guitar playing by Zani Diabaté." (Musiques-Afrique)

Super Djata de Bamako -- Vol. 2 (1983 -- Musique Mondial, MAD 004) *Flac

Friends, you can still grab the (better sounding?) mp3 version of Super Djata's Vol. 2 at the invaluable World Service music blog. And, be sure to show some love over at WS, too...Not only for showing extraordinary taste and generosity in having shared our interweb's first best rip of Vol. 2 (and more!), but also for WRLDSERV's  own heartfelt personal insights and recollections about the life & career of Zani Diabaté & co.

Huge thanks to  DJ Cuica for lending out this platter that matters.  Djata truly brought this afternoon to life back here at the homestead. Heavenly sounds. 

Rail Band- Buffet Hotel de la Gare Bamako (RCAM, 1973 / Superfly, 2011)

"The Rail Band was founded in 1970, in Mali, with the sponsorship of the railway administration and the Ministry of Information. The National Railway Company secured a permanent venue at the Buffet Bar in the Station Hotel in Bamako. The band was formed with the hope of safeguarding and developing Malian music. The general idea was that weary travelers would tumble into the Buffet Bar where the Rail Band would perform real Manding music. Singing in Bambara, a Manding language spoken not only in Mali, but also in Guinea, the Gambia, and parts of Senegal, the band adopted traditional kora and balafon songs and rhythms mixing in an Islamic-influenced vocal style to what was becoming modern urban pop music.

Salif Keita began singing lead for the Rail Band at it's inception, when he was only twenty-one. Instruments and equipment were government-owned and band members were considered government employees. The Rail Band quickly became a sort of rite-of-passage for Malian musical talent. As mentioned, Salif Keita got his start with them, as did guitarist Kante Manfila (who both soon left the Rail Band to start Les Ambassadeurs), and singer Mory Kante (who assumed lead vocal responsibilities after Keita left).

The Rail Band's music was Manding-influenced, latin-tinged, with with lightness and swing, and despite the modern instruments you can clearly hear the strains of the original Manding music." (African Music Encyclopedia)

Rail Band manifests the haunting pinnacle of Malian 1970s popular dance music. Theirs is a transcendent, twinkling sound. I'd reckon that "Duga" is one of my all-time favorite grooves. With their discography, its somewhat difficult to discern whether this is, in fact, their 2nd or 3rd LP. Many thanks to Les Mains Noires for the exquisite streaming audio selections of early RB (below), starting with "Bajala Male". 320 vinyl rip by yours truly. 2011 Superfly Records LP reissue. Buy it.

FYI, Missippi Records has recently reissued Rail Band's 1970 debut (sometimes called Sunjata) : Bärenreiter-Musicaphon. BM 30 L 2606. Another essential. Should hit distros soon enough.



Rail Band- Buffet Hotel de la Gare Bamako (RCAM, 1973 / Superfly, 2011)

Jurukan 8:00
Marabayasa 5:00
Bajala Malé 5:00
Sunan 7:00
Duga 8:00
Tidiani Koné 5:00
Nantan 5:00
Moko Jolo 6:00

Toumani Kone- Vol. 2

A friend scored this sweet tape in Harlem, NY. Based on his name and the hypnotic griot-folk style of his music, I can safely assume that Toumani Kone hails from Mali. Many thanks to Small Wett for the dub!

Mediafire Download Link: Toumani Kone- Vol. 2