"[In the early 20th] century, professional traveling entertainers in the South, many of them women, began to incorporate blues into their stage acts. In 1912 the first blues sheet music appeared, and very shortly the blues moved into the mainstream of white popular music as well as southern white folk music. In 1920 the first blues record by a black vocalist appeared, initiating a flood of thousands of commercial recordings that continues today. These popularizing trends took place in a historical context of increasing migration of rural southern blacks to the northern urban centers. Blues have continued to flourish in the ghettos, mainly among people with strong and recent ties to the South. Hastened by the hit and star system of the record industry, a series of new performance styles grew up, containing elements that reminded the listener of the South but also reflecting the increasing sophistication and complexity of city life. Styles emanating from the cities had an influence on southern rural blues singers through records and through the recording artists' personal appearances, while at the same time the urban blues scene was nourished by a steady stream of new performers arriving from "down home." The blues on this album, all from commercial recordings, illustrate the major styles in which blues were performed from the turn of the century to the outbreak of World War Il. Side One contains styles already in existence at the advent of recording, including examples of early white folkand popular-blues styles. Side Two presents styles that developed or came into prominence largely after or as a result of commercial recording." (album notes excerpt)
Just scored a heap of these 70's New World Records LP comps from Mississippi Records, on the cheap. This one's sporting some prime cuts, and there's plenty more like this that are on the way.
A1 Yank Rachell, Sonny Boy Williamson, Washboard Sam & Alfred Elkins - PeacH Tree Blues A2Pillie Bolling – Brownskin Woman A3The Johnson Boys – Violin Blues A4Monarch Jazz Quartet Of Norfolk – What's The Matter Now A5Buck Mountain Band – Yodeling Blues A6Hattie Hudson – Doggone My Good Luck Soul A7Clara Smith – Let's Get Loose A8George O'Connor –Nigger Blues B1Tyus And Tyus – Dad's Ole Mule B2Rufus & Ben Quillian – Keep It Clean B3Scrapper Blackwell - & Leroy Carr Blue Night Blues B4Walter Roland – House Lady Blues B5Harlem Hamfats – I'm Cuttin' Out B6Tommy McClennan – Deep Blue Sea Blues B7 Big Bill Broonzy, Sonny Boy Williamson, Alfred Elkins & Blind John Davis - Love Me, Baby B8The Five Breezes – My Buddy Blues
"[This] record offers a concentrated look at one area of eastern Europe through the music of its transplanted peoples.The many other recordings deserve attention and further reissuing, as does the music of all the others they have made over the years equally who brought old traditions to the New World and preserved them for us on recordings." (New World Records)
Yet another richly rewarding Dick Spottswood project, released by New World Records in 1977 in their crucial LP series supporting the Recorded Anthology of American Music (*now known as DRAM) around the time of of the U.S. Bicentennial (thanks for the lead, Gil). 78rpms of raw Polish & Ukranian delights. 320 vinyl rip by yours truly. PDF of the liner notes included. Dig it.
1. J. Baczkowskiego Orkiestra - Oberek Pulawiak (Oberek from Pulawy)
2. Orkiestra Dukli - Zawzieta Dziewczyna (Stubborn Girl)
3. Orkiestra Karol Stoch - Wspomnienia Sabaly (Reminiscences of Sabala)
4. Bruno Rudzinski - "Na Obi Nogi" Polka ("On Two Feet" Polka)
5. Sichelski i Bachleda i Karola Stocha Oryginalna Góralska Muzyk - Piesn Zbójników (Song of the Bandits)
6. Sichelski i Bachleda i Karol Stoch - Nie Bede Sie Zynl (I Will Not Marry)
7. Karola Stocha Oryginalna Muzyka Góralska - ’Spiew Juchasa (Song of the Shepherd)
8. Sichelski i Bachleda i Karola Stocha Oryginalna Góralska Muzyk - Zakopianska Piosnka (Song from Zakopane)
9. Sichelski i Bachleda w/Karol Stoch - Dye Se Dolu Bialka (Down the Bialka Valley)
Side B
1. Ukrainska Orchestra Pawla Humeniuka - Kozak Zawydija (Fast Kozak)
2. Ukrainska Orchestra i Chor Pawla Humeniuka - Bohacki Zaruczyny (Engagement Ceremony Among the Rich)
3. Ukrainska Orchestra Pawla Humeniuka - Na Wesiliu Pid Chatoju (At a Wedding Under The Eaves)
4. Ukrainska Selska Orchestra - Ukrainskyj Trisak (Ukrainian Trisak)
5. Wiejska Czwórka "Bracia Kuzian" - Sztajer z Gory Baraniej (Dance from the Sheep Mountains)
6. Ukrainska Orchestra Michala Thomas - Hutzulka w Semereczyni (Hutzulka from Semereczyn)
7. Zlozyw i Widohraw Solo Skrypkowe Pawlo Humeniuk - Poprawyny (Second-Day Feast)
8. Zlozyw i Widohraw Solo Skrypkowe Pawlo Humeniuk - Wiwczar na Supylci (Shepherd Playing the Flute)
"...For years [by the 1920's] foreign-language records had contained occasional examples of rural vernacular music, but not until record companies discovered the music of souther rural blacks and whites was there extensive recording of the folk music of foreign-born Americans. It marked a radical departure from both the music available from abroad and earlier record-company offerings. By the late twenties foreign-language record catalogs had become heavily augmented by fiddlers, bagpipers, rough voiced singers, plain-voiced choirs, village "orchestras", and other representatives of a bevy of authentic folk styles that were being documented sparsely, if at all, in the Old World. many of these records are priceless documents of genres and traditions virtually extinct today. The best of these recordings represent not only styles that flourished at the time of recording but even styles that preceded those by decades or centuries." (Dick Spotswood, from the liner notes)
Precious gems in 78rpms. Raw folk revelations from many quarters of the "Old World". Illuminating notes & essays from Dick Spotswood & Oscar Handlin. 320 vinyl rip by yours truly.
