It was Divine intervention that made it all possible for Chris Stokes. This world is already crowded with people who have a lot to showcase and yet, Stokes made it as one of the most popular most celebrated music enthusiast in the industry today. As early as seventeen, he already displayed intense inclination to music. For him, songs are windows to his soul in which every production is a birth to ideas and emotions not expressed through speaking and writing alone. The accompaniment of tune and rhythm is also a way of letting out what is vague and immutable.

Like any other ordinary person, Chris Stokes also went through the ups and downs of stardom. He did not stand under the limelight at once. He went through the tedious process of rediscovering what he is gifted with and polishing these gifts before being able to outshine others in the same genre. Before he was known as the “Hundred Billion Dollar Man”, Chris took the first steps with perseverance, willingness and painful training. It was his desire to achieve something big that pushed him to fame. It was his keenness to be like the other stars that challenged him to stir his sleeping nerves and work out and start working out for fame.

From the usual entrepreneur and music lover, Mogul Christopher B. Stokes jumpstarted his career in music with the revelation of several talents like Immature, Brandy, Omarion, Marques Houston and B2K. He was behind the successes and chart-topping achievements of solo artist MH Houston, platinum-selling group B2K and solo performances of Omarion. The success did not stop Chris to aim for much higher goals as he made transition from the music industry towards television and film. His passion has inspired him to write scripts for movie and produce them through his own patient hands.

Stokes made use of his music success in order to have a springboard to put his bigger dreams into reality. He says, “I have always wished I could direct and produce movies. What I am doing right now in the film industry is actually a dream turned into reality. “He was the brain behind You Got Served with more than $100M gross worldwide. This film that focused on dance sensations has opened the spark for the dance communities to boost the industry all over the world. While Stokes savors his fulfillments, he still works as consultant to Houston and Omarion.

It takes a tinker to feed a bank account with a hundred million worth of dollars. Many international artists who have made it to the limelight are now reveling in the lap of luxury with their satiated bank accounts, but just a few make it to up to hundreds of millions of dollars because of their inability to sustain the interest of the viewing and listening public. While it is a must for an artist to give his career some new zing every once in a while he has to learn how to be versatile. And while survival of the fittest is the golden rule in show business, being the fittest requires going the extra mile and not settling for anything that will bend the ears of the fans. Known as “The Hundred Million Dollar Man,” Chris Stokes has perfectly mastered the art of being multifaceted.

If there is one man to be dubbed as the jack of all trades in the music and film industry, that man would be nothing less than Chris Stokes. An entrepreneur, record producer, singer and film director all at the same time, there certainly is no reason to doubt his being a hundred million dollar man. His success in all the industries that he ventures in is a result of his combined dedication and flair, plus his inventiveness. Since he was a child, he has always had a passion for both writing and directing and it was basically from this spark that he began his journey towards the silver screen. When he began to produce music albums, he realized how he had left one of his passions still untouched—his love for film direction. Thus, as he flourished in the record production industry, he braved to enter film through directing feature movies.

Chris Stokes mentored in-vogue artists like Omarion and Marques Houston and honed them into what could be considered profitable artists. His contributions in the albums of Destiny’s Child, B2K and Immature have added up to his already impressive portfolio of past projects both in music and in film.

A music and film mogul himself, Chris Stokes did not confine himself within the bounds of these two industries. His appreciation for dance has led him to direct and produce films that give this bygone culture, at least in film, another twist. The many-sided engagements of Stokes have never been an obstacle for him to want to discover more and produce more. Today, the hundred dollar man of the silver screen remains to be the hundred dollar man that he was back then, only better off.

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