Privacy advocate Allie Funk was surprised to learn that her Delta flight out of Detroit airport would use facial recognition scans for boarding; Funk knew that these systems were supposed to be "opt in" but no one announced that you could choose not to use them while boarding, so Funk set out to learn how she could choose not to have her face ingested into a leaky, creepy, public-private biometric database.
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Joël Franusic became obsessed with Krazy Kat, but was frustrated by the limited availability and high cost of the books anthologizing the strip (some of which were going for $600 or more on Amazon); so he wrote a scraper that would pull down thumbnails from massive archives of pre-1923 newspapers and then identified 100 pages containing Krazy Kat strips to use as training data for a machine-learning model.
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New Orleans is festooned with police cameras, the legacy of a secret partnership with the surveillance contractor Palantir, which used New Orleans as a covert laboratory for predictive policing products.
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Yesterday, Guadalajara's 30'C heatwave broke suddenly when, at 1:50AM, the nighttime temperature suddenly plunged from 22C to 14C, causing small, sub-1cm hailstones to form and fall in great profusion, carpeting parts of the city in an 1.5m-thick layer of ice.
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In my latest podcast, I read my new Locus column: Fake News is an Oracle. For many years, I've been arguing that while science fiction can't predict the future, it can reveal important truths about the present: the stories writers tell reveal their hopes and fears about technology, while the stories that gain currency in our discourse and our media markets tell us about our latent societal aspirations and anxieties.
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In the late 1800s, the American Medical Association invented the anti-abortion movement, but over time, its ceased to advocate on either side of the debate -- until a bizarre 1997 statement supporting a GOP bill banning late-stage abortions (later revealed to be a "blunder" on the part of the trustees), after which the group returned to silence.
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Boris Johnson is a racist, sexist, homophobic lying buffoon who has been repeatedly caught out using lies to sway public opinion, and that's why he's likely to lead the UK Conservative party and become the country's Prime Minister.
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For many years, I've been arguing that while science fiction can't predict the future, it can reveal important truths about the present: the stories writers tell reveal their hopes and fears about technology, while the stories that gain currency in our discourse and our media markets tell us about our latent societal aspirations and anxieties. In Fake News is an Oracle, my latest Locus Magazine column, I use this tool to think about the rise of conspiratorial thinking and ask what it says about our world.
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10-15 is Customs and Border Protection's code for "aliens in custody"; "I'm 10-15" is a secret Facebook group for current and former CBP officers whose participants create and share a torrent of racist and sexist memes, as well as jokes about the deaths of migrants in their care.
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As Russell Brandom writes, "before 1976, corporate tax returns were broadly considered part of the public record" and there's been bipartisan support since for mandating that big companies show us how they're structuring their earnings (this was especially urgent after the Enron scandal).
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The John Maddox Prize previously is awarded annually by the UK organisation Sense About Science (previously) for "individuals who promote sound science and evidence on a matter of public interest, facing difficulty or hostility in doing so."
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"Juicy Ghost" is a new tale from Rudy Rucker (previously), an explicitly politican sf story told from the point of view of a suicide-assassin who is getting ready to take out an illegitimate president during his inauguration; as Rucker describes, he really struggled with the story, and couldn't figure out where or if to publish (he even contemplated rebooting his late, great, much-lamented webzine Flurb with an "all-politics" issue as a means of giving the story a home).
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Locus Magazine announced the winners of its annual reader-voted awards last night, with top honors for Mary Robinette Kowal, who won Best SF Novel for The Calculating Stars (which also won a Nebula Award this year), as well as Brooke Bolander, who won Best Novelette for The Only Harmless Great Thing (also a Nebula winner); and Phenderson Djèlí Clark whose Nebula-winning short story The Secret Lives of the Nine Negro Teeth of George Washington also won a Locus.
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The idea that you can detect lies by analyzing "microexpressions" has absorbed billions in spending by police forces and security services, despite the fact that it's junk science that performs worse than a coin-toss.
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Canada's Irving family is one of the richest in the world, owning more land than anyone except the British royals and the Catholic church; they also own virtually all the media in New Brunswick, as well as the industries that those newspapers cover, and they augment their media control over the public discourse with a ruthless approach to their critics.
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What could be more zeigeisty and revealing of our present moment than John Carpenter's 1988 sci-fi/horror flick They Live? How about Rob Israel's They Live, We Look Back illustration, a mashup with Distracted Boyfriend meme, which you can pre-order today as a 12x12 print? (via JWZ)
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Microsoft is no stranger to the use of "Fear, Uncertainty and Doubt" in the pursuit of monopolistic goals; the company perfected the tactic in the early 1990s as a way of scaring enterprise customers away from GNU/Linux; today, the company shows off its mastery of FUD in its filings to the Federal Trade Commission condemning proposals for Right-to-Repair rules.
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