Willem Van Spronsen’s Audio Legacy

La Police : Une Ethnographie

Un Photoreportage sur l’Obéissance Armée

Police: An Ethnography

A Photoessay about Armed Obedience

Up against the Wall, Motherfucker—The Game?

Revisiting a Simulation of the 1968 Occupation of Columbia University

Injury against Erasure, Damage against Time

Two Stories about Love and Death

J20 Postscript: How I Spent January 20, 2017

A True Story from Trump’s Inauguration

J20 Protest Simulator

Choose Your Own Adventure in the Streets and Courts of Washington, DC

Happy Birthday, Gaetano Bresci

Introducing the World’s First Anarchist Singing Zine

The Secret World of Duvbo

A Magical Story about a Perfectly Ordinary World

Music as a Weapon

The Contentious Symbiosis of Punk Rock and Anarchism

CrimethInc. Music Releases Now on Bandcamp

La Musique comme une Arme

La symbiose controversée du Punk Rock et de l’Anarchisme

New Posters about Democracy in English and Swedish

Borders = Global Apartheid

A New Poster

New Poster Series: Police Everywhere, Justice Nowhere

Connecting J20 to Other Cases of Police Violence

Insurrection is Not a Game

Play, Resistance, and Designing the Game “Bloc by Bloc”

Revisiting the Legacy of the 1992 LA Riots

Gang Truces, Cross-Racial Resistance, and the Music They Inspired

Put the Bots in Charge

Towards the Abolition of Human Authorship

We Will Remember Freedom

Why It Matters that Ursula K. Le Guin Was an Anarchist

Anarchism through the Silver Screen

Why Are Anarchists Suddenly Showing up in so many Korean Films?

Make Your Own Effigies

A Tactic for Delegitimizing Authority and Rendering Dissent Visible

The Spiral of Police Violence

A Work of Art Criticism

Borders: The Global Caste System

A New Poster Illustrating Why People Migrate, the Risks They Face, and Who Benefits

Gord Hill, Indigenous Artist and Anarchist

An Interview

A Field Guide to Wheatpasting

Everything You Need to Know to Blanket the World in Posters