Jeffrey Katzenberg’s Quibi Has Already Sold $100 Million Worth of Ads
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CEO Meg Whitman said she expects 75% of viewers to opt for its $4.99 per month ad-supported deal
Cannes 2019: Jim Jarmusch’s latest is appealing, but one-note
Taron Egerton’s “Rocketman” and Octavia Spencer’s “Ma” also opened on this busy weekend
Dexter Fletcher’s film abandons the biopic model to freely mix fantasy and reality in an extravagant, fun and frustrating jukebox musical
Antonio Banderas wins Best Actor award for “Pain and Glory,” while Best Actress prize goes to Emily Beecham for “Little Joe”
Cannes 2019: Kantemir Balagov won the directing award in Un Certain Regard for a film that plays like a cosmic joke but is wholly untouched by humor
Cannes 2019: Director Justine Triet draws from a couple of different phases in Allen’s career and offers more proof that Virginie Efira is one of the most interesting French actresses working today
Cannes 2019: Other winners included “The Fire Will Come,” “Beanpole,” “On a Magical Night” and “The Climb”
Cannes 2019: The human comedy, says Elia Suleiman’s first film in a decade, recognizes no nationalities and encompasses us all
Cannes 2019: This sexually explicit three-and-half-hour-long provocation feels like a director self-immolating
Cannes 2019: Other Critics’ Week winners include “A White, White Day,” “She Runs” and “Our Mothers”
Cannes 2019: Idiosyncratic director Arnaud Desplechin breaks form with this standard-issue procedural
Stars and filmmakers stop by TheWrap’s studio at La Journée by The Land
Cannes 2019: The Canadian director has always been a maestro of oversized emotions, but the warmth and restraint of “Matthias & Maxime” is what gives it life
Cannes 2019: The director of “Once Upon a Time … in Hollywood” discusses why people are fascinated by the 1969 murders, and whether he had qualms about portraying the perpetrator and victims on screen
Sony’s movie chief savors a glowing first screening of “Once Upon a Time… in Hollywood” at the Cannes Film Festival
Cannes 2019: Big, brash, ridiculous, too long, and in the end invigorating, the film is a grand playground for its director to fetishize old pop culture and bring his gleeful perversity to the craft of moviemaking
Cannes 2019: While the U.S. was riveted by the last episode of “Game of Thrones” on Sunday, Cannes fiddled to the tune of Terrence Malick’s three-hour opus “A Hidden Life”
Helen Mirren presented the grant to the non-profit organization Help Refugees
Cannes 2019: Directors Jean-Pierre and Luc Dardenne, the Belgian brothers who are Cannes Film Festival favorites, explore the heart-wrenching allure of politicized Islam
The industry’s leading digital news organization marked its first 10 years with Somali activist Ifrah Ahmed and “Give Me Liberty” producer Alice Austen and a VIP cocktail party
Cannes 2019: The Argentinian maestro of transgression has unleashed another assault on his audience, but it’s almost mesmerizing in its perverse single-mindedness
Cannes 2019: While most of the attention has gone to a pair of major-studio flicks, “Rocketman” and the yet-unseen “Once Upon a Time … in Hollywood,” the festival is also full of dark films for a dark age
Cannes 2019: Laced with bittersweet romanticism, director Céline Sciamma’s strong prize contender is fundamentally about the act of looking
Cannes 2019: Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
Cannes 2019: Before he has a chance to don Batman’s cowl, Pattison teams with Willem Dafoe to rip into this black-and-white fever dream with demented glee
Cannes 2019: Eisenberg and Imogen Poots star in director Lorcan Finnegan’s film set in a purgatorial pre-fab suburb, but it never follows through on its interesting ideas
Cannes 2019: A curious little meditation on the commodification of everything up to and including love, the film is slight but has moments of pure Herzogian rhapsody
Cannes 2019: Corneliu Porumboiu’s film is an oversized, deliciously twisted ride that slips in references to John Wayne and Alfred Hitchcock
Cannes 2019: Film by Spanish writer-director Albert Serra is a contemplation of Libertinism