Jordan Peterson & Fascist Mysticism
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“Men have to toughen up,” Jordan B. Peterson writes in 12 Rules For Life: An Antidote to Chaos, “Men demand it, and women want it.” So, the first rule is, “Stand up straight with your shoulders back” and don’t forget to “clean your room.” By the way, “consciousness is symbolically masculine and has been since the beginning of time.” Oh, and “the soul of the individual eternally hungers for the heroism of genuine Being.” Many such pronouncements—didactic as well as metaphysical, ranging from the absurdity of political correctness to the “burden of Being”—have turned Peterson, a professor of psychology at the University of Toronto, into a YouTube sensation and a bestselling author in several Western countries.
12 Rules for Life is only Peterson’s second book in twenty years. Packaged for people brought up on BuzzFeed listicles, Peterson’s brand of intellectual populism has risen with stunning velocity; and it is boosted, like the political populisms of our time, by predominantly male and frenzied followers, who seem ever-ready to pummel his critics on social media. It is imperative to ask why and how this obscure Canadian academic, who insists that gender and class hierarchies are ordained by nature and validated by science, has suddenly come to be hailed as the West’s most influential public intellectual. For his apotheosis speaks of a crisis that is at least as deep as the one signified by Donald Trump’s unexpected leadership of the free world.
Peterson diagnoses this crisis as a loss of faith in old verities. “In the West,” he writes, “we have been withdrawing from our tradition-, religion- and even nation-centred cultures.” Peterson offers to alleviate the resulting “desperation of meaninglessness,” with a return to “ancient wisdom.” It is possible to avoid “nihilism,” he asserts, and “to find sufficient meaning in individual consciousness and experience” with the help of “the great myths and religious stories of the past.”
Following Carl Jung, Peterson identifies “archetypes” in myths, dreams, and religions, which have apparently defined truths of the human condition since the beginning of time. “Culture,” one of his typical arguments goes, “is symbolically, archetypally, mythically male”—and this is why resistance to male dominance is unnatural. Men represent order, and “Chaos—the unknown—is symbolically associated with the feminine.” In other words, men resisting the perennially fixed archetypes of male and female, and failing to toughen up, are pathetic losers.
Such evidently eternal truths are not on offer anymore at a modern university; Jung’s speculations have been largely discredited. But Peterson, armed with his “maps of meaning” (the title of his previous book), has only contempt for his fellow academics who tend to emphasize the socially constructed and provisional nature of our perceptions. As with Jung, he presents some idiosyncratic quasi-religious opinions as empirical science, frequently appealing to evolutionary psychology to support his ancient wisdom.
Closer examination, however, reveals Peterson’s ageless insights as a typical, if not archetypal, product of our own times: right-wing pieties seductively mythologized for our current lost generations.
Peterson himself credits his intellectual awakening to the Cold War, when he began to ponder deeply such “evils associated with belief” as Hitler, Stalin, and Mao, and became a close reader of Solzhenitsyn’s The Gulag Archipelago. This is a common intellectual trajectory among Western right-wingers who swear by Solzhenitsyn and tend to imply that belief in egalitarianism leads straight to the guillotine or the Gulag. A recent example is the English polemicist Douglas Murray who deplores the attraction of the young to Bernie Sanders and Elizabeth Warren and wishes that the idea of equality was “tainted by an ideological ordure equivalent to that heaped on the concept of borders.” Peterson confirms his membership of this far-right sect by never identifying the evils caused by belief in profit, or Mammon: slavery, genocide, and imperialism.
Reactionary white men will surely be thrilled by Peterson’s loathing for “social justice warriors” and his claim that divorce laws should not have been liberalized in the 1960s. Those embattled against political correctness on university campuses will heartily endorse Peterson’s claim that “there are whole disciplines in universities forthrightly hostile towards men.” Islamophobes will take heart from his speculation that “feminists avoid criticizing Islam because they unconsciously long for masculine dominance.” Libertarians will cheer Peterson’s glorification of the individual striver, and his stern message to the left-behinds (“Maybe it’s not the world that’s at fault. Maybe it’s you. You’ve failed to make the mark.”). The demagogues of our age don’t read much; but, as they ruthlessly crack down on refugees and immigrants, they can derive much philosophical backup from Peterson’s sub-chapter headings: “Compassion as a vice” and “Toughen up, you weasel.”
In all respects, Peterson’s ancient wisdom is unmistakably modern. The “tradition” he promotes stretches no further back than the late nineteenth century, when there first emerged a sinister correlation between intellectual exhortations to toughen up and strongmen politics. This was a period during which intellectual quacks flourished by hawking creeds of redemption and purification while political and economic crises deepened and faith in democracy and capitalism faltered. Many artists and thinkers—ranging from the German philosopher Ludwig Klages, member of the hugely influential Munich Cosmic Circle, to the Russian painter Nicholas Roerich and Indian activist Aurobindo Ghosh—assembled Peterson-style collages of part-occultist, part-psychological, and part-biological notions. These neo-romantics were responding, in the same way as Peterson, to an urgent need, springing from a traumatic experience of social and economic modernity, to believe—in whatever reassures and comforts.
This new object of belief tended to be exotically and esoterically pre-modern. The East, and India in particular, turned into a screen on which needy Westerners projected their fantasies; Jung, among many others, went on tediously about the Indian’s timeless—and feminine—self. In 1910, Romain Rolland summed up the widespread mood in which progress under liberal auspices appeared a sham, and many people appeared eager to replace the Enlightenment ideal of individual reason by such transcendental coordinates as “archetypes.” “The gate of dreams had reopened,” Rolland wrote, and “in the train of religion came little puffs of theosophy, mysticism, esoteric faith, occultism to visit the chambers of the Western mind.”
A range of intellectual entrepreneurs, from Theosophists and vendors of Asian spirituality like Vivekananda and D.T. Suzuki to scholars of Asia like Arthur Waley and fascist ideologues like Julius Evola (Steve Bannon’s guru) set up stalls in the new marketplace of ideas. W.B. Yeats, adjusting Indian philosophy to the needs of the Celtic Revival, pontificated on the “Ancient Self”; Jung spun his own variations on this evidently ancestral unconscious. Such conceptually foggy categories as “spirit” and “intuition” acquired broad currency; Peterson’s favorite words, being and chaos, started to appear in capital letters. Peterson’s own lineage among these healers of modern man’s soul can be traced through his repeatedly invoked influences: not only Carl Jung, but also Mircea Eliade, the Romanian scholar of religion, and Joseph Campbell, a professor at Sarah Lawrence College, who, like Peterson, combined a conventional academic career with mass-market musings on heroic individuals.
The “desperation of meaninglessness” widely felt in the late nineteenth century, seemed especially desperate in the years following two world wars and the Holocaust. Jung, Eliade, and Campbell, all credentialed by university education, met a general bewilderment by suggesting the existence of a secret, almost gnostic, knowledge of the world. Claiming to throw light into recessed places in the human unconscious, they acquired immense and fanatically loyal fan clubs. Campbell’s 1988 television interviews with Bill Moyers provoked a particularly extraordinary response. As with Peterson, this popularizer of archaic myths, who believed that “Marxist philosophy had overtaken the university in America,” was remarkably in tune with contemporary prejudices. “Follow your own bliss,” he urged an audience that, during an era of neoconservative upsurge, was ready to be reassured that some profound ancient wisdom lay behind Ayn Rand’s paeans to unfettered individualism.
Peterson, however, seems to have modelled his public persona on Jung rather than Campbell. The Swiss sage sported a ring ornamented with the effigy of a snake—the symbol of light in a pre-Christian Gnostic cult. Peterson claims that he has been inducted into “the coastal Pacific Kwakwaka’wakw tribe”; he is clearly proud of the Native American longhouse he has built in his Toronto home.
Peterson may seem the latest in a long line of eggheads pretentiously but harmlessly romancing the noble savage. But it is worth remembering that Jung recklessly generalized about the superior “Aryan soul” and the inferior “Jewish psyche” and was initially sympathetic to the Nazis. Mircea Eliade was a devotee of Romania’s fascistic Iron Guard. Campbell’s loathing of “Marxist” academics at his college concealed a virulent loathing of Jews and blacks. Solzhenitsyn, Peterson’s revered mentor, was a zealous Russian expansionist, who denounced Ukraine’s independence and hailed Vladimir Putin as the right man to lead Russia’s overdue regeneration.
Nowhere in his published writings does Peterson reckon with the moral fiascos of his gurus and their political ramifications; he seems unbothered by the fact that thinking of human relations in such terms as dominance and hierarchy connects too easily with such nascent viciousness such as misogyny, anti-Semitism and Islamophobia. He might argue that his maps of meaning aim at helping lost individuals rather than racists, ultra-nationalists, or imperialists. But he can’t plausibly claim, given his oft-expressed hostility to the “murderous equity doctrine” of feminists, and other progressive ideas, that he is above the fray of our ideological and culture wars.
Indeed, the modern fascination with myth has never been free from an illiberal and anti-democratic agenda. Richard Wagner, along with many German nationalists, became notorious for using myth to regenerate the volk and stoke hatred of the aliens—largely Jews—who he thought polluted the pure community rooted in blood and soil. By the early twentieth century, ethnic-racial chauvinists everywhere—Hindu supremacists in India as well as Catholic ultra-nationalists in France—were offering visions to uprooted peoples of a rooted organic society in which hierarchies and values had been stable. As Karla Poewe points out in New Religions and the Nazis (2005), political cultists would typically mix “pieces of Yogic and Abrahamic traditions” with “popular notions of science—or rather pseudo-science—such as concepts of ‘race,’ ‘eugenics,’ or ‘evolution.’” It was this opportunistic amalgam of ideas that helped nourish “new mythologies of would-be totalitarian regimes.”
Peterson rails today against “softness,” arguing that men have been “pushed too hard to feminize.” In his bestselling book Degeneration (1892), the Zionist critic Max Nordau amplified, more than a century before Peterson, the fear that the empires and nations of the West are populated by the weak-willed, the effeminate, and the degenerate. The French philosopher Georges Sorel identified myth as the necessary antidote to decadence and spur to rejuvenation. An intellectual inspiration to fascists across Europe, Sorel was particularly nostalgic about the patriarchal systems of ancient Israel and Greece.
Like Peterson, many of these hyper-masculinist thinkers saw compassion as a vice and urged insecure men to harden their hearts against the weak (women and minorities) on the grounds that the latter were biologically and culturally inferior. Hailing myth and dreams as the repository of fundamental human truths, they became popular because they addressed a widely felt spiritual hunger: of men looking desperately for maps of meaning in a world they found opaque and uncontrollable.
It was against this (eerily familiar) background—a “revolt against the modern world,” as the title of Evola’s 1934 book put it—that demagogues emerged so quickly in twentieth-century Europe and managed to exalt national and racial myths as the true source of individual and collective health. The drastic individual makeover demanded by the visionaries turned out to require a mass, coerced retreat from failed liberal modernity into an idealized traditional realm of myth and ritual.
In the end, deskbound pedants and fantasists helped bring about, in Thomas Mann’s words in 1936, an extensive “moral devastation” with their “worship of the unconscious”—that “knows no values, no good or evil, no morality.” Nothing less than the foundations for knowledge and ethics, politics and science, collapsed, ultimately triggering the cataclysms of the twentieth century: two world wars, totalitarian regimes, and the Holocaust. It is no exaggeration to say that we are in the midst of a similar intellectual and moral breakdown, one that seems to presage a great calamity. Peterson calls it, correctly, “psychological and social dissolution.” But he is a disturbing symptom of the malaise to which he promises a cure.
An earlier version of this essay misidentified The Gulag Archipelago as a novel; it is nonfiction (Solzhenitsyn called it “an experiment in literary investigation”).