Keeping Us Safe?, by Simon Cooper
Categorised in:
The fetishisation of safety points to a larger transformation across Western democracies.
Trump: The Point of No Return, by Simon Cooper
Categorised in:
It’s now clear that Trump was not merely full of bluster during campaign mode but intends to realise as many of his promises as possible.
Ai Weiwei and the Superficial Politics of Victimhood
Categorised in:
The image of Chinese Artist Ai Weiwei lying prostrate on a stony beach in Greece, recreating the now iconic photo of drowned Syrian infant Alan Kurdi, has predictably gone viral and generated fierce argument about the role of art and politics.
The problem with an image of this sort is that its meaning is endlessly debatable.
Hazelwood is Burning, by Simon Cooper
Categorised in:
Inhaling the consequences of market emancipation in the La Trobe Valley
Enlightened Barbarism: On Zero Dark Thirty and the Torture Debate
Categorised in:
Whenever anyone declares that what they are doing is neutral or free of ideology we ought to be suspicious. This is even …
Arena Forum: Questioning Art and Politics
Categorised in:
How might artists respond to the social transformations occurring today? Can artists take on a political agenda without compromising their creativity?
Reflections on the Current Condition
Categorised in:
The Arena publications respond to the current crisis. By Geoff Sharp, Nonie Sharp, John Hinkson, Paul James, Alison Caddick, Simon Cooper
Murdoch’s Boyer Lectures
Categorised in:
Simon Cooper asks why the News Corp chief was given yet another soap box to air his views