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5/31/19
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Newswire
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By the way, I would have voted for Obama for a third term if I could.” It’s one of the deftest pieces of instant characterization in recent movie history, establishing exactly what sort of white family Get Out’s black protagonist, Daniel Kaluuya’s Chris, is about to be spending his weekend with, and what kind of

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5/31/19
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Godzilla is an iconic movie monster that has spawned many imitators, but few duplicators. This weekend, he makes his return to the big screen with Legendary Pictures’ Godzilla: King of the Monsters—the sequel to Gareth Edward’s 2014 film that sees the titan go up against some of his biggest enemies, including Mothra,

5/31/19
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TV ReviewsDeadwood
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TV ReviewsDeadwood
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There’s a lot of poetry in Deadwood: The Movie. Of course there is: It’s the feature-length coda to one of the most idiosyncratically and dazzlingly written television shows of all time, which fucked up the English language flatter than hammered shit but stood before HBO audiences of the mid-2000s beholden to no

5/31/19
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Shared from Kotaku

Fable II is a weird game. Fable II is a Peter Molyneux game. Those two sentences are one and the same. Molyneux’s style of game development is—at least the way I imagine it—to walk into the room where all the designers are, ask them to make something outlandish and nonsensical, and leave again. It sounds incredibly

5/31/19
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In its second season, Tanya Saracho’s Vida has been, to borrow a phrase from the show, “operating on chingona level,” combining social commentary, interfamily conflict, and some of the most scintillating depictions of sex to tell a story at once specific and universal. Mexican-American sisters Emma (Mishel Prada) and

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