ALL WE’VE GOT is a personal exploration of LGBTQ women’s communities, cultures, and social justice work through the lens of the physical spaces they create, from bars to bookstores to arts and political hubs.

THERE GOES THE NEIGHBORHOOD intimately follows an extended Black family of View Park-Windsor Hills, California as they experience changes due to gentrification and reflect on their shifting community.

FEMINISTA is a lively and inspiring feminist road movie that explores the largely unrecognized yet hugely vibrant pan European feminist movement.

A Portrait of Three Women in Afghanistan, Syria and Iraq Leading the Fight for Gender Equality

An Arab American filmmaker uncovers the story of her community’s surveillance by the FBI long before 9/11

COUNCILWOMAN follows the first term of Rhode Island Councilwoman Carmen Castillo as she balances her day job as a hotel housekeeper with the demands of public office.

Seeking a safer future for their children, two women from Ciudad Juárez, risk harassment at the hands of Border Patrol to cross the US-Mexico border legally to give birth in El Paso, Texas.

The Jessica Gonzales Story. In the wake of her daughters’ murders, a mother takes a historic lawsuit about police non-enforcement of restraining orders to the Supreme Court.

A fascinating portrait of the persevering French filmmaker, writer, and Holocaust survivor Marceline Loridan-Ivens.

A former right-wing extremist explores why people join hate groups and what makes them decide to leave.

The story of a young Afghan woman’s brave fight for justice after experiencing years of abuse at the hands of her father.

93QUEEN chronicles the creation of the first all-female Hasidic ambulance corps in New York City.

Two teenage cousins in Argentina come of age together, overcoming the heinous acts of violence that interrupted their childhoods.

Muslim filmmaker Deeyah Khan’s Emmy-winning look at the personal and political motivations behind the resurgence of far-right extremism in the U.S.

A portrait of visionary Cuban-American dramatist Maria Irene Fornes and the story of her unexpected collaboration with filmmaker Michelle Memran.

ATOMIC HOMEFRONT shines an urgent and devastating light on the lasting toxic effects that nuclear waste can have on communities.

A hopeful look at one doctor’s struggle to help HIV+ patients in India find love and meet societal expectations by playing marriage matchmaker.

A collective portrait of feminist conversation 40 years ago and today based on letters sent to Ms. Magazine in the 1970s.

Pakistani filmmaker Sabiha Sumar and co-director Sachithanandam Sathananthan request a dinner with President Musharraf as he’s facing impeachment charges and engage him in an enlightening discussion about the past and his vision for the country.

Pakistani filmmaker Sabiha Sumar’s inspiring and probing documentary explores the complex relationship between India and her native country.

DEFIANT LIVES is a triumphant film that traces the origins of the world-wide disability rights movement.

SHADOW GIRL is the extraordinary story of a filmmaker struggling with the prospect of losing her vision.

NOTHING WITHOUT US tells the inspiring story of the vital role that women have played - and continue to play - in the global fight against HIV/AIDS.

62 DAYS is an urgent examination of a growing trend of laws that seek to control a pregnant woman's body.

Nerdy women - the "hidden half" of fan culture - open up about their lives in the world of conventions, video games, and other rife-with-misogyny pop culture touchstones.

Three Muslim women share their stories of sexual assault—and, in a deeply personal way, they challenge the stigma that has long suppressed the voice of survivors.

Lesbians in a box…two thousand private snapshots hidden away for over fifty years reveal the rich history of Chicago’s working class butch/fem life in the pre-Stonewall era.

LOVE THE SINNER is a personal documentary exploring the connection between Christianity and homophobia in the wake of the 2016 shooting at Pulse nightclub in Orlando.

Every day, 5 million children in the U.S. either witness or are victims of domestic violence.

A BETTER MAN follows a series of intimate conversations between a woman and her former boyfriend when she confronts him about their history of domestic abuse.

For many Black girls raised in the suburbs, the experiences of going to school, playing on the playground, and living day-to-day life can be uniquely alienating. BLACK GIRL IN SUBURBIA looks at the suburbs of America from the perspective of women of color. Filmmaker Melissa Lowery shares her own childhood memories of navigating racial expectations both subtle and overt-including questions like, "Hey, I just saw a Black guy walking down the street; is that your cousin?" Through conversations with her own daughters, with teachers and scholars who are experts in the personal impacts of growing up a person of color in a predominately white place, this film explores the conflicts that many Black girls in homogeneous hometowns have in relating to both white and Black communities. BLACK GIRL IN SUBURBIA is a great discussion starter for Freshman orientation week and can be used in a wide variety of educational settings including classes in sociology, race relations, African American Studies, Women's Studies, and American Studies.

In rural Siberia, romantic expectations are traditional and practical. The man is the head of the household. The woman takes care of the housekeeping and the children. But filmmaker Olga Delane doesn’t agree. While she was born in this small Siberian village, as a teenager she migrated to Berlin with her family, and 20 years of living in Germany has changed her expectations. SIBERIAN LOVE follows Delane home to her community of birth, where she interviews family and neighbors about their lives and relationships. Amusing and moving, this elegant film paints a picture of a world completely outside of technology, a hard-farming community where life is hard and marriage is sometimes unhappy—but where there are also unexpected paths to joy and family togetherness. Through clashing ideals of modern and traditional womanhood, SIBERIAN LOVE is a fascinating study of a country little known in the US and of a rural community that raises questions about domesticity, gender expectations, domestic abuse, childcare, and romance. Excellent for anthropology, women's studies, sociology, Russian and Eastern European Studies.

BIRTHRIGHT: A WAR STORY examines how women are being jailed, physically violated and even put at risk of dying as a radical movement tightens its grip across America.

Read Civia Tamarkin's director's statement here.

The complexities of gay life in modern China collide at the event where Andy and Cherry first meet—a “fake marriage fair” in Shanghai, where a new, cosmopolitan generation of gay men and lesbian women seek to make a deal with a spouse of the opposite sex. Homosexuality has only recently become legal in China, but morally and practically, life is still difficult. People in Andy and Cherry’s generation, the result of the “one child” policy, are under an unbearable pressure to meet the demands of their parents and grandparents. To these elders, who carry the trauma of the great famine and the limits of the Cultural Revolution, their gay children’s search for love and happiness in the city is unintelligible. INSIDE THE CHINESE CLOSET is a humorous and compassionate portrait of modern gay life, the eternally difficult relationship between parents and children, and the social, cultural, and moral beliefs in flux in China today.

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body. The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.

FACES OF HARASSMENT is an experiment in storytelling about trauma. When the hashtag #MyFirstHarassment swept across Brazil, it showed not only the widespread experience of sexual harassment and assault, but a widespread hunger to bring it out of the shadows. FACES OF HARASSMENT amplifies this movement, by opening space for women to speak their own truth. The film was shot in a mobile storytelling van, parked in rich and poor neighborhoods alike across São Paulo and Rio de Janeiro and open to any woman. The van was a free, autonomous space, where women spoke to the camera directly, no interviewer or other influence present. FACES OF HARASSMENT offers an honest and unflinching look at the scourge of sexual harassment and assault - and at the radical possibilities for dignity and healing that can happen when women are free to speak completely for themselves.

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

UNDER THE HUSK follows two Mohawk girls on their journey to become Mohawk women.

Heather Booth is the most influential person you never heard of. The newest film by critically acclaimed filmmaker Lilly Rivlin, HEATHER BOOTH: CHANGING THE WORLD is an urgent response to the recent change in administration. At a time when many are wondering how to make their voices heard, when civil and women's rights are under attack, this empowering documentary is an inspiring look at how social change happens. Heather Booth, a renowned organizer and activist, began her remarkable career at the height of the Civil Rights movement. Through her life and work this inspiring film explores many of the most pivotal moments in progressive movements that altered our history over the last fifty years: from her involvement with Fannie Lou Hamer and the Freedom Summer Project, to her founding of the JANE Underground in 1964, to her personal relationships with respected leaders such as Julian Bond and Senator Elizabeth Warren. HEATHER BOOTH: CHANGING THE WORLD blends interviews, from close friends, clients, political colleagues and current Midwest Academy students to explore Heather’s legacy in progressive politics and organizing. Anyone who has been confused or disheartened by the recent election needs to see this film.

FOOTPRINT takes a dizzying spin around the globe, witnessing population explosions, overconsumption, limited resources, and expert testimony as to what a world straining at its limits can sustain. We spend time with indigenous health workers, activists, and the ordinary people in the Philippines, Mexico, Pakistan and Kenya, women who all challenge the idea that our world can continue to support the weight of humanity’s footprint on it. FOOTPRINT offers unprecedented access to the people on the ground who are all in their unique way challenging the status quo and making us rethink what’s really at stake. There are surprising revelations on who are the players standing in the way of solutions and those pushing for it, without losing sight of the array of possible solutions that open up when we take the time to ask this critical question of how many of us there are in the world and what the Earth can sustain if we are to all live a dignified life.

THE REVIVAL: WOMEN AND THE WORD chronicles the US tour of a group of Black lesbian poets and musicians, who become present-day stewards of a historical movement to build community among queer women of color. Their journey to strengthen their community is enriched by insightful interviews with leading Black feminist thinkers and historians, including Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. As the group tours the country, the film reveals their aspirations and triumphs, as well as the unique identity challenges they face encompassing gender, race, and sexuality. This is a rarely seen look into a special sisterhood - one where marginalized voices are both heard and respected.

The Tunisian Revolution sparked the Arab Spring. But revolution was the easy part—as two women learned on the journey from protest to functioning government. Emna Ben Jemaa and Jawhara Ettis represent opposite sides of their country’s politics: One is a well-known journalist in the city, fighting for free speech. The other is a strict Islamist from a rural town, elected to help draft the new constitution. Despite their differences, both face the threat of extremists hijacking their fragile political process, and both Emna and Jawhara have to make difficult choices to balance their public political roles with their domestic environment. The film is a gripping and surprising perspective on the clash between Islam and secularism, and the political role of women in the Arab world. Offering an insightful portrait of the messy work of democracy, A REVOLUTION IN FOUR SEASONS is especially poignant in this global era of divided politics.

Profiled knits the stories of mothers of Black and Latino youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Some of the victims—Eric Garner, Michael Brown—are now familiar the world over. Others, like Shantel Davis and Kimani Gray, are remembered mostly by family and friends in their New York neighborhoods. Ranging from the routine harassment of minority students in an affluent Brooklyn neighborhood to the killings and protests in Staten Island and Ferguson, Missouri, PROFILED bears witness to the racist violence that remains an everyday reality for Black and Latino people in this country. Moving interviews with victims’ family members are juxtaposed with sharply etched analyses by evolutionary biologist, Joseph L.Graves, Jr, (The Race Myth) and civil rights lawyer, Chauniqua D. Young, (Center for Constitutional Rights, Stop and Frisk lawsuit). PROFILED gives us a window on one of the burning issues of our time.

Riding at night through streets deemed dangerous in Eastside Los Angeles, the Ovarian Psycos use their bicycles to confront the violence in their lives. At the helm of the crew is founder Xela de la X, a single mother and poet M.C. dedicated to recruiting an unapologetic, misfit crew of women of color. The film intimately chronicles Xela as she struggles to strike a balance between her activism and nine year old daughter Yoli; street artist Andi who is estranged from her family and journeys to become a leader within the crew; and bright eyed recruit Evie, who despite poverty, and the concerns of her protective Salvadoran mother, discovers a newfound confidence. The film Ovarian Psycos rides along with the Ova’s, exploring the impact of the group’s activism, born of feminist ideals, Indigenous understanding and an urban/hood mentality, on neighborhood women and communities as they confront injustice, racism, and violence, and take back their streets one ride at a time.

BEAUTIFUL SIN tells a surprising reproductive rights story, one that resonates from Central America to the United States and beyond. What if you desperately wanted a baby, but your country and religion prohibited you from trying the one medical treatment that could help you? In 2000, anti-abortion activists, with the help of the Catholic Church and a U.S. group, won a legal case that banned in vitro fertilization (IVF) in Costa Rica and gave the embryo legal rights, making Costa Rica the only country in the world to outlaw the treatment. BEAUTIFUL SIN tells the decade-long story of three couples struggling with infertility who take the Costa Rican government before an international human rights court to demand the right to use IVF. Filmmaker Gabriela Quirós charts the emotional journey of these couples as they contend with infertility and explores the legal ramifications of reproductive rights. It’s a universal story about what happens when state power and religious ideology clash with the desire to have a child. Funding for this program was provided by the Corporation for Public Broadcasting.