Jiří Kylián (born 21 March 1947) is a Czech former dancer and contemporary dance choreographer.
Initially inspired the acrobatic performances of the Circus Busch, Kylián decided to pursue professional ballet training at the “School of the National Ballet Prague” at the age of 9, after having seen a ballet performance for the first time. Kylián was admitted to the Prague conservatory in 1962. Here he encountered one of his mentors, teacher and former dancer Zora Semberova, “who left a deep mark in Jiří's professional development”. At the conservatory Kylián made his first steps as a choreographer with “Nine eighth's”, choreographed to jazz music, and “Quartet”, to music by Béla Bártok. In 1967 Kylián received a scholarship to study at the Royal Ballet School in London. Among other artists, Kylián met choreographer John Cranko, who offered him to join the Stuttgart Ballet.
He joined the Stuttgart Ballet in 1968 and worked under John Cranko, where he began to work as a choreographer. At Stuttgart Ballet Kylián started choreographing with “Paradox” (1970), “Kommen und Gehren” (1970), and continued in the Stuttgart Ballet's Noverre Kompanie with “Incantations” (1971), “Einzelgänger” (1972) and “Blaue Haut” (1974), among others.
Actors: Paco Boublard (actor), Bertrand Disset (actor), François-Marie Nivon (actor), David Saracino (actor), Eloïssa Florez (actress), Noémie Goetsch (actress), Catherine Guetta (actress), Julien Boudot (producer), Olivier Lekieffre (producer), Freddy Vitorino (producer), Eloïssa Florez (writer), Ignacio Moreno Nava Ainur (composer), Martin Nava Garcia (composer), Eloïssa Florez (director), Joseph Pierre (editor),
Genres: Drama, Short,Ravale tout, mets ? jour,
Fait s'?clairer les beaux jours x3.
Ris un peu, fais semblant,
Mais montre-nous c'est ind?cent x3.
Refrain :
Fais se frotter tous ces Hommes ? tes hanches,
Joue de tes seins de tes cris, ta revanche.
Cambre un peu, griffe au cou,
Fais se plier ces beaux jours x3.
Gifle un peu, sois jalouse,
Fais se planter tes ongles rouges x3.
Refrain.
Recommence, file tes pas,
Fais moi rougir, n'arr?te pas x3.
Griffe un peu, jusqu'au sang,
Fais se plier tes amants x3.
Refrain.
Jiří Kylián (born 21 March 1947) is a Czech former dancer and contemporary dance choreographer.
Initially inspired the acrobatic performances of the Circus Busch, Kylián decided to pursue professional ballet training at the “School of the National Ballet Prague” at the age of 9, after having seen a ballet performance for the first time. Kylián was admitted to the Prague conservatory in 1962. Here he encountered one of his mentors, teacher and former dancer Zora Semberova, “who left a deep mark in Jiří's professional development”. At the conservatory Kylián made his first steps as a choreographer with “Nine eighth's”, choreographed to jazz music, and “Quartet”, to music by Béla Bártok. In 1967 Kylián received a scholarship to study at the Royal Ballet School in London. Among other artists, Kylián met choreographer John Cranko, who offered him to join the Stuttgart Ballet.
He joined the Stuttgart Ballet in 1968 and worked under John Cranko, where he began to work as a choreographer. At Stuttgart Ballet Kylián started choreographing with “Paradox” (1970), “Kommen und Gehren” (1970), and continued in the Stuttgart Ballet's Noverre Kompanie with “Incantations” (1971), “Einzelgänger” (1972) and “Blaue Haut” (1974), among others.
The Independent | 11 May 2019
The Independent | 11 May 2019
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