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@THEMONTHLY

Australian politics, society and culture.

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themonthly.com.au
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  1. Tweet Fixado
    9 de abr

    “We should be very sceptical about what it actually means when … politicians and others declare projects like Carmichael to have been ‘rigorously assessed’.” on the Adani mine:

    7 retweets 12 curtiram
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  2. retweetou
    há 16 minutos

    I'll be writing weekly columns for for the course of the election campaign. The first of them - about the surprise return of 1990s-style technocratic politics - is here.

    3 respostas 5 retweets 20 curtiram
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  3. há 58 minutos

    Why is transforming fitness around the world? finds out. Cue Rocky training montage:

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  4. há 19 horas

    Songs distilled from the quiet and cosmic expanses of high art and black culture make up Solange’s far-reaching fourth album, ‘When I Get Home’, writes Anwen Crawford.

    4 curtiram
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  5. há 20 horas

    After Helloworld, the Adani approval, , and the AWU raids in 2017, the real question about , writes , is how much more scandal can Australian politics take?

    13 respostas 177 retweets 188 curtiram
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  6. há 23 horas

    Much ado about Barry: Mungo MacCallum on Barry Humphries’s challenging brand of comedy, and the renaming of Melbourne International Comedy Festival’s Barry Awards.

    2 respostas 1 curtiu
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  7. retweetou
    23 de abr

    My back page in the latest . (More back pages here: )

    9 retweets 9 curtiram
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  8. 23 de abr

    “It moulds space and … shapes time.” sidesteps expectations with a quieter and stealthier fourth album, ‘When I Get Home’, writes Anwen Crawford.

    1 retweet 3 curtiram
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  9. 22 de abr

    “Intellectually deep and deeply moving.” | ‘After Nature’, a survey of Janet Laurence’s work , proves that Laurence is a political artist for our times, writes :

    3 retweets
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  10. retweetou
    21 de abr

    A little Sunday reading. Here's me on Adani, coal, capture and climate change in .

    2 respostas 27 retweets 46 curtiram
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  11. 21 de abr

    “Every other novel claims to be written in ‘poetic prose’; the real thing, when you come across it, is actually shocking.” | An extract from ‘Writers on Writers: Nam Le on David Malouf’, via .

    1 retweet 2 curtiram
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  12. 20 de abr

    Cat consommé, kimchi nettles and questions about our fraught politics of consumption are all on the menu at ’s ‘Eat the Problem’ – digs in:

    3 curtiram
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  13. 20 de abr

    Peggy Frew masterfully withholds sentiment and judgement in ‘Islands’, a nuanced study of family disintegration, writes Helen Elliott.

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  14. 19 de abr

    Equal parts Haruki Murakami and Patricia Highsmith, Lee Chang-dong’s ‘Burning’ is all class, writes Shane Danielsen.

    2 curtiram
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  15. 18 de abr

    “There’s an eyeball in my margarita.” | ’s ‘Eat the Problem’ explores the ethics of consumption, and asks if sustainability needs to be synonymous with sacrifice. attends a feral feast:

    1 retweet 1 curtiu
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  16. 18 de abr

    As the debate over climate-change action (or inaction) intensified today, one thing is sure, writes : “We simply cannot afford the cost of inaction any longer.”

    7 retweets 4 curtiram
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  17. retweetou
    18 de abr

    Greta Thunberg says it better: “I want you to act as you would in a crisis. I want you to act as if our house is on fire. Because it is.”

    17 retweets 31 curtiram
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  18. retweetou
    18 de abr

    Love this from in on Mona's 'Eat the Problem' and the trouble with consumption-as-environmentalism.

    2 retweets 4 curtiram
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  19. 18 de abr

    “Frew is particularly attuned to nuance, to psychological shifts.” Helen Elliott reviews Peggy Frew’s masterful study of family disintegration, ‘Islands’ .

    1 curtiu
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  20. retweetou
    18 de abr

    This is the most detailed and informative essay I have ever read on Adani, its history,here and elsewhere, the power of both sides of politics that has enabled it, the risks it poses but all the complexities associated with it. Recommended.

    1 resposta 15 retweets 17 curtiram
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  21. retweetou
    18 de abr

    Refused cat consommé at the new show — a series of fancy feasts of invasive species — but that was the least interesting part of it. Wrote about the show’s fusion of luxe consumption & sustainable food politics for

    1 retweet 6 curtiram
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