Shaun and Andrew in courtyard2
Type
Reflection
Category
Obituary
Writing

Andrew McGahan’s theatre life – a personal account

When I first met Andrew, in the mid-1990s, he had already won the Vogel award for Praise and had written a play, Bait. Working alongside David Berthold, Bait was the result of Andrew’s time as a resident writer at the Queensland Theatre Company. As fate would have it, the company passed on producing it. Andrew’s time at the company was also over, and so that may well have been it for Andrew’s involvement in the theatre.

fraggle rock
Type
Article
Category
pop culture

Work your cares away: Revisiting Fraggle Rock

The year is 1982. US President Ronald Reagan is ankle-deep in his first term. Across the pond, Margaret Thatcher will soon be elected Prime Minister of the UK. Everyone’s shaking hands with free market capitalism, neoliberal ideals, and a hostile brand of shark-eyed individualism that will endure for decades to come. Jim Henson is having none of it.

Crop_roomonesown
Type
Announcement
Category
News
Writing

Introducing Overland’s 2019 writing residencies

We are pleased to announce that Overland will be running two writing residencies in 2019, both of which are supported by the Malcolm Robertson Foundation. These residencies will again address a lack of opportunities for underrepresented writers, providing space, time, stipend and mentorship.

Copyright
Type
Article
Category
Copyright
Writing

Does Australia really need author rights? A response to industry pushback

Authors are always put at the centre of Australia’s copyright debates, grounding claims for more rights or fewer exceptions. Despite that, our law has no explicit rights to protect authors in the case of unfair, unclear or outdated contacts. I criticised this state of affairs in the last spring issue of Overland, making a case for Australia finally joining the majority of the world’s nations by granting authors appropriate baseline protections.