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The Appleton Ladies' Potato Race review: Spitting chips over a race for equality

The Appleton Ladies' Potato Race review: Spitting chips over a race for equality

It's not a level playing field. Whether it's wages, superannuation or seats at the cabinet table, women lose out.

  • by Joyce Morgan

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Gold rush: Castlemaine flashes its arts pedigree
Review

Gold rush: Castlemaine flashes its arts pedigree

The opening weekend of Victoria's pre-eminent regional arts festival switched-on an impressive program from new artistic director Glyn Roberts.

  • by Cameron Woodhead
Circa's Peepshow is a coup for Castlemaine State Festival
review
Arts

Circa's Peepshow is a coup for Castlemaine State Festival

Circa is one of the great success stories in Australia’s performing arts scene.

  • by Cameron Woodhead
Osama Bin Laden: The human behind the monster

Osama Bin Laden: The human behind the monster

For the decade or so that Osama Bin Laden remained at large following the 2001 Twin Towers attacks, the terror leader grew in the collective imagination to become a near mythical monster.

  • by Alix Foley
Gender politics, small towns and hot potatoes

Gender politics, small towns and hot potatoes

As dramas go, you can't get more down-to-earth than the sexual politics of a potato race.

  • by Steve Meacham
A hilarious, excruciating look back at pre-teen competition
Review

A hilarious, excruciating look back at pre-teen competition

Dance Nation brings us a wild new voice in American theatre.

  • by Cameron Woodhead
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MTC's production of Miller's A View From the Bridge as good as it gets
Review

MTC's production of Miller's A View From the Bridge as good as it gets

This stark tragedy of family violence and patriarchy forms a bridge all the way from Ancient Greece to #MeToo.

  • by Cameron Woodhead
Russian Transport review: Through thick, thin and showers of sparks

Russian Transport review: Through thick, thin and showers of sparks

Erika Sheffer's play depicts Russians behaving badly in Brooklyn.

  • by John Shand
Grounded review: Emily Havea flies us to the heavens and to hell

Grounded review: Emily Havea flies us to the heavens and to hell

George Brant's 2011 one-hander confronts war, love, death, gadgetry and empathy – all in 80 minutes!

  • by John Shand
Every Brilliant Thing review: Kate Mulvany enlists audience

Every Brilliant Thing review: Kate Mulvany enlists audience

When a mother attempts suicide, her seven-year-old daughter makes a list of everything wonderful in life.

  • by Joyce Morgan
'Anything is possible': Cirque du Soleil returns to Australia with new production
Cirque du Soleil

'Anything is possible': Cirque du Soleil returns to Australia with new production

It was love at first sight when Nico Baixas saw his first Cirque du Soleil show in Barcelona in 2003.

  • by Nick Galvin