Critic’s Pick
Review: A Magnificent Road to Ruin in ‘The Lehman Trilogy’
This three-hour-plus portrait of the creation and destruction of the house of Lehman, directed by Sam Mendes, is an endlessly absorbing epic tragedy.
By Ben Brantley
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This three-hour-plus portrait of the creation and destruction of the house of Lehman, directed by Sam Mendes, is an endlessly absorbing epic tragedy.
By Ben Brantley
Shana Cooper’s revival at Theater for a New Audience is so deep in conversation with itself and its dance battles that it nearly forgets to speak to us today.
By Alexis Soloski
What if black people, sick of injustice, picked up and left the United States? An outrageous satire by Jordan E. Cooper imagines the possibility, and the loss.
By Jesse Green
How the director Daniel Fish stuck to his guns and rode his darkly visionary take on Rodgers & Hammerstein’s classic from the experimental fringes to Broadway.
By Jennifer Schuessler
Rachel Chavkin is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer.
By Michael Paulson
A revelatory new production of “Betrayal” starring Tom Hiddleston comes after a season of the playwright’s one-act plays.
By Matt Wolf
As the arts center rolls out its inaugural season, we offer our hopes not only for its future, but also for New York’s broader cultural landscape.
By Zachary Woolfe
Willy Holtzman’s play, with the storytelling quality of PowerPoint, offers a biography of Judy Holliday, an award-winning actress who died young.
By Elisabeth Vincentelli
What happens when the husband you thought you knew is discovered harboring a terrible secret? Maddie Corman learned the hard way.
By Jesse Green
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