ELLEN ALTFEST with Phong Bui
Art
Ellen Alfest's paintings appear confrontational, digested, and candid in how they deal with a meditative state of mind and a hallucinatory dedication to "somethingness" that lies between things and entities.
HANNE TIERNEY with Alex A. Jones
Art
Twenty years ago Hanne Tierney founded FiveMyles, a non-profit art space in Crown Heights. To readers of the Rail who go back a long time in New York, perhaps those have a shared history with Tierney in the SoHo art scene, FiveMyles is a familiar and highly regarded establishment.
ROBERT GROSVENOR with Alex Bacon
Art
Robert Grosvenor spoke with Alex Bacon over the phone from his home in the Florida Keys about important moments from his five decade career, and wide-ranging topics such as his photography, refitting of automobiles and boats, and enduring fascination with architecture, from iconic buildings to improvisational structures.
WAYNE THIEBAUD with Hearne Pardee
Art
At age 98, Thiebaud still paints and plays tennis daily; spanning more than 50 years and a range of themes, his works reflect his commitment to the material and tradition of painting. His selections from the museum's collection exhibit the wide range of his enthusiasms, leavened with wit and intelligence.
Seeing, Naming, Knowing
by Nora N. KhanArt
In Detroit, driving at night north up Woodward Avenue, a long, wide boulevard, one's eye is caught by emerald green lights, perched on the topmost corners of gas station signs, laundromats, corner stores, peep shows, groceries, and churches. They blink quickly, three times in a row. Their green makes for strange beacons, at first eerie, then comforting, not a warning, but an invitation.
PUBLISHER&ARTISTIC DIRECTOR
Dear Friends and Readers,
by Phong BuiWe shall come together in the spirit of solidarity and provide a megaphone to the urgent actions to be implemented into lawsfrom diversity initiatives to support of public educationwhile checking as much as possible the entrenched patriarchy (evidenced in every facet of our lives, and particularly in the longstanding political complexion).
Welcome to the Feminist Institute’s Guest Critic Edition of the Brooklyn Rail. We Hope You Stay a Long Time!
by Kathleen LandyWomen have shared their wisdom with one another for millennia, in oral histories that teach and inform subsequent generations of women about family, home, sex, power, politics, and survival. But patriarchal histories didn’t include these contributions. Huh!
- Alison Knowles with Carolee Schneemann
- No footage? No problem! Eva Hesse: A Feature Documentary Crafted from Archives by Marcie Begleiter
- The Feminist Institute by John Carvalho
- My History With History by Kashana Cauley
- Lifting the Mask by Alexandra Dean
- Helène Aylon with Monika Fabijanska
- Pussy Speak Out by Karen Finley
- Liz Nielsen and Carolina Wheat-Nielsen with Jessamyn Fiore
- Considering Mary Beth Edelson’s Some Living American Women Artists by Kat Griefen
- Judith Bernstein’s Archive by Jillian McManemin
- My Women Mentors: Mentorship as Activism by Natalie Frank
- Forbidden Archeology of the Divine Feminine by Otep Shamaya
- HelloBETTY by Alyson Palmer
- Amy Cutler: Using Magical Materiality as Feminist Critique by Kristen Racaniello
- Claudia Rankine with Julie Scelfo
- The Oldest Woman in the Room: A Feminist Life Lesson from my Mother by Laurie Gwen Shapiro
- Managing the Archive by Sarah Watson
- Women’s Art Collectives: Framing the Future by Kathleen Wentrack
- Lisa Le Feuvre with Keith Wilson
- Jasper Johns: Recent Paintings & Works on Paper by Alfred Mac Adam
- Katy Moran: I want to live in the afternoon of that day by Tom McGlynn
- Arakawa: Diagrams for the Imagination by Mary Ann Caws
- Joe Andoe: Jubilee City by Eleanor Heartney
- Don Dudley: Early Work by Melinda Lang
- Linnea Kniaz: Running Bond by Melinda Lang
- Jeffrey Cheung by John Cappetta
- BRIC Biennial: Volume III, “The Impossible Possible” by Nina Wolpow
- Lesley Vance by Alfred Mac Adam
- Ricardo Brey: Doble Existencia / Double Existence by Jonathan Goodman
- Charles LeDray: American Standard by Jason Rosenfeld
- Gabo Camnitzer and Lluís Alexandre Casanovas Blanco: Aesthetic Behavior; Developmental Sequences by Joseph Lubitz
- Louise Lawler: She’s Here by Osman Can Yerebakan
- Rona Pondick: Works 2013 – 2018 by Hearne Pardee
- Robert Duran: 1968 – 1970 by David Rhodes
- Keltie Ferris: RELIEF by Daniel Gerwin
- Wilmer Wilson IV: Slim… you don’t got the juice by Harry Philbrick
- Nicholas Galanin: The Value of Sharpness: When It Falls by Christopher Green
- Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao by Tanner Tafelski
- The Young and Evil by Osman Can Yerebakan
- Viva Ruiz: ProAbortion Shakira: A Thank God for Abortion Introspective by SIMON WU
- Symbolism in Europe: Burne-Jones, Khnopff, Mucha, and Gauguin by Jason Rosenfeld
- In Search of the Cuenca Biennial by Evan Moffitt
- Margrit Lewczuk: Angels by Alfred Mac Adam
- Matvey Levenstein by Jason Rosenfeld
- David Weiss: Drawings by Hovey Brock
- Nick Brandt: This Empty World by Daniel Pateman
- Kevin Beasley: A view of a landscape by Sadie Rebecca Starnes
- Jon Key: Violet: Mythologies and Other Truths by Danilo Machado
- Luke Stettner: ri ve rr hy me sw it hb lo od by Avram C. Alpert
- David Byrd by Nicholas Heskes
- Banu Cennetoğlu by Ann C. Collins
- Cally Spooner: SWEAT SHAME ETC. by Kaegan Sparks
- Jacob Lawrence: The Life of Toussaint L’Ouverture by Amber Jamilla Musser
- Daniel Baird: murmur by Jared Quinton
- Yukultji Napangati by Maureen Catbagan and Amber Jamilla Musser
- Margrit Lewczuk: Angels by Joan Waltemath
- Libita Clayton: Quantum Ghost by Michael Eby
- The Deceptive Everyday by Tom McGlynn
Editor's Message
Publisher's Message
- Dear Friends and Readers, by Phong Bui
Art
ArtSeen
- Jasper Johns: Recent Paintings & Works on Paper by Alfred Mac Adam
- Katy Moran: I want to live in the afternoon of that day by Tom McGlynn
- Arakawa: Diagrams for the Imagination by Mary Ann Caws
- Joe Andoe: Jubilee City by Eleanor Heartney
- Don Dudley: Early Work by Melinda Lang
- Linnea Kniaz: Running Bond by Melinda Lang
- Jeffrey Cheung by John Cappetta
- BRIC Biennial: Volume III, “The Impossible Possible” by Nina Wolpow
- Lesley Vance by Alfred Mac Adam
- Ricardo Brey: Doble Existencia / Double Existence by Jonathan Goodman
- Charles LeDray: American Standard by Jason Rosenfeld
- Gabo Camnitzer and Lluís Alexandre Casanovas Blanco: Aesthetic Behavior; Developmental Sequences by Joseph Lubitz
- Louise Lawler: She’s Here by Osman Can Yerebakan
- Rona Pondick: Works 2013 – 2018 by Hearne Pardee
- Robert Duran: 1968 – 1970 by David Rhodes
- Keltie Ferris: RELIEF by Daniel Gerwin
- Wilmer Wilson IV: Slim… you don’t got the juice by Harry Philbrick
- Nicholas Galanin: The Value of Sharpness: When It Falls by Christopher Green
- Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao by Tanner Tafelski
- The Young and Evil by Osman Can Yerebakan
- Viva Ruiz: ProAbortion Shakira: A Thank God for Abortion Introspective by SIMON WU
- Symbolism in Europe: Burne-Jones, Khnopff, Mucha, and Gauguin by Jason Rosenfeld
- In Search of the Cuenca Biennial by Evan Moffitt
- Margrit Lewczuk: Angels by Alfred Mac Adam
- Matvey Levenstein by Jason Rosenfeld
- David Weiss: Drawings by Hovey Brock
- Nick Brandt: This Empty World by Daniel Pateman
- Kevin Beasley: A view of a landscape by Sadie Rebecca Starnes
- Jon Key: Violet: Mythologies and Other Truths by Danilo Machado
- Luke Stettner: ri ve rr hy me sw it hb lo od by Avram C. Alpert
- David Byrd by Nicholas Heskes
- Banu Cennetoğlu by Ann C. Collins
- Cally Spooner: SWEAT SHAME ETC. by Kaegan Sparks
- Jacob Lawrence: The Life of Toussaint L’Ouverture by Amber Jamilla Musser
- Daniel Baird: murmur by Jared Quinton
- Yukultji Napangati by Maureen Catbagan and Amber Jamilla Musser
- Margrit Lewczuk: Angels by Joan Waltemath
- Libita Clayton: Quantum Ghost by Michael Eby
- The Deceptive Everyday by Tom McGlynn
1 by 1
- Shigeko Kubota: River by Ida Pruitt
Critics Page
- Alison Knowles with Carolee Schneemann
- No footage? No problem! Eva Hesse: A Feature Documentary Crafted from Archives by Marcie Begleiter
- The Feminist Institute by John Carvalho
- My History With History by Kashana Cauley
- Lifting the Mask by Alexandra Dean
- Helène Aylon with Monika Fabijanska
- Pussy Speak Out by Karen Finley
- Liz Nielsen and Carolina Wheat-Nielsen with Jessamyn Fiore
- Considering Mary Beth Edelson’s Some Living American Women Artists by Kat Griefen
- Judith Bernstein’s Archive by Jillian McManemin
- My Women Mentors: Mentorship as Activism by Natalie Frank
- Forbidden Archeology of the Divine Feminine by Otep Shamaya
- HelloBETTY by Alyson Palmer
- Amy Cutler: Using Magical Materiality as Feminist Critique by Kristen Racaniello
- Claudia Rankine with Julie Scelfo
- The Oldest Woman in the Room: A Feminist Life Lesson from my Mother by Laurie Gwen Shapiro
- Managing the Archive by Sarah Watson
- Women’s Art Collectives: Framing the Future by Kathleen Wentrack
- Lisa Le Feuvre with Keith Wilson
Books
- Anselm Berrigan’s Something for Everybody by Tony Leuzzi
- Marlon James's Black Leopard, Red Wolf by Yvonne C. Garrett
- Rebecca Solnit's Call Them By Their True Names by Deena ElGenaidi
- Eula Biss’s Notes from No Man’s Land by Aly Tadros
- Liminal Dispatches: Esmé Weijun Wang's The Collected Schizophrenias by Ashley P. Taylor
- Strange Objects & Sockdolagers by John Domini
- STEVE POWELL with Jill Dearman
- Beyond Metaphor: On Prose by Chris Campanioni & Elizabeth Powell by Kristina Marie Darling
- Verdant Voices: The Women of Green Writers Press by Emma Irving
- Tom Sleigh with Alex Dueben
- Debra Di Blasi with Joe Milazzo
Music
- Kristina Esfandiari's Songs of Sorrow by John Amen
- Elliott Sharp’s IrRational Music by George Grella
- Robert Ashley's Improvement, The Kitchen, February 7 by Dan Joseph
- Outtakes by Steve Dalachinsky
- March Listings by George Grella and Brad Cohan
Dance
Film
- Surveying the Demos: Reviving Civic Dialogue in Astra Taylor's What is Democracy? by Esmé Hogeveen
- The Past Lingers On: Ash is Purest White by Zoe Greenway
- CHRISTIAN PETZOLD with Anthony Hawley
- In the Rotterdam of the Senses: International Film Festival Rotterdam 2019 by Celluloid Liberation Front
Theater
Fiction
- from Arabian Nights of 1934 by Geoffrey O’Brien
- On Cannibalism By ‘Linke Poot,’ translated from the German by Chris Godwin
- inSerial: part six The Mysteries of Paris By Eugène Sue, translated from the French by Robert Bononno
- New Routes in Fiction: NEEL PATEL with Alec Niedenthal
Poetry
- Silence As Instrument Too by Sarah Passino
- six by Betsy Fagin
- four by Donna de la Perrière
- four by Matthew Henriksen
- four by Pamela Sneed
- The Birds of Marseilles by Steve Dalachinsky
- from Lost Horizon by Nathaniel Farrell
Art Books
- Iris Müller–Westermann: Hilma af Klint: Notes and Methods by Madeline Weisburg
- Leslie Hewitt by Megan N. Liberty
- Chris Kraus: Social Practices by Gretchen Coombs
- Mary Jane Jacob: Dewey For Artists by Cara Jordan
Field Notes
- Fairy Tales About Climate Change by José A. Tapia
- Repeating Israel by Oded Nir
- Suffocation of the Young: A Report from Brooklyn on Schooling, Childhood and Mental Illness Today by Juan Chabrier