A showcase of the unexceptional: the 2019 Berlin Film Festival
Culture / Film
This year’s offerings did little to arrest the event’s apparent decline
A showcase of the unexceptional: the 2019 Berlin Film Festival
Culture / Film
This year’s offerings did little to arrest the event’s apparent decline
Rats, heroes and Kevin Rudd’s ‘The PM Years’
Culture / Books / Politics / Federal politics
This memoir answers some questions about his deposal and return but raises others
Culture / Art
The Australian artist opens up on the eve of a retrospective exhibition
Streaming highlights: February 2019
Culture / Television
Adolescent antiheroes in ‘Sex Education’ and ‘Pen15’, Eric Bana shines darkly in ‘Dirty John’, new ‘Counterpart’, and the irreverent charm of ‘Russian Doll’
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➊ A showcase of the unexceptional: the 2019 Berlin Film Festival
This year’s offerings did little to arrest the event’s apparent decline
➋ Streaming highlights: February 2019
Adolescent antiheroes in ‘Sex Education’ and ‘Pen15’, Eric Bana shines darkly in ‘Dirty John’, new ‘Counterpart’, and the irreverent charm of ‘Russian Doll’
➌ ‘Manus’: troubling and obligatory viewing
An Iranian play brings stories of Australia’s offshore detention centres to the Adelaide Festival
‘Zebra and Other Stories’ by Debra Adelaide
Difficult-to-grasp characters populate this new collection
‘Exploded View’ by Carrie Tiffany
This new novel is most striking in how it diverges from its predecessors
On Louise Adler, academic publishing and cultural barbarism
The debate about MUP has been remarkable for its intellectual poverty
Welcome to The Summer Library: selected extracts from the best new books this summer
Welcome to The Summer Library: selected extracts from the best new books this summer
Welcome to The Summer Library: selected extracts from the best new books this summer
Clicks, plinks, hoots and thuds: Matmos’s ‘Plastic Anniversary’
The American experimental duo embrace the ‘sounds’ of a ubiquitous material
The Monthly music wrap: February 2019
On the precarious state of live music in NSW and the impact of proposed festival-licensing laws
Pete Shelley’s Buzzcocks: 40 years on
The history and legacy of a punk pioneer
Female fandom and Jessica Leski’s ‘I Used to be Normal’
They’ve been dismissed and patronised, but Beatlemaniacs, Directioners and other fangirls are very self-aware about their boy band ‘affliction’
The Monthly music wrap: November 2018
A festive EP from Tyler, the Creator; new releases from Anderson .Paak, Mariah Carey and cupcakKe; and David Byrne live
A bigger, shinier cage: Julia Holter’s ‘Aviary’
A classically schooled composer seeks shelter from the cacophony of modern life
‘Stan & Ollie’: a beautiful lie
Steve Coogan and John C. Reilly are perfectly cast in this affectionate biopic
Natalie Portman grapples with celebrity’s demons in this unconvincing film
‘Capharnaüm’: giving voice to the voiceless
Nadine Labaki on what motivated her exploration of turmoil’s impact on children
At last: Claire Denis’ ‘Let the Sunshine In’
Juliette Binoche is luminous in this funny and lucid portrait of desire
The lady vanishes: ‘The Beehive’ at Sydney Festival
Zanny Begg and Philippa Bateman on their enigmatic film that explores the unsolved disappearance of Juanita Nielsen
Alfonso Cuarón’s masterful ‘Roma’
This Academy Award favourite elevates the domestic to the monumental
Lena Dunham’s new comedy series is an accidental portrait of toxic femininity
A bug in the code: ‘Russian Doll’
This existential comedy is 2019’s first must-see Netflix series
This Scottish–Australian drama successfully subverts the missing-child genre
‘The Little Drummer Girl’: a masterclass in subterfuge
‘Oldboy’ director Park Chan-wook takes on a le Carré spy drama, with genre-rattling results
‘My Brilliant Friend’ breaks the spell
The television adaptation lacks the all-consuming magic of Elena Ferrante’s novels
The magnificently messy ‘House of Cards’
The show that made Netflix a major player comes to a satisfying and ludicrous end
Ahead of a major survey at the Art Gallery of SA, the artist talks about the anxiety that informs his work
Noŋgirrŋa Marawili: ‘From my Heart and Mind’
Thinking is feeling in this exhibition at the Art Gallery of New South Wales
The 9th Asia Pacific Triennial of Contemporary Art at QAGOMA
Politics, culture and colour collide in Brisbane
‘Primavera 2018: Young Australian Artists’ at the MCA
This exhibition of the up-and-coming asks complex questions about who we are
‘Masters of Modern Art from the Hermitage’ at the Art Gallery of New South Wales
From Matisse to Malevich: a considered snapshot of adventurous Russian collecting
William Kentridge at the Art Gallery of NSW
This exhibition gives rare insight into the boundlessly curious artist’s process
Barrie Kosky’s reimagined ‘The Magic Flute’ heads for Australia
The director on why his film-inspired production almost didn’t happen
Ned Kelly as you’ve never seen him before
Composer Luke Styles on his opera that casts the bushranger in a new light
Performing philosophy: ‘La Passion de Simone’ at the Sydney Festival
The creatives behind this Sydney Chamber Opera production on the extreme empathy of Simone Weil
Eddie Perfect goes to Broadway
The Australian composer has two musicals – ‘Beetlejuice’ and ‘King Kong’ – opening in New York
Geoff Sobelle is making a house a ‘Home’ at Sydney Festival
The creator of this participatory performance is keen for the audience to add their own stories
‘Watt’ at the Melbourne International Arts Festival
Beckett’s knotty novel is masterfully interpreted for stage by Barry McGovern
Teatro alla Scala Ballet Company is bringing light and shade to Australia
A conversation with members of the Italian company ahead of their tour to Brisbane
Bangarra’s latest production explores Aboriginal Australians’ sophisticated farming practices
Dance and the digital: An interview with Wayne McGregor
The Sydney Festival-bound show’s choreographer loves mixing the body with technology
‘Bennelong’ by Bangarra Dance Theatre
Sydney Opera House (touring Canberra, Brisbane, Melbourne)
Body Electric’s jazz ballet for adults
The best of Australian arts 2014
Critics give their picks for the year’s top ten
Two worlds at the 16th Venice Architecture Biennale
The consumption of space, land and habitat is Australia’s focus at the world’s pre-eminent architecture event
A new four-day tour in Tasmania is owned and guided by Aboriginal people
Beautiful on the outside … the tragedy of Bennelong Point
Brutalist masterpiece or harbour eyesore? Sydney’s Sirius building faces an uncertain future
The Australian Islamic Centre is notable for what it isn’t as much as for what it is
Durbach Block Jaggers is a practice in argument
Victoria Lee takes on the Victoria’s Secret runway
‘The Fashion World of Jean Paul Gaultier’ at the National Gallery of Victoria
‘Modern Love: Fashion visionaries from the FIDM Museum LA’
At the Bendigo Art Gallery
The iconic Australian brand has a new co-owner
Romance was born - ‘The Oracle’, 2011
Unfinished business: A short story
Can a young wartime couple pick up where they left off?
Hamish Hamilton; $32.99
The pencil and the damage done
The perverse attraction of autobiographical fiction
‘All the Light We Cannot See’ by Anthony Doerr
HarperCollins; $29.99
Karl Ove Knausgaard’s ‘Boyhood Island’
The third volume of the epic autobiographical novel ‘My Struggle’
Barron Field and the myth of terra nullius
How a minor poet made a major historical error
Clive James’ ‘Sentenced to Life’ and Les Murray’s ‘Waiting for the Past’
A century of Dylan Thomas
Meeting Ko Un
'Radar' by Kevin Brophy and Nathan Curnow
Peter Steele (1939–2012)