Dance | News & Reviews | The Sydney Morning Herald
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Love match is a game of two halves

Love match is a game of two halves

L-E-V Dance Company from Israel – lev means heart in Hebrew – is stamped by an extraordinarily flexible style of contemporary movement and a powerful ability to build intensity in performance.

  • by Jill Sykes

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One Infinity review: Music and movement in perfect partnership

One Infinity review: Music and movement in perfect partnership

One Infinity is an hour in your life that can leave you suspended in time and place, the crises of the world outside forgotten.

  • by Jill Sykes
Graeme Murphy illness forces Happy Prince to be postponed

Graeme Murphy illness forces Happy Prince to be postponed

The Australian Ballet has been forced to postpone its high-profile season opener The Happy Prince due to the illness of legendary choreographer Graeme Murphy.

  • by Valerie Lawson and Nick Galvin
Biladurang review: Words (and suds) the focal point

Biladurang review: Words (and suds) the focal point

Biladurang isn't a dance event. It's more a kind of cabaret, writes Jill Sykes.

  • by Jill Sykes
Dust review: Impact of energetic inquisition suffers from repetition

Dust review: Impact of energetic inquisition suffers from repetition

Dancers' commitment to the contemporary dance work, Dust, is its singular driving force.

  • by Jill Sykes
Chunky Move's new leadership steps up
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Chunky Move's new leadership steps up

Antony Hamilton and Kristy Ayre say they want Melbourne's flagship dance company to be more inclusive and focus on where humanity is headed into the future.

  • by John Bailey
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Surprise propositions mark year ahead in dance

Surprise propositions mark year ahead in dance

The year ahead has some inviting dance propositions, including the Sydney Dance Company's 50th anniversary.

  • by Jill Sykes
PPY18 review: Energy, enthusiasm and flexibility impress

PPY18 review: Energy, enthusiasm and flexibility impress

PPY stands for Pre-Professional Year and this show presents the 23 graduates from the Sydney Dance Company course of 2018.

  • by Jill Sykes