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Melbourne Opera soars with Flying Dutchman

Melbourne Opera soars with Flying Dutchman

It was only four years ago that a bigger company, Victorian Opera, staged this Wagner, but Melbourne Opera's is a far better production.

  • by Bridget Davies

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Opera for the ages - with a twist
review
Arts

Opera for the ages - with a twist

The tale of Orpheus in the Underworld has been told many times over the centuries, but this production tells part of the story that has gone unexplored.

  • by Bridget Davies
Wozzeck review: Nothing succeeds like excess for Kentridge

Wozzeck review: Nothing succeeds like excess for Kentridge

In a public conversation artist and director William Kentridge said opera is an artform of excess – there is always more going on than you can take in.

  • by Peter McCallum
Collaboration key in Opera Australia production of Alban Berg's Wozzeck

Collaboration key in Opera Australia production of Alban Berg's Wozzeck

Is Wozzeck, the eponymous soldier-protagonist in Alban Berg's dark opera, truly deranged or is he the only one who can perceive the lunacy that surrounds him?

  • by Nick Galvin
Turandot review: Puccini's last opera crowned by dramatic peaks
Opera reviews

Turandot review: Puccini's last opera crowned by dramatic peaks

Opera Australia's Turandot revival leaves audience breathless, writes Peter McCallum.

  • by Peter McCallum
La Boheme review: seediness makes for a pleasurable seduction
Opera reviews

La Boheme review: seediness makes for a pleasurable seduction

Gale Edward's production shifts the famous opera from Paris to Berlin in a seductive revival, writes Peter McCallum.

  • by Peter McCallum
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The year that was: Opera in 2018
Arts

The year that was: Opera in 2018

The year was a mixed bag with a few star turns along the way.

  • by Bridget Davies
Natalie Aroyan proves there's more to opera than you think
What's on

Natalie Aroyan proves there's more to opera than you think

The Armenian-Australian soprano will perform some of the most famous arias of all time at the Sydney Opera House.

  • by Nicole Elphick