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Wozzeck review: Nothing succeeds like excess for Kentridge

Wozzeck review: Nothing succeeds like excess for Kentridge

In a public conversation artist and director William Kentridge said opera is an artform of excess – there is always more going on than you can take in.

  • by Peter McCallum

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Collaboration key in Opera Australia production of Alban Berg's Wozzeck

Collaboration key in Opera Australia production of Alban Berg's Wozzeck

Is Wozzeck, the eponymous soldier-protagonist in Alban Berg's dark opera, truly deranged or is he the only one who can perceive the lunacy that surrounds him?

  • by Nick Galvin
Turandot review: Puccini's last opera crowned by dramatic peaks
Opera reviews

Turandot review: Puccini's last opera crowned by dramatic peaks

Opera Australia's Turandot revival leaves audience breathless, writes Peter McCallum.

  • by Peter McCallum
La Boheme review: seediness makes for a pleasurable seduction
Opera reviews

La Boheme review: seediness makes for a pleasurable seduction

Gale Edward's production shifts the famous opera from Paris to Berlin in a seductive revival, writes Peter McCallum.

  • by Peter McCallum
The year that was: Opera in 2018
Arts

The year that was: Opera in 2018

The year was a mixed bag with a few star turns along the way.

  • by Bridget Davies
Natalie Aroyan proves there's more to opera than you think
What's on

Natalie Aroyan proves there's more to opera than you think

The Armenian-Australian soprano will perform some of the most famous arias of all time at the Sydney Opera House.

  • by Nicole Elphick
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Opera star breathes new life into largely unknown arias
review
Arts

Opera star breathes new life into largely unknown arias

Alaskan-born mezzo-soprano Vivica Genaux is one of the unrivalled few to have mastered such a challenging repertoire.

  • by Bridget Davies