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Graeme Murphy illness forces Happy Prince to be postponed

Graeme Murphy illness forces Happy Prince to be postponed

The Australian Ballet has been forced to postpone its high-profile season opener The Happy Prince due to the illness of legendary choreographer Graeme Murphy.

  • by Valerie Lawson and Nick Galvin

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Biladurang review: Words (and suds) the focal point

Biladurang review: Words (and suds) the focal point

Biladurang isn't a dance event. It's more a kind of cabaret, writes Jill Sykes.

  • by Jill Sykes
Dust review: Impact of energetic inquisition suffers from repetition

Dust review: Impact of energetic inquisition suffers from repetition

Dancers' commitment to the contemporary dance work, Dust, is its singular driving force.

  • by Jill Sykes
Chunky Move's new leadership steps up
Arts

Chunky Move's new leadership steps up

Antony Hamilton and Kristy Ayre say they want Melbourne's flagship dance company to be more inclusive and focus on where humanity is headed into the future.

  • by John Bailey
Surprise propositions mark year ahead in dance

Surprise propositions mark year ahead in dance

The year ahead has some inviting dance propositions, including the Sydney Dance Company's 50th anniversary.

  • by Jill Sykes
PPY18 review: Energy, enthusiasm and flexibility impress

PPY18 review: Energy, enthusiasm and flexibility impress

PPY stands for Pre-Professional Year and this show presents the 23 graduates from the Sydney Dance Company course of 2018.

  • by Jill Sykes
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Cinderella review: Go and you will have a ball
Art reviews

Cinderella review: Go and you will have a ball

There is a lot to like about Alexei Ratmansky’s Cinderella. Best is the title role which offers an outstanding dancer plenty of opportunities to combine technique with character.

  • by Jill Sykes
New Breed review: Always worth seeing, this year filled with surprises
Art reviews

New Breed review: Always worth seeing, this year filled with surprises

Two new works lift off into the world of the imagination.

  • by Jill Sykes
Storyplace review: energetic program crosses many genres
Theatre reviews

Storyplace review: energetic program crosses many genres

This year’s offering from NAISDA Dance College focuses on two young Indigenous choreographers.

  • by Jill Sykes