fredric jameson
THE AESTHETICS OF SINGULARITY
An ontology of the present is a science-fictional operation, in which a cosmonaut lands on a planet full of sentient, intelligent, alien beings. He tries to understand their peculiar habits: for example, their philosophers are obsessed by numerology and the being of the one and the two, while their novelists write complex narratives about the impossibility of narrating anything; their politicians meanwhile, all drawn from the wealthiest classes, publicly debate the problem of making more money by reducing the spending of the poor. It is a world which does not require a Brechtian V-effect since it is already objectively estranged. The cosmonaut, stranded for an unforeseeable period on this planet owing to faulty technology (incomprehensibility of set theory or mathemes, ignorance of computer programmes or digitality, insensibility towards hip-hop, Twitter, or bitcoins), wonders how one could ever understand what is by definition radically other; until he meets a wise old alien economist who explains that not only are the races of the two planets related, but that this one is in fact simply a later stage of his own socio-economic system (capitalism), which he was brought up to think of in two stages, whereas he has here found a third one, both different and the same. Ah, he cries, now I finally understand: this is the dialectic! Now I can write my report!
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Against conventional comparisons with War and Peace, Fredric Jameson offers a path-breaking formal reading of Vassily Grossman’s great fiction of the Battle of Stalingrad. The war against Hitler as crucible for a new collectivity, in which freedom finds itself, or as grounds of social—and thus narrative—totality.
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