Blue Rondo - Bees Knees & Chickens Elbows

For their second album, Bees Knees & Chickens Elbows, Blue Rondo a la Turk dropped the "a la Turk" from their name, several band members, and everything that made their sound distinctive, i.e. the postpunk edge and the retro big-band sound. What's left sounds like countless other mildly funky British blue-eyed soul bands of the day. The original concept shines through a bit in "Masked Moods" with its smoky lounge vibe, and the rest of the songs are pleasant enough to listen to, but the spark is gone. The band had already broken up anyway by the time the album came out in 1984, so Bees Knees stands more as a last gasp than a document of an evolving band. I wish I could sound more positive about it, but I can still feel the disappointment I felt in 1984 when I got the record home and put it on the turntable. Maybe you will like it, though; get the vinyl rip here or here.

I had a request for Blue Rondo's Too Soon to Come album: that is simply a compilation of tracks from their two original albums with no new material, so if you grab the two album rips here, you've got everything that's on Too Soon to Come.

Blue Rondo a la Turk - Chewing the Fat

What if Pigbag had been led by Desi Arnaz, and he sang in English? That's what Chris Sullivan's band Blue Rondo a la Turk sounded like. With a postpunk take on Latin rhythms, a full horn section (see here for the complete band lineup), and vintage zoot-suit fashions, Blue Rondo in 1982 prefigured the swing craze that would reach full force over a decade later. (Oddly, they did not sound anything like Dave Brubeck's "Blue Rondo a la Turk.") Sullivan was quite the dandy; see this profile of him in which he details his fashion history, and even takes credit for starting the New Romantic fashion movement. To be fair, he is also a skilful songwriter, singer, and a painter as well: he painted the album cover art. Chewing the Fat, released in 1982, is full of infectious Latin grooves and more straightforward pop fare. High points include a fantastic cover of Luther Ingram's "I Spy for the FBI" and the originals "Klacto Vee Sedstein" (a single) and "They Really Don't;" even a bit of Spandau Ballet shows through in the guitar intro to the single "The Heavens are Crying." The UK and German releases of the album differ slightly: the German version includes the 1981 single "Me and Mr Sanchez," while the UK version replaces that with its B-side, "Sarava." I have the UK version, so that's what I've presented here, but I also have the 45 so I've added "Me and Mr Sanchez" at the end. The full track list is:

01 Change
02 I Spy for the FBI
03 Coco
04 The Heavens Are Crying
05 The Method
06 They Really Don't
07 Sarava
08 Klacto Vee Sedstein
09 Carioca
10 Me and Mr Sanchez

I found a Blue Rondo TV performance clip (of "Carioca:) on YouTube: just to the left of Chris Sullivan (your left, his right) in the center ring is Christos Tolero, who as far as I can figure was the Paul Rutherford of the group, with his trademark Mephistophelean mustache and goatee:

Get the Chewing the Fat vinyl rip here or here.