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Storyplace review: energetic program crosses many genres

Storyplace review: energetic program crosses many genres

This year’s offering from NAISDA Dance College focuses on two young Indigenous choreographers.

  • by Jill Sykes

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Giselle review: Classic still has plenty to say

Giselle review: Classic still has plenty to say

A classic of any kind holds its history as well as having something to say to today's generation. Teatro alla Scala Ballet Company's beautiful production of Giselle succeeds memorably on both counts.

  • by Jill Sykes
Chunky Move's Next Move choreography inspires again

Chunky Move's Next Move choreography inspires again

Now in its eleventh season, Chunky Move's Next Move program identifies and supports emerging choreographic talent.

  • by Jordan Beth Vincent
Spartacus review: Epic tale lacks excitement

Spartacus review: Epic tale lacks excitement

Spartacus is a tragic story of bad people in power and good people trying to break free of miserable enslavement. They have their moment, but not for long.

  • by Jill Sykes
Review: Teatro alla Scala Ballet Company's Don Quixote

Review: Teatro alla Scala Ballet Company's Don Quixote

Don Quixote may be the silliest of the world's ballets, but it is also the most fun.

  • by Jill Sykes
Sydney Dance Company 50th anniversary will involve some DIY dance

Sydney Dance Company 50th anniversary will involve some DIY dance

"Audience participation" is a phrase that can strike terror into the hearts of even the most seasoned theatregoer but Sydney Dance Company has found a kind way to bring audiences up to the stage.

  • by Valerie Lawson
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Infinity Minus One review: Science meets art in engrossing display

Infinity Minus One review: Science meets art in engrossing display

Taiwanese artist Su Wen-Chi tackles "particle" and "universe" – the smallest and the largest – in this striking work.

  • by Jill Sykes
Rianto review: Compelling moves create magic

Rianto review: Compelling moves create magic

Indonesian performer Rianto creates a kind of magic in performance. His presence is utterly compelling: a lone, barefoot figure in waist-to-knee tights on a bare stage, his moves are deceptively simple and seem to come from within

  • by Jill Sykes
The Tap Pack review: High-energy performance a winner

The Tap Pack review: High-energy performance a winner

What a great show! Scintillating song and dance, jokes, and a bit of juggling thrown in for good measure – who could ask for more?

  • by Jill Sykes
Sydney Dance Company review: An intriguing study in contrasts

Sydney Dance Company review: An intriguing study in contrasts

There is nothing like a strong contrast in a double bill and the Sydney Dance Company's latest is certainly that: a revival of polished grace and a premiere of something completely different.

  • by Jill Sykes
Puzzle-master subverts dance as we know it
review
Melbourne Festival

Puzzle-master subverts dance as we know it

William Forsythe's A Quiet Evening of Dance at Melbourne Festival does more than merely deconstruct the formal foundations of dance.

  • by Jordan Beth Vincent