November 13, 2018

Cool Snaps of the 1980s Prom Couples

Electronic music, big clothes and even bigger hair were some of the awesome parts of the 1980s. The '80s high school prom look lives on as a pop culture reference, proof positive that this was an unforgettable fashion era.


Guys in pastel tuxedos with frilly ruffled shirts, girls with whole cans of hairspray coating teased locks. It was all so bad but so good. Which is why people still throw parties with this '80s prom theme.

Take a look at these cool snaps to see what prom couples looked like in the 1980s.










The Story Behind the Filming of Steve McQueen’s Dramatic Fence-Jump Scene in “The Great Escape”

The Great Escape is a 1963 American World War II epic film that depicts an escape by British Commonwealth prisoners of war from a German POW camp. The film is based on Paul Brickhill’s 1950 book of the same name, a non-fiction first-hand account of the mass escape from Stalag Luft III in Sagan (now Żagań, Poland), in the province of Lower Silesia, Nazi Germany. A heavily fictionalized version of the escape is depicted in the film.

The film was produced and directed by John Sturges. Steve McQueen stars in one of his most popular roles as American pilot Virgil Hilts aka ‘The Cooler King,’ named after the amount of time he spends in the ‘cooler’ after repeated escape attempts and run ins with the camp commandant.


The famous Virgil Hilts motorcycle chase which is an integral part of the film’s appeal was McQueen’s idea. Initially the Hilts escape attempt was supposed to be by train, but McQueen approached Sturges with the suggestion, “John, I’ve got an idea that will put more juice into this...”

Steve McQueen performed all of his own motorcycle stunts in The Great Escape with the exception of his characters final jump over a 6ft (1.8m) barbed wire fence. The final jump was performed by his stunt double, Bud Etkins.



The bike used by McQueen in the film was a modified TT Special 650 Triumph which was painted olive drab and made to look like a german wartime BMW. As McQueen explained in a 1963 interview, “We had four bikes for this film. I was running a TT Special 650 Triumph. We painted it olive drab and put on a luggage rack and an old seat to make it look like a wartime BMW. We couldn’t use a real BMW, not at the speeds we were running, since those old babies were rigid-frame jobs, and couldn't take the punishment.”

As for the chase sequences, the three racers – Tim Gibbes (the Australian moto-cross champion), Bud Etkins, and Steve McQueen – took turns chasing one another as German soldiers. The special effects manager worked out the final scene, where Steve has to get through the fence to escape to Switzerland. Bud, Tim, and Steve were left to figure out how to do the jump.





“Tim and I went out early one Sunday with the 650 Triumph we were using that was supposed to be a side-valve Wehrmacht BMW,” Bud recalled. “We laid out the fence a couple of feet high. Then we dug a ramp out with shovels, about nine or ten feet long, and I hit the ramp in third gear at about 50mph and cleared the fence. We dug it out a little more and raised the fence to eight feet and I cleared that too. Then I hit the ramp at 60mph in fourth and jumped 12 feet high and 65 feet down. Then I said to Sturgis: ‘Okay, let’sdo it!’”





1991: The Year Punk Broke

1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey featuring American alternative rock band Sonic Youth on tour in Europe in 1991. While Sonic Youth is the focus of the documentary, the film also gives attention to Nirvana, Dinosaur Jr., Babes in Toyland, Gumball and The Ramones. Also featured in the film are Mark Arm, Dan Peters and Matt Lukin of Mudhoney and roadie Joe Cole, who was murdered in a robbery three months after the tour ended. The film is dedicated to him.

Several scenes in the film involve re-enactments and references to scenes from the contemporaneous Madonna tour documentary, Truth or Dare, such as Gordon complaining about “industry people” in the front row, or Cobain, introduced as “Costner” telling Sonic Youth that their show was “neat”.

At a screening of the film at the 2008 All Tomorrow’s Parties festival in Monticello, New York, Markey mentioned that the working title for the film was Tooth or Hair, as a further play on this connection.

Courtney Love, Kat Bjelland and Kim Gordon.

Dave Markey, Kurt Cobain and Kim Gordon at Pukkelpop Festival, Belgium.

Babes in Toyland at Reading Festival, 1991.

Courtney Love and Kim Gordon at Reading Festival.

Thurston Moore, Lee Ranaldo and David Markey at Reading Festival.





November 12, 2018

The "Face of Chanel": 45 Stunning Photos of Marie-Hélène Arnaud in the 1950s

Born 1934 in Montmorency in the northern suburbs of Paris, French model and actress Marie-Hélène Arnaud started at Chanel as a house model and rapidly grew to be Coco's favorite and eventually the directrice at her fashion house.

At 24 Arnaud became the public "face of Chanel". After she left Chanel, Arnaud set herself up a designer, launching a line of clothes for the department store Grande Maison de Blanc in the Place de l'Opéra, with five seamstresses working from her Paris apartment. The line was not a success and was short-lived.

Marie-Hélène Arnaud in the 1950s

Like many models of the era, Arnaud branched out into acting in films. She had a number of minor speaking roles, but the biggest film she featured in was her non-speaking role in the musical Gigi, which won a record-breaking nine Oscars in 1958, including Best Picture and Best Costume Design (for Cecil Beaton). Wearing a Beaton-designed evening dress and playing the part of a Maxim's girl, she made a dramatic entrance on the arm of Maurice Chevalier.

Arnaud was found dead in her bath one morning in October 1986. Was it suicide or a simple heart attack? No one will ever know. Just remember her as the luminous beauty who remains for ever the ideal ambassador for the Chanel style around the world.

Take a look at these stunning photos to see the beauty of Marie-Hélène Arnaud in the 1950s.

Marie-Hélène Arnaud in Royal Pastel EMBA mink coat by Maurice Kotler, photo by Georges Saad, 1954

Marie-Hélène in blue cotton print, summer dress by Lanvin-Castillo, photo by Pottier at Roquebrune, 1954

Marie-Hélène in bright red wool coat by Jacques Fath, photo by Pottier, 1954

Marie-Hélène in coral-colored coat in new 7/8 length, accented with black button closure and on epaulets by Balenciaga, photo by Pottier, 1954

Marie-Hélène in cotton print summer dress, full skirt is in two tiers, bodice is gathered in v-neckline, by Grès, photo by Pottier in Roquebrune, 1954





40 Cool Pics of Virginia's Family Portraits in the Early 20th Century

Michael Miley (1841-1918) was a popular commercial photographer based in Lexington, Virginia. He is acclaimed for bringing artistry to the medium of photography and often sought to capture his subjects in more candid poses.

These cool pics he shot portraits of families in Virginia from the 1900s and 1920s, some at his studio, others outdoors.










20 Fascinating Vintage Photographs From the 1961 Macy's Thanksgiving Day Parade

The turkey’s bathing in brine, the relatives are preparing their political arguments and the children are parked in front of the television, watching a larger-than-life Pikachu pursue a too-big-for-his-britches SpongeBob SquarePants.

Since the first balloon debuted at the Macy’s Thanksgiving Day Parade in 1927, balloon-spotting has been as much a Thanksgiving tradition as donning elastic-waisted pants. But those gargantuan rubber characters—which can require as many as 90 handlers, a number that still hasn’t prevented run-ins with lampposts and the occasional bystander injury—have been the source of nearly as much Thanksgiving drama as have dinner-table debates.

Below are some photographs of the parade in 1961—do kids today even know who Popeye is?

A Thanksgiving parade in New York. Floating above the majorettes is a giant inflatable Popeye, November 1961. (Express Newspapers/Getty Images)

A female marching band parades onward in 1961. A series tableaux behind the band commemorate landmarks in the city's history. (Archive Photos / Getty Images)

Crowds of children gathered in a New York street to watch the Thanksgiving Day Parade. (Keystone / Getty Images)

Two little sisters watch the Thanksgiving Day Parade in New York on November 26th, 1961. (William Lovelace / Getty Images)

Children watching the Thanksgiving Day Parade from the sidelines, November 1961. (William Lovelace / Getty Images)





The Uninvited Wedding Guest: Here's the Most Sinister Ghost Picture Ever Taken

This photo was taken in 1972 by a professional photographer who was snapping shots of guests arriving at a wedding reception in Paisley, United Kingdom. The photograph shows four guests posing for a photo. Except... what’s that between the man on the right’s legs?


The photograph which was submitted anonymously to a paranormal research site, also came with a brief description of the history behind this spooky image. “The photo shows me on the left, my wife who was pregnant at the time, and friends. Crouching behind one of the figures is a ‘spirit extra’ looking towards the camera and dressed in what appears to be open-toed sandals.”

Did you catch that? If you look closely there is a “man” and we use that term loosely, hiding behind the tall gentlemen on the right. Lets take a closer look.

There’s someone else in the picture.

Do you see it? It took us a while too. The unsuspecting wedding guest went on to note that after receiving the photograph he questioned the photographer who confirmed that the “spirit extra” also appeared in the negatives, and that he could not explain the photograph. As far as he was aware no one was behind the man when the photo was taken and no one was there when they moved away. He also said that it would be impossible for anyone to crouch behind without the person being aware of their presence and indeed without their body being visible to the person’s left.

So who is the mystery man? The picture was examined by a police photographer who confirmed that the photo was genuine and had not been faked. Here’s the image again with red circles highlighting the crouching figure just in-case you missed it.

Oh God, and look at his eye!

(via The Occult Museum)




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