‘Don’t Worry, He Won’t Get Far on Foot’: a return to quintessential Gus Van Sant
Culture
The veteran director discusses his unconventional biopic and eclectic career
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‘Don’t Worry, He Won’t Get Far on Foot’: a return to quintessential Gus Van Sant
Culture
The veteran director discusses his unconventional biopic and eclectic career
Tom Cruise is the boss of Hollywood’s alpha men
Culture
‘Mission: Impossible – Fallout’ works as hard as its tireless star to deliver thrills
Eternally Cher
Culture
The queen of reinvention turns her attention to the works of ABBA
The gleeful misanthropy of ‘Jurassic World: Fallen Kingdom’
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Chaos saves the dinosaurs in this latest franchise instalment
‘Solo: A Star Wars Story’: a safe take on the rogue’s origin story
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Ron Howard’s entertaining prequel is missing the looseness Han deserves
Steven Spielberg remembers it for you wholesale
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‘Ready Player One’ buckles under nostalgia’s weight
‘The Square’: comfort food for the self-loathing
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Ruben Östlund’s hilarious film is an uneasy mix of silliness and brow-furrowing
‘Lady Bird’ directed by Greta Gerwig
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The debut director goes home to make a funny, touching film about wanting to leave it
Uneasy appeasement in Yorgos Lanthimos’ ‘The Killing of a Sacred Deer’
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The director of ‘The Lobster’ can’t quite pull off this high-concept dance between the grandiose and the grotesque
The united colours of Besson
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Luc Besson discusses humanity, utopia and his latest film, ‘Valerian’
Superpig in the city
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Director Bong Joon-ho on ‘Okja’, Netflix and the new cinema model
Cinema is dead, yet it lives
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David Lynch’s ‘Twin Peaks: The Return’ shatters the tedium of prestige television
Ich bin ein Brisbaner
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‘Berlin Syndrome’ and the naivety of the tourist–artist