‘The Alienist’: a gripping but imperfect thriller
Culture
Forensic psychology powers this lavish series, but is one of its less interesting features
By this author
‘The Alienist’: a gripping but imperfect thriller
Culture
Forensic psychology powers this lavish series, but is one of its less interesting features
‘Ready Player One’: a candy-coloured lesson on VR’s dangers
Culture
Spielberg has principles, and if you don’t like them, he has others
‘A Quiet Place’, where silence means survival
Culture
John Krasinski’s latest film summons terror from the everyday
‘Early Man’ returns Aardman to its roots
Culture
The studio’s founders discuss prehistoric soccer and their history in Hollywood
‘The Workshop’: teen angst in a post-Charlie Hebdo France
Culture
Laurent Cantet’s new film explores the lure of political extremism for the young and bored
‘Red Sparrow’ keeps us guessing, to a point
Culture
Jennifer Lawrence reunites with her ‘Hunger Games’ director in this dated thriller
Robin Campillo’s ‘BPM’
Culture
The French-Moroccan director presents a clear-eyed portrayal of true activism during the AIDS epidemic
‘Molly’s Game’: Aaron Sorkin plays a predictable hand
Culture
The screenwriter leaves nothing unexplained in his directorial debut
Liam Neeson’s routine ride in ‘The Commuter’
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Having conquered planes and automobiles, Neeson and director Jaume Collet-Serra move the action to trains
‘The Deuce’ (HBO / Foxtel)
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David Simon’s new series shines amid the sleaze of the New York porn industry
The art of the hustle in the Safdie Brothers’ ‘Good Time’
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The lo-fi New Yorkers take on a Robert Pattinson–starring genre thriller
Risky business
Culture
‘American Made’ provides more subversive smarts than you’d expect from a Tom Cruise vehicle
Modern family
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Does the playful transgression of Caryl Churchill’s ‘Cloud Nine’ still have the capacity to shock?