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Love the step you’re in.

Love the step you’re in.

A new friend shared that one with me this week.

The step you’re in.  

To love it, you have to see it.  You have to be able to see the path, or the landscape, maybe it’s a neighborhood, stairs, or a doorway where your feet (and the rest of your body) are. 

Where your feet are is midstep.

Even if you’re not moving right this second. You’re alive. You only exist in motion. Bodies are like that.

You have to step away to see the step.

Because when you’re deep in it, you can’t tell. It’s like being in a plane, window shades down. You can’t feel speed or direction, and you could be anywhere. And maybe you’d like to be elsewhere, or to get more into where you are, or do it differently, or ask for help.

To love the step you’re in, you have to step away.

Among other things, today is an opportunity to take a look around, see the nearscape and the big picture. Check out the view from the inside out, too. And from the past and future yous. They also know things.

Where are you?

What matters here?

If I don’t give up anything that matters to me, how would it look to love the step I’m in?

How about you?

Anyway, remembering to love is always a good idea. I am grateful for the opportunity to do that this morning.

Love the step you’re in.

vagina vérité, ten years in the making (2:38 min on stage)

Last summer, I attended the eighth year of the World Domination Summit (WDS), in Portland, OR. It’s a weekend conference, that becomes a week-long experience as attendees organize additional talks, activities and experiences during the days leading up to it. Attendees often sign up for the next year on the last day to make sure they have a spot. The underlying themes of WDS are community, service and adventure. I know, the name doesn’t sound like it, but it’s like going to inspiration camp. If there’s something in you that you want to achieve, you’ll gain ground there.

I didn’t know this when I signed up, but it’s true.

After not-working on vagina vérité for a few years, I was just ready to try something different. I’ve been a reader, and a fan of, Chris Guillebeau, author and originator of WDS, since 2007. I reserved my spot at WDS2018 to get clarity on how to reboot the project, and forgot about it.

A few weeks prior to the conference, attendees received an email from team WDS, inviting us to submit our remarkable stories for the chance to share them on stage. They characterized a remarkable story as:

  • A time in which you needed to trust.
  • A moment that altered the trajectory of your life.
  • A quick lesson or life principle you think would help others.
  • A way in which you were inspired or influenced by someone else, or something that happened.
  • A story that is vulnerable and reflective.
  • A request that you think the WDS community can help you with.
  • A person you’d like to publicly thank.

By the second bullet point, I could hear myself saying “One day, I was meeting a friend for drinks, and before my butt hit the bar stool, she said, “Do you like the way your vagina looks?” I most certainly had a remarkable story to tell.

For as long as I can remember, I have been extremely uncomfortable speaking in public. If I notice the sound of my voice in the company of even three people, I want to stop it. Public happens very quickly for me. Speaking on a stage was miles from my wheelhouse.

But—I had signed up to attend WDS, specifically to get past the obstacles between me and giving the project its due. It began as a response to my friend, and I couldn’t let it end there. We need to see ourselves for ourselves. It needs to be shared, and shared widely.

This was an opportunity to work on that: I had to apply to tell my remarkable story in front of an audience.

Ugh.

I closed my eyes when I hit submit, and hoped they wouldn’t be interested in vaginas this year. Maybe they already had a vagina project on the docket.

But they didn’t. They chose my story.

They also provided help in the form of a storytelling coach, Marsha Shandur, and the new friends I made, Linda Ugelow and, especially, Rebecca Villareal, who helped me find the words.

This video of me on stage was shot at WDS. In it, I compress the ten-year experience of vagina vérité into a 2:38 min talk, including intro and outro.

Now, I have not seen the video end to end. I just can’t. I’m pretty sure I recited the script that you can see in my front pocket when the camera pulls back verbatim, but I am just too nervous about speaking in public to watch myself on stage, heart pounding nearly through my ribs, in front of 1,000 people.

When I got backstage after, I literally laid myself flat on the ground.

Still, it’s progress.

In a few weeks, the vagina portraits will be on exhibition in NYC. I hope to see you there. I totally plan to say something. I’ll probably still need to memorize it, and keep glancing at the ceiling to remember what comes next. At least now I know I can do it.

normal is diverse

You’re invited to a photography exhibition of 110 vagina portraits, so we can see ourselves for ourselves.

 

vulva diagram, with masking tape

vulva diagram on tracing paper

vulva diagram on tracing paper, with masking tape

I guess the tape means I used have this up on a wall in my apartment.

Diagrams and illustrations are helpful, information. The vagina portraits are more than that. They’re a mirror, even if it’s not your portrait you’re looking at. Because gathered together, as they will be for the normal is diverse exhibition, they become more than a document, depicting more than an aspect of someone, one. They’re a collective mirror.

You’ll see if you attend the exhibition next month. More like, you’ll feel it. Your stories lived in your body, your stories about women’s bodies, will recognize themselves in the faces of these vagina portraits.

 

Who should see this?

normal is diverse

normal is diverse: a photography exhibition of 110 vagina portraits, so we can see ourselves for ourselves

I think about this a lot. What the project means to me, the conversations I’d like to have, or more like the conversations I’d like to start via these images, and frankly, I get sick of the sound of my voice pretty quickly into it.

So, I’d like to try something different.

If you can, I’d love to hear in your words, what you think vagina vérité is about and who this exhibition is for.

I’ll go first with what I’m thinking about today.

For me, this is about freedom, freedom from inherited ideas about who you’re supposed to be and what’s meaningful about your life—In short it’s about respect, because you have to have respect to live freely. Not sure how I get there from vagina portraits? I hear you, but I wanted to keep this short. I’m happy to get into it more if you like. Let me know.

Meanwhile, what do you think?

What is vagina vérité about? Who should see it?
What do you think, or hope, attendees will get out of it?

You can use this form to reply. It’s anonymous!

women’s clubs

I generally spend much of my time on my own, but lately, I am looking to connect in different ways, not just the 1:1 I usually go for. Something about facing more than one person at a time has always made me self-conscious, and that just adds one more viewer to the scene! Bogging me down further.

Lately though, because I’m looking to invite as many women as I can to see the vagina portraits in December, I’m showing up for more group activities. Still towing along performance anxiety, or whatever it is, that separates me in these situations, but attending anyway.

Last night it was a dinner hosted by Techfest Club. It’s a community for women in tech in NYC. We were supposed to end at 9, but pretty much everyone just kept on talking. Interesting, accomplished, open, generous women. Meetup info is here.

How about you? Are you a member of any women’s clubs?

Being female isn’t normal?

As I prepare for the normal is diverse exhibition, I am struck more and more by how, in our world, it just is not seen as normal to be female.

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Our first vagina festival

Vagina Festival 2007 was visual and performance art experience, that took place over the weekend of Feb 16-18, 2007. It was a part of the VDay Worldwide Campaign to end violence against women and girls. We did have some important conversations there. We didn’t go far enough. I mean I didn’t.

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global feminism for my 13-year-old self

I didn't discuss this with anyone. I figured I was supposed to handle it on my own. As if the male non-menstruating, etc. bodylife was the norm, and we shouldn't bother anyone about all the other female stuff we experience. 

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NoChoice Travel

At the core of democracy and basic human rights, is sovereignty over your own body. No woman or child should be forced to carry a pregnancy to term.

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Independence day

I don't know about you, but I have spent way too much time letting a culture of bullying women into silence undermine my ability to simply show up for myself, for what I believe in, and want for us.

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Save the date

Over the course of ten years, I photographed over 100 vagina portraits.

I wanted us to see for ourselves, that we are indeed unique and interesting. To deliver the message that how you are is how you’re supposed to be. Because it’s normal that we are all different.

I shot from the point of view reserved for gynecologists and lovers (sometimes). The images are square and a little larger than life to properly extend the invitation to look. Because I don’t think we really really look at each other. Slowly. Openly. With interest in the other. So, this is a chance to try that out. To take your time.

There were no stylists, no details about the model to set the mood for fantasy or to objectify us—just the everyday vagina in plain view. Each strikingly unique. I did my best to keep myself out of it. To make some initial decisions about the composition and then get out of the way, and let you see what you see for yourself.

The normal is diverse exhibition takes place on Saturday, 08-Dec-2018 from 4-8pm at Ludlow Studios, 40 Ludlow Street, NYC 10002. Ludlow Studios is both a photography studio and an exhibition space. I have to say, it’s an ideal venue for this exhibition. It’s roomy and kind of cozy at the same time. 

This will be the first time the v-portraits have been exhibited since 2010.

It’s free, but space is limited, so RSVP to save your space.

vagina vérité is a collective mirror of our individuality, expressed through an endlessly interesting aspect ourselves, the faces of our vaginas.

It raises a lot of questions.

It’s an opportunity to have conversations we don’t usually get to have. Out loud, or privately. While viewing, or later. Or not. It’s personal, yOur experience. Come by and see what you think, and feel.

It’s for my friend. I don’t believe I’ve properly answered her question yet.

It’s for, and about, women. Everyone who is interested is welcome.—Alexandra

 

Moving toward respect

I think to do that, to get there, we have to really see ourselves and each other. To look slowly. And repeatedly, and to tell stories. Reveal experiences, fears. A lot of it's about pain. I was reading something Sean Penn said about containing the #MeToo movement, reframing it into something less black and white: he said it was divisive. That it was coming between men and women.

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Women making v-portraits

The women who made v-portraits with me ranged in age from 19-60. They may, or may not, have been comfortable with their bodies, or familiar with their vaginas. There were no requirements in order to pose, other than to be over 18. I don’t know what their sexual orientation was, or whether they’d ever given birth, or had sexual intercourse—unless it came up in conversation, and if it did, I didn’t make a note of it.

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Sexual, not erotic. What do you think?

In my living room, I had a wall of close-up documentary-style photographs of vaginas, framed in 8"x10" document frames.

The everyday vagina in plain view.

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What it must have felt like to feel safe in a crowd like that

It's not that I expect violence in every crowd, it's a habit of vigilance and guarding against that you build up over time. A little extra weight that you carry with you everywhere. You get used to it.

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The unique story of each of us

When I look at the vagina portraits, I see landscape. Human landscape. We are each a world.

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Letting it pass

I figured early on that it was a matter of gender, or religion, that kept the conversation just this side of hostile all that time, but I averted my eyes. I've seen that expression of disdain before, and I just didn't want to deal. I told myself it was temporary and not worth confronting.

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For years, my apartment was vagina central

For years, my apartment was vagina central. At about 30 v-portraits, I began exhibiting. I previewed vagina vérité® on its own, and as part of group shows. The exhibitions and events explored a range of themes relating to women’s bodies and how we feel about them and what that means for our quality of life.

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