The Mumpsimus

Last year, I wrote about Mukoma wa Ngugi's Nairobi Heat, seeing it as an interesting, if flawed, first novel. Now Melville House has released Mukoma's second novel, a sequel to the first: Black Star Nairobi, a political thriller that begins as a detective story and ends up taking us from Kenya to Mexico to the U.S. and then back to Kenya at the time of the election crisis of 2007/08.

The writing in Black Star Nairobi is more assured than in Nairobi Heat, and the plot and structure are more ambitious. The ambition is also the novel's curse, because the text is not up to the task of portraying and dramatizing the richness of its worlds and ideas — it's a book that needs to be twice its length or half its plot.

A black boy was shot dead in Florida.

His killer is known, but the police refused to arrest him.

The police said they had no probable cause to arrest the killer, who claimed self-defense.

The killer was a Neighborhood Watch volunteer. He saw a black boy walking in the rain. He called 911. The dispatcher told him not to follow the boy. But he did. He approached him. They wrestled. Witnesses called 911.

Trayvon Martin was armed with a bag of Skittles and a bottle of iced tea.

A black boy was shot dead in Florida. His killer walks free.

More information:

The Trayvon Martin Killing, Explained (by Adam Weinstein, Mother Jones)What Everyone Should Know About Trayvon Martin (by Jud Legum, ThinkProgress)Coverage at The Atlantic. See in particular the posts by Ta-Nehisi CoatesRe-Nigging on the Promises: #Justice4Trayvon (The Crunk Feminist Collective)UPDATE: U.S. Department of Justice, FBI and FDLE to probe Trayvon Martin killing
Visit msnbc.com for breaking news, world news, and news about the…

The Snowtown Murders (aka Snowtown) inevitably draws comparisons to another brutal and disturbing Australian crime movie, Animal Kingdom, with which it shares some general plot elements and stylistic moves (both films were shot by Adam Arkapaw). But where Animal Kingdom shows one young man's struggle to stay innocent in a family of thieves and murderers, Snowtown depicts the power of a small-time messiah to employ hatred as an excuse for torture and murder. Both films focus their narrative on a quiet (eventually traumatized) adolescent surrounded by monsters, but Animal Kingdom, for all its virtues, is primarily a drama of demons and angels fighting for a soul, whereas Snowtown is less allegorical, less schematic, and more deeply disturbing. (A more meaningful comparison than with Animal Kingdom would be with Henry: Portrait of a Serial Killer.)

Though in some ways Snowtown is the story of how Jamie Vlassakis goes from being an apparently gentle and unassuming teenager to a partic…

A frustratingly superficial article at The New Inquiry includes a link to a powerfully compelling letter from the Sylvia Rivera Law Project, arguing against added hate crimes provisions in New York's proposed Gender Employment Non-Discrimination Act (GENDA). The letter also includes a very useful collection of links to reference material on hate crimes.

The entire letter is worth reading, but here's an excerpt to convince you to click over there:
As a nation, we lock up more people per capita than any other country in the world; one in one hundred adults are behind bars in the U.S. Our penalties are harsher and sentences longer than they are anywhere else on the planet, and hate crime laws with sentencing enhancements make them harsher and longer. By supporting longer periods of incarceration and putting a more threatening weapon in the state’s hands, this kind of legislation places an enormous amount of faith in our deeply flawed, transphobic, and racist criminal legal system…

I read Mukoma wa Ngugi'sNairobi Heat (part of Melville House's International Crime series) a few weeks ago, but haven't had the time to write much about it, so what I say here is likely to be more general than it would have been before. Though I think the novel has some significant flaws, those flaws are mitigated, for me at least, by a number of real strengths, and in the weeks since finishing it, moments from the novel have scratched through my thoughts and memory. For that reason, I think it's a book well worth reading.

First, to get unpleasantness out of the way, here's what I see as the novel's flaws: Events often feel like they exist for the sake of the plot's convenience and not for any reason organic to the narrative; some moments that should evoke an emotional connection from readers are not set up in a dramatic way that would allow such emotion to come to the surface and are instead sped through (a particular fault in the romantic relationship th…

I confess: I like the idea of noir novels more than I tend to like noir novels themselves. (Noir movies I often enjoy watching, but there are few I've found very memorable, for whatever reason.) In fact, I don't much like mystery novels of any sort, though I've read a lot of them in a desperate attempt to like them more. I've tried at least one novel by all the classic mystery writers I know of, and the only such writer I've managed to read more than one book by with any pleasure is Patricia Highsmith. I've tried contemporary mysteries by a bunch of different writers, but hardly any of them have remained in my memory. I don't know all the reasons for my inability to really embrace mystery and crime novels -- strange, I think, given my interest in the psychology and sociology of violence -- but I think most of it comes from my general indifference to plot. I like books that have some sort of narrative, certainly, but I don't generally care for books…