Current Issue
QE71 - September 2018Follow the Leader
Democracy and the rise of the strongman
What is true political leadership, and how do we get it? What qualities should we wish for in our leaders? And why is it killing season for prime ministers?
In this wise and timely essay, Laura Tingle argues that democratic leaders build a consensus for change, rather than bludgeon the system or turn politics into a popularity contest. They mobilise and guide, more than impose a vision. Tingle offers acute portraits – profiles in courage and cunning – of leaders ranging from Merkel and Howard to Macron and Obama. She discusses the rise of the strongman, including Donald Trump, for whom there is no map, only sentiment and power. And she analyses what has gone wrong with politics in Australia, arguing that successful leaders know what they want to do, and create the space and time to do it. After the Liberal Party’s recent episode of political madness, where does this leave the nation’s new prime minister, Scott Morrison?
“The Liberal Party has been ripped apart and our polity is the worse off for having one of its major political parties rendered largely ungovernable … Malcolm Turnbull’s fate came down to a series of judgements made not just by him, but by his colleagues, who spent much of his prime ministership failing to follow the leader and also failing in their own collective responsibility for leadership.”
Laura Tingle, Follow the Leader
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QE72 - 26 November 2018On the Inner Life in the Digital Age
What is the inner life? And is it vanishing in the digital age?
Throughout history, artists and philosophers have cultivated the deep self, and seen value in solitude and reflection. But today, through social media, wall-to-wall marketing, reality television and the agitation of modern life, everything feels illuminated, made transparent. We feel bereft without our phones and their cameras and the feeling of instant connectivity. It gets hard to pick up a book, harder still to stay with it.
In this eloquent and profound essay, renowned critic Sebastian Smee brings to the surface the idea of inner life – the awareness one may feel in front of a great painting or while listening to extraordinary music by a window at dusk or in a forest at night. No nostalgic lament, this essay evokes what is valuable and worth cultivating – a connection to our true selves, and a feeling of agency in the mystery of our own lives. At the same time, such contemplation puts us in an intensely charged relationship with things, people or works of art that are outside us.
If we lose this power, Smee asks, what do we lose of ourselves?