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Australian Ballet pulls no punches in new rendition of Spartacus
review
Arts

Australian Ballet pulls no punches in new rendition of Spartacus

The Soviet-era ballet has been given an update, with ballet dancers swapping swords for fisticuffs.

  • by Jordan Beth Vincent

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Blood on the dance floor as Spartacus gives ballet a political update
Arts

Blood on the dance floor as Spartacus gives ballet a political update

The Australian Ballet reworks Spartacus with contemporary themes and some expertly choreographed fight sequences.

  • by Stephen A. Russell
Dance as history lesson: Bangarra's Dark Emu demands a rethink
Performing arts

Dance as history lesson: Bangarra's Dark Emu demands a rethink

Bangarra's latest dance work challenges the idea that pre-colonial Aborigines were solely hunter-gatherers.

  • by Jordan Beth Vincent
Plenty Serious Talk Talk review: Spoken and unspoken, Vicki Van Hout has much to say

Plenty Serious Talk Talk review: Spoken and unspoken, Vicki Van Hout has much to say

Vicki Van Hout is a bold personality on Sydney's dance scene, and this is reflected in her solo show.

  • by Jill Sykes
A haunting, beautiful rendition of a classic still relevant today
review
Arts

A haunting, beautiful rendition of a classic still relevant today

Giselle is an important period piece in the classical ballet canon.

  • by Jordan Beth Vincent
Bangarra stand on solid ground with Dark Emu
Arts

Bangarra stand on solid ground with Dark Emu

The Indigenous dance company has interpreted Bruce Pascoe's revealing history book for the stage.

  • by John Bailey
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Le Dernier Appel/The Last Cry review: United in anger at lack of recognition

Le Dernier Appel/The Last Cry review: United in anger at lack of recognition

When Kanak performers from New Caledonia and dancers from the Broome-based multicultural company Marrugeku get together, they have a common meeting point: recognition of their Indigenous people.

  • by Jill Sykes
Earthquake of ideas fails to stick together
review
Arts

Earthquake of ideas fails to stick together

Alison Currie's dance work Concrete Impermanence uses props and shapes in an interesting way but the work doesn't quite gel as a whole.

  • by Jordan Beth Vincent
Artistic risk pays off in challenging dance work
review
Arts

Artistic risk pays off in challenging dance work

Jo Lloyd's Overture is strange but satisfying for those who are open to it.

  • by Jordan Beth Vincent
Split review: Two halves combine perfectly in space

Split review: Two halves combine perfectly in space

Split raises a dozen or more intriguing questions and answers none of them. It is an exploration in dance that is physical, psychological, emotional, visual, visceral – geographical even. And all in less than one intense hour.

  • by Jill Sykes
Irish Celtic review: A cutesy celebration of my Ireland home

Irish Celtic review: A cutesy celebration of my Ireland home

Irish Celtic is the name of an imaginary pub in this dance show that presumably hopes to bring back memories and audiences from Riverdance.

  • by Jill Sykes