The Sting is a 1973 American caper film set in September 1936, involving a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who had directed Newman and Redford in the western Butch Cassidy and the Sundance Kid. Created by screenwriter David S. Ward, the story was inspired by real-life cons perpetrated by brothers Fred and Charley Gondorff and documented by David Maurer in his book The Big Con: The Story of the Confidence Man.
The title phrase refers to the moment when a con artist finishes the "play" and takes the mark's money. If a con is successful, the mark does not realize he has been "taken" (cheated), at least not until the con men are long gone. The film is played out in distinct sections with old-fashioned title cards, with lettering and illustrations rendered in a style reminiscent of the Saturday Evening Post. The film is noted for its anachronistic use of ragtime, particularly the melody "The Entertainer" by Scott Joplin, which was adapted for the movie by Marvin Hamlisch (and a top-ten chart single for Hamlisch when released as a single from the film's soundtrack). The film's success encouraged a surge of popular and critical acclaim for Joplin's work.
The Sting! is a strategy/adventure video game developed by Neo Software and released by JoWooD Entertainment on 1 July 2001. It is the sequel to 1994's The Clue! (known as Der Clou! in Austria).
The player assumes the role of Matt Tucker, a famous burglar who has just come out of prison in the city of Fortune Hills. In the beginning, Matt is reduced to a small time crook who has to work his way back to his former glory. After performing several burglaries, alone or with the help of accomplices he has met at various locations around the city, he collects loot and fame. By selling the loot he is able to buy better tools to use in increasingly challenging missions, with the ultimate goal being the Ministry of Light.
The gameplay consists of two modes, the planning mode and the live mode. The planning is done from Matt's apartment where actions and movements are carefully laid out. Then by going "live" the player will find out if the plan works or if everyone has gotten caught. Different locations can include patrolling guards and police, security systems, locked doors and cabinets and other obstacles. At the same time, Matt's different tools are useful in different situations as well as making different levels of noise.
"The Sting" is the fifth episode of the seventh season of the American comedy television series The Office and the shows 131st episode overall. It originally aired on NBC on October 21, 2010. The episode was written by co-executive producer Mindy Kaling and directed by Randall Einhorn. "The Sting" guest stars Timothy Olyphant as Danny Cordray.
The series depicts the everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company. In the episode, a Dunder Mifflin client is stolen by a rival salesman named Danny Cordray (Olyphant), and Michael Scott (Steve Carell), Dwight Schrute (Rainn Wilson), and Jim Halpert (John Krasinski) decide to set up a sting in order to uncover his sales secret. Meanwhile, Andy Bernard (Ed Helms) starts a band when he learns that one of his old college friends has a successful music career.
"The Sting" is the first episode of the series to feature Olyphant; he would later return for short scenes in several other episodes during the seventh season. The episode received largely positive reviews from television critics; many of whom felt that while the main plot was not realistic, it was very humorous. "The Sting" was viewed by 6.87 million viewers and received a 3.4 rating among adults between the age of 18 and 49, marking a slight drop in the ratings when compared to the previous week. Despite this, the episode ranked second in its timeslot was the highest-rated NBC series of the night that it aired.
Final word of now and then
Dream of silvanite again
Dark and bitter and I consider
My need to scatter and beat and batter
Within
Final thought from here on out
Sleep in silence cry out loud
Say with smile it's not your style
Run to you father the sting that bothers
Your mouth
When you ran away alone
Burn your britches and burn your home
Sour taste is pulling hard
And a three board layer is all you've known
When you ran away alone
Sell the world take out a loan
And if the train goes off the track
Burn down everything you own
For me
Little game of give and give
Dream of how you wanna live
Freeze and harden your secret garden
Lift the fetter now you had better
Forgive
Little by little attention caught
Sleep like it's a passing thought
Sting and cripple an ocean's ripple
Of boiling water is all his daughter
Sought
Your voice everytime
The Sting is a 1973 American caper film set in September 1936, involving a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who had directed Newman and Redford in the western Butch Cassidy and the Sundance Kid. Created by screenwriter David S. Ward, the story was inspired by real-life cons perpetrated by brothers Fred and Charley Gondorff and documented by David Maurer in his book The Big Con: The Story of the Confidence Man.
The title phrase refers to the moment when a con artist finishes the "play" and takes the mark's money. If a con is successful, the mark does not realize he has been "taken" (cheated), at least not until the con men are long gone. The film is played out in distinct sections with old-fashioned title cards, with lettering and illustrations rendered in a style reminiscent of the Saturday Evening Post. The film is noted for its anachronistic use of ragtime, particularly the melody "The Entertainer" by Scott Joplin, which was adapted for the movie by Marvin Hamlisch (and a top-ten chart single for Hamlisch when released as a single from the film's soundtrack). The film's success encouraged a surge of popular and critical acclaim for Joplin's work.
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