These vinyl reissues of the Scottish power-pop luminaries’ outstanding Creation Records output showcase a band whose music captures the feeling of living with the music you love.
On this sparkling reissue of an early career highlight, the act that billed itself as “the most fucked-up country band in Nashville” revels in the ecstasy of influence.
After the complex programming of last year’s Patterns of Consciousness, the Berlin-based composer explores new realms with her modular synthesizer, incorporating cello, voice, and doom-laden drones.
On the Berkeley rapper’s second album, he struggles with depression in stark, evocative terms, confirming his stature as one of the most intensely cathartic narrators out there.
Catch up on the best of under-the-radar hip-hop, dance, rock, and more
Whether he’s singing about poignant heartache or “beautiful boobies,” the pop star’s party music is curiously affecting.
Big Thief perform “Mary” live in Chicago for Pitchfork Music Festival 2018
Produced by Mica Levi, Tirzah’s debut is a compelling vision of what imperfect pop music can be—joyful in both sound and feeling precisely because both seem so out-of-step and asymmetrical.
The veteran producer and Cypress Hill alum reconnects with his New York roots on a fun, if not terribly challenging, revivalist romp surrounded by outer-borough icons and a few hungry upstarts.
The louche UK singer returns with an album that thrusts ahead quickly and painlessly but leaves you itching to shower off its overpowering cologne the second it’s over.
The Scissor Sisters frontman’s solo debut could’ve been a disaster: A pop star moseys down to New Orleans to find “real music.” But if you’re not a stickler for authenticity, it’s actually irresistible.