A soundtrack, also written sound track, can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.
In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.
Dollar$ is the soundtrack album to the 1971 Richard Brooks movie of the same name, variously known as $, Dollars, Dollar$ or The Heist, starring Warren Beatty and Goldie Hawn.
The soundtrack, originally issued on Reprise Records, is composed by Quincy Jones, and features performances by Little Richard, Roberta Flack and Doug Kershaw. Throughout the album, the Don Elliott Voices provide harmony vocal background to otherwise instrumental pieces. Jones, who was at the time under contract to A&M Records, was given permission by A&M Records to become involved with the soundtrack. Little Richard, Roberta Flack and Doug Kershaw were all artists with the Warner Bros. Records/Reprise group.
The film was released in December 1971, followed by the early 1972 release of the soundtrack album. Jones' "Money Runner", was the promoted single from the album, released concurrently with the film, in December 1971. "Money Is", written by Jones and sung by Little Richard, was the B-side.
Soundtrack is a CD released by the Fullerton College Jazz Bands and Vocal Jazz for the Discovery Records Trend AM-PM label.
In 1981 the Music Department at Fullerton College built a 16 track in house recording facility which was to serve as a teaching tool for both student music groups and students wanting to take recording technology classes at a vocational level. Soundtrack is the sixth of several albums to come out of this studio to feature the award winning Fullerton College Jazz Band. The CD contains tracks from two of the Fullerton College jazz groups: Jazz Band I and Vocal Jazz. The #1 jazz band was the winner of the 1985 International Association for Jazz Education Disneyworld Competition and the opening band for the 1985 Playboy Jazz Festival and the LP/CD recordings to date are recipients of numerous Down Beat and NARAS Awards.
Albert Marx, who was the owner of Discovery Records/Trend Records AM-PM label, became very impressed with the band four years earlier and the level of the music coming from the jazz groups at Fullerton College. He decided to support the younger, up and coming jazz students/players from the greater Los Angeles/Southern California region by producing certain LPs and CDs.
A soundtrack, also written sound track, can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.
In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.