- published: 16 Jan 2015
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Based in Hong Kong, Asia Art Archive (AAA) is a nonprofit organisation dedicated to documenting the recent history of contemporary art in Asia within an international context. Founded in 2000, AAA is now the most comprehensive publicly accessible collection of research materials in the field and continues to grow through a systematic programme of research and information gathering. AAA has initiated more than 150 public, educational, and residential programmes.
AAA is a registered charity in Hong Kong and is governed by a Board of Directors and guided by a rotating Advisory Board. The collection is accessible free of charge at AAA—in Hong Kong’s Sheung Wan District at 233 Hollywood Road—and searchable from anywhere in the world via its online catalogue.
Asia Art Archive was initiated in 2000 to document and secure the multiple recent histories of contemporary art in the region. Its first Executive Director, Claire Hsu, founded AAA in collaboration with Johnson Chang Tsong-zung and Ronald Arculli. The current chair of the board is Jane DeBevoise.
Hong Kong (香港; "Fragrant Harbour"), officially Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory on the southern coast of China at the Pearl River Estuary and the South China Sea. Hong Kong is known for its skyline and deep natural harbour. It has a land area of 1104 km2 and shares its northern border with Guangdong Province of Mainland China. With around 7.2 million inhabitants of various nationalities, Hong Kong is one of the world's most densely populated metropolises.
After the First Opium War (1839–42), Hong Kong became a British colony with the perpetual cession of Hong Kong Island, followed by Kowloon Peninsula in 1860 and a 99-year lease of the New Territories from 1898. Hong Kong remained under British control for about a century until the Second World War, when Japan occupied the colony from December 1941 to August 1945. After the Surrender of Japan, the British resumed control. In the 1980s, negotiations between the United Kingdom and the China resulted in the 1984 Sino-British Joint Declaration, which provided for the transfer of sovereignty of Hong Kong on 30 June 1997. The territory became a special administrative region of China with a high degree of autonomy on 1 July 1997 under the principle of one country, two systems. Disputes over the perceived misapplication of this principle have contributed to popular protests, including the 2014 Umbrella Revolution.
Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists. The Chinese art in the Republic of China (Taiwan) and that of overseas Chinese can also be considered part of Chinese art where it is based in or draws on Chinese heritage and Chinese culture. Early "stone age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After this early period Chinese art, like Chinese history, is typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years.
Chinese art has arguably the oldest continuous tradition in the world, and is marked by an unusual degree of continuity within, and consciousness of, that tradition, lacking an equivalent to the Western collapse and gradual recovery of classical styles. The media that have usually been classified in the West since the Renaissance as the decorative arts are extremely important in Chinese art, and much of the finest work was produced in large workshops or factories by essentially unknown artists, especially in the field of Chinese porcelain. Much of the best work in ceramics, textiles and other techniques was produced over a long period by the various Imperial factories or workshops, which as well as being used by the court was distributed internally and abroad on a huge scale to demonstrate the wealth and power of the Emperors. In contrast, the tradition of ink wash painting, practiced mainly by scholar-officials and court painters especially of landscapes, flowers, and birds, developed aesthetic values depending on the individual imagination of and objective observation by the artist that are similar to those of the West, but long pre-dated their development there. After contacts with Western art became increasingly important from the 19th century onwards, in recent decades China has participated with increasing success in worldwide contemporary art.
Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.
The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.
Asia (i/ˈeɪʒə/ or /ˈeɪʃə/) is the Earth's largest and most populous continent, located primarily in the eastern and northern hemispheres. Asia covers an area of 44,579,000 square kilometers, about 30% of Earth's total land area and 8.7% of the Earth's total surface area. It has historically been home to the world's first modern civilizations and has always hosted the bulk of the planet's human population. Asia is notable for not only overall large size and population, but unusually dense and large settlements as well as vast barely populated regions within the continent of 4.4 billion people. The boundaries of Asia are traditionally determined as that of Eurasia, as there is no significant geographical separation between Asia and Europe. The most commonly accepted boundaries place Asia to the east of the Suez Canal, the Ural River, and the Ural Mountains, and south of the Caucasus Mountains and the Caspian and Black Seas. It is bounded on the east by the Pacific Ocean, on the south by the Indian Ocean and on the north by the Arctic Ocean.
For details, please visit: www.aaa.org.hk/internship Asia Art Archive seeks to support the personal growth and intellectual development of our interns, while informing their future aspirations. The internship programme at AAA is an opportunity to learn how a non-profit organisation runs, to discover new interpretations on contemporary art, and engage with artists, art professionals, and other students from around the world. We are a platform that instigates new ideas and self-discovery with the hope to make a positive impact on the community. AAA offers full-time summer internships and part-time spring and fall internships to undergraduate and graduate students from both local and international schools. Internships at AAA are unpaid, but present a rare chance to gain insight into a dynam...
Asia Art Archive (AAA) is a young and dynamic organization initiated in 2000 as a direct response to the increasing number of Asian contemporary art exhibitions and events worldwide. A non-profit organisation and registered charity, AAA is dedicated to documenting the recent history of visual art from the region within an international context. The first art education centre and library of its kind, AAA boasts one of the most comprehensive collections of primary and secondary source material on contemporary Asian art in the world. More than a static collection of material, AAA also actively organizes exciting programmes.
On January 23, 2013, Jane DeBevoise, chair of the board of directors of Asia Art Archive in Hong Kong and New York, delivered the lecture "Hong Kong as Cultural Construction Site: A View from Asia Art Archive" at the Musée d'art contemporain de Montréal. The talk was part of the Asia Contemporary Speaker Series, a partnership between the Canadian Art Foundation and the Asia Pacific Foundation of Canada's National Conversation on Asia and its sponsors. This video documents her complete Montreal lecture. Before moving to Hong Kong in 2002, DeBevoise was deputy director of the Guggenheim Museum, where she was responsible for museum operations and exhibitions globally. She joined the museum in 1996 as project director of "China: 5000 Years" (1998), a blockbuster exhibition of traditional and ...
#CONRAD135 #StayInspired
Recorded at Borges Libreria Institute for Contemporary Art, Guangzhou, 18 January 2008 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at Guangzhou Academy of Fine Arts, 25 October 2007 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
"Archive as Verb: Asia Art Archive's Projects in India" was co-presented by the Asian/Pacific/American Institute at NYU and Asia Art Archive on September 10, 2013. The evening of discussion and networking featured Hammad Nasar (AAA Head of Research and Programmes), Sabih Ahmed (AAA Senior Researcher), Jane DeBevoise (AAA Chair of the Board of Directors), Marvin Taylor (Director of NYU Fales Library and Special Collections), and Alexandra Chang (A/P/A's Curator of Special Projects and Director of Global Arts Programs). Read more: http://www.nyu-apastudies.org/2012/event/archive-as-verb-asia-art-archives-projects-in-india/
Recorded at Xi'an Academy of Arts, Xi'an, 18 September 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at Zhang Xiaogang's Studio, Beijing, 9 July 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
For details, please visit: www.aaa.org.hk/internship Asia Art Archive seeks to support the personal growth and intellectual development of our interns, while informing their future aspirations. The internship programme at AAA is an opportunity to learn how a non-profit organisation runs, to discover new interpretations on contemporary art, and engage with artists, art professionals, and other students from around the world. We are a platform that instigates new ideas and self-discovery with the hope to make a positive impact on the community. AAA offers full-time summer internships and part-time spring and fall internships to undergraduate and graduate students from both local and international schools. Internships at AAA are unpaid, but present a rare chance to gain insight into a dynam...
Asia Art Archive (AAA) is a young and dynamic organization initiated in 2000 as a direct response to the increasing number of Asian contemporary art exhibitions and events worldwide. A non-profit organisation and registered charity, AAA is dedicated to documenting the recent history of visual art from the region within an international context. The first art education centre and library of its kind, AAA boasts one of the most comprehensive collections of primary and secondary source material on contemporary Asian art in the world. More than a static collection of material, AAA also actively organizes exciting programmes.
On January 23, 2013, Jane DeBevoise, chair of the board of directors of Asia Art Archive in Hong Kong and New York, delivered the lecture "Hong Kong as Cultural Construction Site: A View from Asia Art Archive" at the Musée d'art contemporain de Montréal. The talk was part of the Asia Contemporary Speaker Series, a partnership between the Canadian Art Foundation and the Asia Pacific Foundation of Canada's National Conversation on Asia and its sponsors. This video documents her complete Montreal lecture. Before moving to Hong Kong in 2002, DeBevoise was deputy director of the Guggenheim Museum, where she was responsible for museum operations and exhibitions globally. She joined the museum in 1996 as project director of "China: 5000 Years" (1998), a blockbuster exhibition of traditional and ...
#CONRAD135 #StayInspired
Recorded at Borges Libreria Institute for Contemporary Art, Guangzhou, 18 January 2008 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at Guangzhou Academy of Fine Arts, 25 October 2007 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
"Archive as Verb: Asia Art Archive's Projects in India" was co-presented by the Asian/Pacific/American Institute at NYU and Asia Art Archive on September 10, 2013. The evening of discussion and networking featured Hammad Nasar (AAA Head of Research and Programmes), Sabih Ahmed (AAA Senior Researcher), Jane DeBevoise (AAA Chair of the Board of Directors), Marvin Taylor (Director of NYU Fales Library and Special Collections), and Alexandra Chang (A/P/A's Curator of Special Projects and Director of Global Arts Programs). Read more: http://www.nyu-apastudies.org/2012/event/archive-as-verb-asia-art-archives-projects-in-india/
Recorded at Xi'an Academy of Arts, Xi'an, 18 September 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at Zhang Xiaogang's Studio, Beijing, 9 July 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
On January 23, 2013, Jane DeBevoise, chair of the board of directors of Asia Art Archive in Hong Kong and New York, delivered the lecture "Hong Kong as Cultural Construction Site: A View from Asia Art Archive" at the Musée d'art contemporain de Montréal. The talk was part of the Asia Contemporary Speaker Series, a partnership between the Canadian Art Foundation and the Asia Pacific Foundation of Canada's National Conversation on Asia and its sponsors. This video documents her complete Montreal lecture. Before moving to Hong Kong in 2002, DeBevoise was deputy director of the Guggenheim Museum, where she was responsible for museum operations and exhibitions globally. She joined the museum in 1996 as project director of "China: 5000 Years" (1998), a blockbuster exhibition of traditional and ...
"Archive as Verb: Asia Art Archive's Projects in India" was co-presented by the Asian/Pacific/American Institute at NYU and Asia Art Archive on September 10, 2013. The evening of discussion and networking featured Hammad Nasar (AAA Head of Research and Programmes), Sabih Ahmed (AAA Senior Researcher), Jane DeBevoise (AAA Chair of the Board of Directors), Marvin Taylor (Director of NYU Fales Library and Special Collections), and Alexandra Chang (A/P/A's Curator of Special Projects and Director of Global Arts Programs). Read more: http://www.nyu-apastudies.org/2012/event/archive-as-verb-asia-art-archives-projects-in-india/
September 19, 2013 - Hammad Nasar, Head of Research and Programmes at the Asia Art Archive (AAA), Hong Kong, speaks on questions of geography, region and nation with insights into developments in contemporary art from West Asia or the "Middle East", and with relation to the current exhibition at Centre A, "Minutes from a Second Story" by Hajra Waheed. Hammad Nasar is a curator and writer, and recently moved to Hong Kong as Head of Research and Programmes at the Asia Art Archive, where he plays a strategic role in developing AAA's collection and shaping initiatives, partnerships and programmes that generate new thinking around the material in the collection and about the art of the region. Earlier, he co-founded and was Curatorial Director of the London-based arts organization Green Cardam...
Recorded at Asia Art Archive, Hong Kong, 9 January 2008 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at Zhang Hongtu's Studio, Brooklyn, New York, 14 October 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
A Digitisation Workshop, led by Asia Art Archive and The Sultan Gallery ran alongside the Global Art Forum in Kuwait. The lead organisations presented a snapshot of their practice during the Forum, opening with a look at The Sultan Gallery’s archive by Kristine Khouri. Sabih Ahmed (Senior Researcher, Art Asia Archive), Kristine Khouri (Researcher and writer), Joanne Lisinski (Head of Research, Mathaf: Arab Museum of Modern Art) and Ruba Saleh (Research and Collections Manager, the Palestinian Museum)
This is a performance by contemporary dancer Yang Hao which took place on 11 October 2014. Archetypal folk, modern, and contemporary dance forms are sourced both to recount Yang’s personal history growing up in Mainland China, and to illustrate media accounts of similar experiences by others that have resonated with him. Yang also uses ink and makeup to map his body, only for these marks to be ‘erased’ and revealed again through costume changes at various points during the performance. At other times he responds to the audience through gestures and sounds, and all is set in an environment that evokes a dance studio. The performance ends on a nearby street corner where Yang takes the Japanese avant-garde dance form Butoh — traditionally incorporating white body makeup and slow hyper-con...
Recorded at Brooklyn, New York City, 31 October 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Recorded at East China Normal University, Shanghai, 3 March 2009 Produced by Asia Art Archive as part of Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 For more information please visit: www.china1980s.org and www.aaa.org.hk
Salon | Who Needs Critics? Does The Media Help Good Quality Art? Filmed on May 23 2013 at Art Basel Hong Kong Georgina Adam, Art Market Correspondent, Financial Times; Editor-at-Large, The Art Newspaper, London; Hammad Nasar, Head of Research and Programmes, Asia Art Archive, Hong Kong Host: Jan Dalley, Arts Editor, Financial Times, London