Oppressor

Oppressor was a technical death metal band from Chicago, Illinois, which formed in 1991 and disbanded in 1999. They released three albums. Three of the band's members went on to form alternative metal band Soil.

History

Oppressor was started in May 1991 by Tim King and Adam Zadel. A month later, they found another guitarist in Jim Stopper and a drummer in Tom Schofield. They recorded their first demo, World Abomination, in 1991. A second demo, As Blood Flows, recorded in 1992, got them a record deal with Red Light Records, who released their first full-length album, Solstice of Oppression, in 1994. Shortly after the album's release, Red Light went bankrupt and the band was forced to find another label. In the meantime, the band released a one-off live album/compilation album with Megalithic Records, entitled Oppression Live/As Blood Flows. Megalithic, a Milwaukee, WI label, also went bankrupt after a few months of activity. They managed to score a record deal with Olympic Recordings and released Agony. In 1995, three-quarters of the band, bar Jim Stopper, started an alternative metal side project called Soil, with Broken Hope guitarist Shaun Glass and Ryan McCombs. In 1998, Oppressor released their final album, Elements of Corrosion. When in 1999 Soil become more popular than Oppressor, the band decided to part ways.

Agony

Agony may refer to:

Concepts

Comics

Film, television, media and games

Music

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.