Tik Tok

"Tik Tok" (stylized as "TiK ToK") is the debut single by American recording artist Kesha. The song was produced by Dr. Luke and Benny Blanco and co-written by Kesha, Dr. Luke and Blanco. It was released on August 7, 2009 as the lead single from Kesha's debut studio album, Animal. The opening line of the song came from an experience where Kesha woke up surrounded by beautiful women, to which she imagined Diddy being in a similar scenario. The experience triggered the writing of the song which she later brought to her producer, Dr. Luke, who was then contacted by Diddy in hopes of a collaboration; he came to the studio the same day and recorded his lines and the song was completed.

According to Kesha, the song's lyrics are representative of her and based on her life; the song has a carefree message and talks about not letting anything bring you down. The song is an electropop song with dance-pop elements that uses a minimalist video-game beat interspersed with handclaps and synths. The song's verses use a rap-sing vocal style while the chorus is sung; throughout the song the use of Auto-Tune is prominent. Musically, the song has been compared to the works of Lady Gaga, Uffie, and Fergie.

Tick tock

Tick tock, ticktock, tik tok, or tic toc may refer to:

Music

Other uses

See also

Tik-Tok (novel)

Tik-Tok is a 1983 science fiction novel by John Sladek. It received a 1983 British Science Fiction Association Award.

Plot summary

The title character is an intelligent robot (named after the mechanical man in the Oz books) who originally works as a domestic servant and house-painter. Unlike other robots, whose behavior is constrained by "asimov circuits"—a reference to Isaac Asimov's fictional Three Laws of Robotics, which require robots to protect and serve humans—Tik-Tok finds that he can do as he pleases, and he secretly commits various hideous crimes for his amusement. After manipulating both robots and humans to cause chaos and bloodshed, Tik-Tok becomes wealthy (partly through health care privatization) and is finally elected Vice President of the United States.

Analysis

The novel gleefully satirizes Asimov's relatively benign view of how robots would serve humanity, suggesting that the reality would be exactly akin to slavery: robots are worked until they drop and are made the victims of humans' worst appetites, including rape. It also, like Sladek's earlier novel Roderick, mocks the notion of the Three Laws of Robotics and suggests that there is no way such complex moral principles could be hard-wired into any intelligent being; Tik-Tok decides that the "asimov circuits" are in fact a collective delusion, or a form of religion, which robots have been tricked into believing. This liberation from tradition, while it makes him a cruel sociopath and nihilist, also provides him with intellectual insight and artistic talent; thus Tik-Tok is an extreme type of Romantic anti-hero.

Tik-Tok (Oz)

Tik-Tok is a fictional character from the Oz books by American author L. Frank Baum. He has been termed "the prototype robot," and is widely considered to be the one of the first robots (preceded by Edward S. Ellis' Huge Hunter, or The Steam Man of the Prairies, in 1868) to appear in modern literature, though the term "Robot" wouldn't be used until the 1920s by the play Rossum's Universal Robots.

Baum's character

Tik-Tok (sometimes spelled Tiktok) is a round-bodied mechanical man made of copper, that runs on clockwork springs which periodically need to be wound, like a wind-up toy or mechanical clock. He has separate windings for thought, action, and speech. Tik-Tok is unable to wind any of them up himself. When his works run down, he becomes frozen or mute or, for one memorable moment in The Road to Oz, continues to speak but utters gibberish. When he speaks, only his teeth move. His knees and elbows are described as resembling those in a knight's suit of armor.

As Baum repeatedly mentions, Tik-Tok is not alive and feels no emotions. He therefore can no more love or be loved than a sewing machine, but as a servant he is utterly truthful and loyal. He describes himself as a "slave" to Dorothy and defers to her.

Tik and Tok

Tik and Tok are the robotic mime and music duo of Tim Dry and Sean Crawford. They began performing together with Shock, a rock/mime/burlesque/music troupe in the early 1980s with Barbie Wilde, Robert Pereno, L.A. Richards and Carole Caplin.

Shock's first record "Angel Face", with production by Rusty Egan and Richard James Burgess, was a modest dance floor hit. In 1981, Shock co-starred with Ultravox at the 'People's Palace Valentine's Ball' at the Rainbow Theatre.

Shock went on to support Gary Numan at his Wembley Arena shows in April, 1981. They eventually broke up and reformed as a foursome with Wilde, Dry, Crawford and Caplin and released the single, "Dynamo Beat", on RCA Records. However, soon after Dry and Crawford left to form Tik and Tok.

Tik and Tok, having perfected a form of mime movement called 'robotics', appeared on television programmes including The Royal Variety Show in 1983 and The Tube. They supported Duran Duran at the Birmingham Odeon in 1982, worked with Vangelis at his home studio, and were themselves supported by a fledgling Depeche Mode. They released five singles and an album on the Survival label in the UK, Germany and Japan. Three of these singles were hits on the UK Indie Chart, "Screen Me I'm Yours" being the most successful, reaching #17. Their second single, "Cool Running", peaked at #69 in the UK Singles Chart.