- published: 18 Nov 2012
- views: 26602
Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film-maker, actor and political activist. His novel The Naked and the Dead was published in 1948. His best-known work was widely considered to be The Executioner's Song, which was published in 1979, and for which he won one of his two Pulitzer Prizes. In addition to the Pulitzer Prize, his book Armies of the Night was awarded the National Book Award.
Along with Truman Capote, Hunter S. Thompson and Tom Wolfe, Mailer is considered an innovator of creative nonfiction, a genre sometimes called New Journalism, which uses the style and devices of literary fiction in fact-based journalism.
Mailer was also known for his essays, the most renowned of which was "The White Negro." He was a cultural commentator and critic, expressing his views through his novels, journalism, essays and frequent media appearances.
In 1955, Mailer and four others founded The Village Voice, an arts- and politics-oriented weekly newspaper distributed in Greenwich Village.
This film, directed and restored by renowned British film director Tony Palmer, captures the band at the Maidstone Fiesta during the summer of 1970 as they run through their set of the time which included various jigs and reels and the songs Sir Patrick Spens and Now Be Thankful. This line up was, and still is, considered one of the key line ups of Fairport Convention: Richard Thompson (Vocals, Guitar), Dave Swarbrick (Vocals,Fiddle, Mandolin), Dave Pegg (Vocals, Bass Guitar, Mandolin), Dave Mattacks (Drums, Percussion), and Simon Nicol (Vocals,Guitar,Electric Dulcimer). Apart from the footage contained on this DVD, the Full House line up were never filmed commercially until reunions at the bands regular Cropredy Festival years later. This film also features two songs from Matthews Souther...
A shocking moment from Norman Mailer's 1970 film MAIDSTONE. Out on DVD August 28: http://www.criterion.com/boxsets/907-eclipse-series-35-i-maidstone-i-and-other-films-by-norman-mailer
On the last day of shooting 'Maidstone' (1970), a sleep deprived and drugged up Rip Torn improvises an attack on director and co-actor Norman Mailer with a hammer that turns into a real fight.
Full titles read: "MAIDSTONE" An elderly man (Mr George Thompson) plays 'No Place Like Home' on his piano as his condemned house is pulled down around him. Cataloguer's note: There is no visuals of the Mr Thompson playing the piano but he can be heard. FILM ID:991.57 A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/ FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
This 8mm film was filmed back in 1971. It is of my family, the Craig family, my parents and their six children. The location was in Maidstone, Kent, England. This footage was taken prior to us migrating to Australia (part 2). I mainly put this on 'You Tube' for family to look at but please feel free to watch it and I hope you enjoy it. I have added a sound track to the footage as there was no sound with the 8mm cameras.
Fairport convention at maidstone festival 1970
In the final installment of film historian Michael Chaiken's conversation with D. A. Pennebaker, the great documentarian remembers shooting Norman Mailer's most infamous film, 1970's Maidstone. Eclipse Series 34: Maidstone and Other Films by Norman Mailer is available now on DVD: http://www.criterion.com/boxsets/907-eclipse-series-35-i-maidstone-i-and-other-films-by-norman-mailer
Part 3 of 6 of a film made in 1971 by Martin Passmore and myself at Maidstone Grammar School. A real trip down Memory Lane for all you older OMs! More to follow. Paul Ryan
fairport convention at the maidstone festival 1970 jenny`s chickens and the masons apron
Brenchly Gardens and High Level Bridge in Maidstone 1960s
No title. Kidney transplant man marries, Maidstone, Kent. M/S of bride Brenda Solly and her father arriving at church for her wedding to Ken Field. Bride's father is on crutches because of a broken leg. M/S of bride's father foot, pan up to show them smiling. M/S people taking pictures. M/S kidney transplant survivor Ken Field and his bride coming out of church. C/U happy couple smiling and kissing. C/U groom holding number plate - "U R 21" (Ken recently had his 21st birthday). Camera zooms back to show bride and groom. FILM ID:2063.21 A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/ FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
Produced by Daniel Son. Filmed by DJ Biz & Dean Wolski, directed & edited by Daniel Son. Extra footage by David Boaler & Bobby Woodward. OTHER LINKS: @anitsnuffink & @team_ain http://facebook.com/anitsnuffink http://anitsnuffink.bandcamp.com
This is the final scene from Norman Mailer's MAIDSTONE, in which he played the part of a famous movie director running for President of the United States, who is supposed to be assassinated in the finale. Mailer concluded principal photography without resolving the final scene, and Rip Torn (playing his brother-in-law and assassin) allegedly decided to take it upon himself to "improvise" an attack by hitting Mailer on the head with a small hammer, drawing blood. Mailer retaliated by tackling and then nearly chewing Torn's ear off as they grappled viciously, and it rapidly escalated into an unhinged on-camera brawl as Mailer's horrified kids screamed in terror. This is the completely uncut sequence. I have to wonder how "unplanned" it was, as the camera is obviously following Rip closely...
(Difford/Tilbrook)
WARNING: These lyrics are unconfirmed and may be inaccurate. They represent the best attempt at deciphering the song we have yet to see.
Supermarket lights burn in the darkness
The chilly winter nights bring the scarves from the drawer
A crowd starts to gather on paving stone squares
Teeth start to chatter as the staff leave the store
And daughters meet mothers and fathers meet sons
It's too dark to walk home without anyone
The shopping precinct's closed, it's like a graveyard
The chain falls through the spokes as I unlock my bike
I cycle to the pub where I meet with my friends
And I know that it's love as she pours me my pint
And strangers meet strangers and friends share their lives
I look at her again and feel butterflies
I pull the pillow to my side
And I imagine it is her
As I slip into the night,
I know what I prefer
But I hope and I pray that one day she will say
That's it's true
I can't live without loving you
Now there's no one around I push the bike home
The rain's a lovely sound as it runs down the path
There's our lights in the road, they amber the night
And there's nobody home, so I soak in the bath
And bubbles meet bubbles as they become one
I think about the world and what I have done
I pull the pillow to my side etc
Supermarket lights burn in the darkness (repeat to fade)