- published: 23 Aug 2010
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Robert Calvin Bland (born January 27, 1930) better known as Bobby "Blue" Bland, is an American singer of blues and soul. He is an original member of the Beale Streeters, and is sometimes referred to as the "Lion of the Blues". Along with such artists as Sam Cooke, Ray Charles, and Junior Parker, Bland developed a sound that mixed gospel with the blues and R&B.
Bobby Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received the Grammy Lifetime Achievement Award in 1997.
Bobby "Blue" Bland was born in the small town of Rosemark, Tennessee. Later moving to Memphis with his mother, Bland started singing with local gospel groups there, including amongst others The Miniatures. Eager to expand his interests, he began frequenting the city's famous Beale Street where he became associated with an ad hoc circle of aspiring musicians named, not unnaturally, the Beale Streeters.
Bland's recordings from the early 1950s show him striving for individuality, but any progress was halted by a spell in the U.S. Army. When the singer returned to Memphis in 1954 he found several of his former associates, including Johnny Ace, enjoying considerable success, while Bland's recording label, Duke, had been sold to Houston entrepreneur Don Robey. In 1956 Bland began touring with Little Junior Parker. Initially he doubled as valet and driver, a role he reportedly fulfilled for B. B. King and Rosco Gordon. Simultaneously, Bland began asserting his characteristic vocal style. Melodic big-band blues singles, including "Farther Up the Road" (1957) and "Little Boy Blue" (1958) reached the US R&B Top 10, but Bobby's craft was most clearly heard on a series of early 1960s releases including "Cry Cry Cry", "I Pity The Fool" and the sparkling "Turn On Your Love Light", which became a much-covered standard. Despite credits to the contrary, many such classic works were written by Joe Scott, the artist's bandleader and arranger.
"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.
The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.
The earliest recorded use[citation needed] of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." [dubious – discuss] In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.
[CHORUS]
Black night is falling
Oh, how I hate to be alone
I keep crying for my baby
And now another day is gone
Nobody cares about me
Ain't even got a friend
My baby's gone and left me
When will my troubles end
[Repeat CHORUS]
I got no one to talk with
To tell my troubles to
Don't even know I'm living
Since I lost you
Black night
[Repeat CHORUS]
Goodnight, baby