Martin is a 1977 American horror film written and directed by George A. Romero.
Romero claims that Martin is the favorite of all his films. The film is also notable as the first collaboration between George Romero and special effects artist Tom Savini.
As the film opens, a young man (John Amplas), travelling on an overnight train from Indianapolis to Pittsburgh, sedates a young woman with a syringe full of narcotics, slices her wrist with a razor blade, and drinks her blood. The next morning, he is met at the Pittsburgh train station by a mysterious man in white (Lincoln Maazel) who escorts him away, whereupon the pair board a local train destined for Braddock.
The young man is Martin, who has romantic monochrome visions of vampiric seductions and torch-lit mobs, but it is impossible to tell if these visions are real or imagined.
The mysterious man in white is Martin's suspicious, old granduncle, Tateh Cuda. Due to the death of Martin's immediate family in Indianapolis, Cuda has reluctantly agreed to give Martin room and board as he is the closest living relative and Martin will share the house with him and cousin Christine in the dying town of Braddock.
He was born in the woods
Torn from his home.
Well, he was naked,
And destined
To be out on his own.
And he waited in darkness,
Hoping someone might see,
From something so rough,
What a treasure he'd be.
Stronger than steel and wood.
Seen me through the bad and good.
And when I'm hanging by a string,
Every little thing
Is understood
Between Martin and me.
Well he's hollow in the middle
From the shape that he's in.
He's either filled up with music
Or locked in his shell again.
And it takes some fine tuning
To make him come around,
But he's a huge piece of me
And I'll never put him down.
Stronger than steel and wood.
Seen me through the bad and good.
And when I'm hanging by a string,
Every little thing
Is understood
Between Martin and me.
He is a good friend,
And he has his own voice.
And you get what you give;
Sometimes it's just noise.
But if you treat him well
He will last your life long.
And if you're honest and open
Well, he will write you a song.
(Write you a song, write you a song)
Stronger than steel and wood.
Seen me through the bad and good.
And when I'm hanging by a string,
Every little thing
Is understood
And when I'm hanging by a string,
Every little thing
Is understood
Martin is a 1977 American horror film written and directed by George A. Romero.
Romero claims that Martin is the favorite of all his films. The film is also notable as the first collaboration between George Romero and special effects artist Tom Savini.
As the film opens, a young man (John Amplas), travelling on an overnight train from Indianapolis to Pittsburgh, sedates a young woman with a syringe full of narcotics, slices her wrist with a razor blade, and drinks her blood. The next morning, he is met at the Pittsburgh train station by a mysterious man in white (Lincoln Maazel) who escorts him away, whereupon the pair board a local train destined for Braddock.
The young man is Martin, who has romantic monochrome visions of vampiric seductions and torch-lit mobs, but it is impossible to tell if these visions are real or imagined.
The mysterious man in white is Martin's suspicious, old granduncle, Tateh Cuda. Due to the death of Martin's immediate family in Indianapolis, Cuda has reluctantly agreed to give Martin room and board as he is the closest living relative and Martin will share the house with him and cousin Christine in the dying town of Braddock.
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