Tim Winton’s ‘The Shepherd’s Hut’
Culture / Books
One of Australia’s most acclaimed novelists offers a painful and beautiful story of redemption
Tim Winton’s ‘The Shepherd’s Hut’
Culture / Books
One of Australia’s most acclaimed novelists offers a painful and beautiful story of redemption
Culture / Music
The Scottish group’s third album proves they don’t sound like anyone else
Culture / Books
In this collection of essays, Smith shines when she’s addressing the personal
Armando Iannucci’s ‘The Death of Stalin’
Culture / Film & Television / Film
This Soviet satire pushes comedy’s tragedy-plus-time formula to the limit
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➊ ‘Babylon Berlin’: strangely familiar
The gripping Weimar-era police procedural feels completely in the moment
➋ Armando Iannucci’s ‘The Death of Stalin’
This Soviet satire pushes comedy’s tragedy-plus-time formula to the limit
Masculinity in crisis in ‘Off the Record’
Craig Sherborne’s satire could be an ingenious portrait of deluded conceit
Family matters: An interview with Alan Hollinghurst
The author of ‘The Sparsholt Affair’ on the role of the not-always biological family in his work
‘The Only Story’ by Julian Barnes
The meticulous novelist takes on the oldest subject there is
A cultural, scientific and historical account of shit: a Midas Dekkers book extract
A revealing portrait of Leonardo da Vinci
Walter Isaacson’s new biography is a study of crippling perfection and obsessive observation
Peter Carey navigates Australia’s past
‘A Long Way from Home’ takes on new relevance following debate about Australia Day
Primitive Motion’s ‘House in the Wave’ and Totally Mild’s ‘Her’
Two Australian groups use vocals to swoon-worthy effect
Mona Foma: Dark Mofo’s sunnier sister
A particularly genteel and suitably confusing festival
Inside the Hot Dub Time Machine
The Australian musical export that’s making history
From Neutral Milk Hotel to Justin Timberlake
The xx’s polite party in Sydney
The British band bring their intimate sound to an expansive venue
Björk moves towards renewal on ‘Utopia’
‘Lady Bird’ directed by Greta Gerwig
The debut director goes home to make a funny, touching film about wanting to leave it
The French-Moroccan director presents a clear-eyed portrayal of true activism during the AIDS epidemic
‘Molly’s Game’: Aaron Sorkin plays a predictable hand
The screenwriter leaves nothing unexplained in his directorial debut
Liam Neeson’s routine ride in ‘The Commuter’
Having conquered planes and automobiles, Neeson and director Jaume Collet-Serra move the action to trains
Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love
Uneasy appeasement in Yorgos Lanthimos’ ‘The Killing of a Sacred Deer’
The director of ‘The Lobster’ can’t quite pull off this high-concept dance between the grandiose and the grotesque
‘Divided Worlds’ documents wholeness
Contrary to its name, this year’s Adelaide Biennial of Australian Art emphasises unity
Meaning and play run deep at the ‘Museum of Water’
The Perth Festival event encourages reflection on a precious resource
A new exhibition series’ first instalment delivers a heady mix of populism and politics
‘Rembrandt and the Dutch Golden Age’
Treasures from Amsterdam’s Rijksmuseum at the Art Gallery of New South Wales
Pharos at Mona: a labyrinth of sensory delights
The Hobart museum’s new wing will mess with your senses, in the most wonderful way
Katharina Grosse’s riot of colour
The German artist transforms Carriageworks
‘Hamlet’ reinvigorated as opera
Brett Dean and Neil Armfield reimagine the Shakespearean tragedy at the Adelaide Festival
Ivo van Hove: It’s only theatre
The prolific director is bringing jumbotron Shakespeare to the Adelaide Festival
Some actors intentionally suffer for their art
‘Barbara and the Camp Dogs’: politics and heart in the pub
Part cracking musical, part Indigenous family drama, Belvoir’s latest production deserves to go far
Liveworks in review: ambitious, engrossing
The annual festival of experimental art energised Sydney’s Carriageworks over ten days
‘The Second Woman’: a triumph of endurance theatre
Nat Randall plays a five-minute scene of attempted reconciliation – with 100 different men over 24 hours
Dance and the digital: An interview with Wayne McGregor
The Sydney Festival-bound show’s choreographer loves mixing the body with technology
‘Bennelong’ by Bangarra Dance Theatre
Sydney Opera House (touring Canberra, Brisbane, Melbourne)
Body Electric’s jazz ballet for adults
The best of Australian arts 2014
Critics give their picks for the year’s top ten
The secret history of Bangarra Dance Theatre’s ‘Patyegarang’
The best of Australian arts 2013
Critics give their picks for the year’s top ten
Beautiful on the outside … the tragedy of Bennelong Point
Brutalist masterpiece or harbour eyesore? Sydney’s Sirius building faces an uncertain future
The Australian Islamic Centre is notable for what it isn’t as much as for what it is
Durbach Block Jaggers is a practice in argument
Why is Australia planning so many new casinos?
Power and resistance at the 56th Venice Biennale
Victoria Lee takes on the Victoria’s Secret runway
‘The Fashion World of Jean Paul Gaultier’ at the National Gallery of Victoria
‘Modern Love: Fashion visionaries from the FIDM Museum LA’
At the Bendigo Art Gallery
Romance was born - ‘The Oracle’, 2011
Unfinished business: A short story
Can a young wartime couple pick up where they left off?
Hamish Hamilton; $32.99
The pencil and the damage done
The perverse attraction of autobiographical fiction
‘Golden Boys’ by Sonya Hartnett
Penguin; $29.99
‘All the Light We Cannot See’ by Anthony Doerr
HarperCollins; $29.99
Clive James’ ‘Sentenced to Life’ and Les Murray’s ‘Waiting for the Past’
A century of Dylan Thomas
Meeting Ko Un
'Radar' by Kevin Brophy and Nathan Curnow
Peter Steele (1939–2012)