- published: 23 Apr 2015
- views: 49986
BFI may refer to:
A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events. Some film historians do not consider Film Festivals as official releases of film, like Jerry Beck. The best known film festivals are the Venice Film Festival, the Cannes Film Festival, the Toronto Film Festival, Sundance Film Festival, and the Berlin International Film Festival, the latter being the largest film festival worldwide, based on attendance. The Venice Film Festival is the oldest major festival. The Melbourne International Film Festival is the largest film festival in the Southern Hemisphere and one of the oldest in the world. A 2013 study found 3,000 active films festivals worldwide—active defined as having held an event in the previous 24 months.
Blade Runner is a 1982 American neo-noir science fiction film directed by Ridley Scott, and starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. The screenplay, written by Hampton Fancher and David Peoples, is a modified film adaptation of the 1968 novel Do Androids Dream of Electric Sheep? by Philip K. Dick.
The film depicts a dystopian Los Angeles in which genetically engineered replicants, which are visually indistinguishable from adult humans, are manufactured by the powerful Tyrell Corporation. The use of replicants on Earth is banned and they are exclusively utilized for dangerous or menial work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and killed ("retired") by special police operatives known as "Blade Runners". The plot focuses on a group of recently escaped replicants hiding in L.A. and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down.
Final cut may refer to:
The Final Cut may refer to:
Simon McCallum, programmer of the BFI's Gross Indecency season, introduces Victim, the 1961 film, starring Dirk Bogarde, that was a mainstream crime thriller unlike any other. The first English-language film to use the word "homosexual", Victim was a campaigning work, calling for an end to legislation that made homosexual relationships illegal and left thousands of men vulnerable to blackmail. Here Simon takes us through the making of the film and talks about the bravery of its star, a gay man who chose not to reveal his sexuality, but still to take a stand. The British Film Institute's podcast is an audio adventure through the BFI's archives. Each fortnight host Henry Barnes will be joined by a special guest to dig into their cinematic passion, be it an actor, a director, a genre, a fran...
A young mixed heritage man confronts the psychological complexities of his identity in this essential, truly cinematic discovery for anyone interested in Black British cinema. Explore the LFF programme: https://whatson.bfi.org.uk/lff/Online/ Subscribe: http://bit.ly/subscribetotheBFI. Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
Subscribe: http://bit.ly/subscribetotheBFI. Drag superstar Jinkx Monsoon tells us about the films that influenced her as a person and informed her art, including Death Becomes Her (1992), Addams Family Values (1993) and Hedwig and the Angry Inch (2001). She also talks about Grey Gardens, the documentary that inspired her most beloved celebrity impersonation. BFI Flare showcases the best new queer cinema, celebrating the diversity of lesbian, gay, bisexual and transgender culture from around the globe #BFIFlare bfi.org.uk/flare Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
Subscribe: http://bit.ly/subscribetotheBFI. The BFI's acclaimed British Transport Films Collection is available now in four newly packaged volumes. Visit the BFI Shop online or in-store to find out more. A Future on Rail: http://shop.bfi.org.uk/pre-order-a-future-on-rail.html#.VWgu_Ubm2d4 Railways For Ever!: http://shop.bfi.org.uk/pre-order-railways-for-ever.html#.VWgv1kbm2d4 Discovering Railways: http://shop.bfi.org.uk/pre-order-discovering-railways.html#.VWgv90bm2d4 Going Places Fast: http://shop.bfi.org.uk/pre-order-going-places-fast.html#.VWgv90bm2d4 Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitu...
Subscribe: http://bit.ly/subscribetotheBFI. This year BFI Flare: London LGBT Film Festival celebrates its 30th anniversary. Watch our trailer for a taster of the features and shorts showing 16-27 March 2016 at BFI Southbank. Running 16-27 March, the 30th anniversary edition of BFI Flare: London LGBT Film Festival opens with the world premiere of The Pass and closes with Catherine Corsini’s Summertime. More info here: http://www.bfi.org.uk/flare Browse the full festival brochure for screenings and events here: http://www.emagcloud.com/bfi/FLARE_2016_Programme/index.html#/1/ Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+...
Subscribe: http://bit.ly/subscribetotheBFI. Five decades since she first appeared as Emma Peel in The Avengers (1961-1969), fans of the show still approach Dame Diana Rigg to express their gratitude. Rigg joins BFI curator Dick Fiddy to reflect on the influence of Peel on real-life women and acting with Patrick Macnee and Ian Hendry. Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
Subscribe: http://bit.ly/subscribetotheBFI. What made Marilyn Monroe’s look so iconic? How involved was she in the construction of her own image? Discover the transformative power of makeup in the making of a star. Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
Welcome to the BFI YouTube Channel. Subscribe: http://bit.ly/subscribetotheBFI. Subscribe to the BFI YouTube channel for highlights from the BFI National Archive, exclusive access to the BFI London Film Festival, previews and interviews with the world's greatest filmmakers, the latest trailers and more. Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
Blade Runner: The Final Cut (New Trailer) - In cinemas 3 Apr | BFI release For more information on the nationwide release and to buy tickets click here: http://bit.ly/1zJVMga Subscribe: http://bit.ly/subscribetotheBFI. “This new trailer captures the essence of the film and I hope will inspire a new generation to see Blade Runner when it is re-released across the UK on 3 April.” - Ridley Scott Starring Harrison Ford, Rutger Hauer, Daryl Hannah and Sean Young and featuring an iconic Vangelis score, Ridley Scott’s classic sci-fi opus is one of modern cinema’s most influential films. A grand cinematic synthesis of sound, image and thought-provoking drama Blade Runner: The Final Cut is an unforgettable experience that demands to be seen on the big screen. Book tickets for BFI Southbank...
Vertraut geleitet an den fremden Ort, ließ ich manches zurück, und bewegte mich fort.
Ein Stück von dort war ein unbekanntes Ziel, das ich so nicht verfolgte, wie in
einem Spiel waren die Regeln verschwommen, es gab nichts zu bekommen, es gab nichts
zu gewinnen, ich ließ mich einfach spinnen, die Zeit verrinnen und sah mir nur zu,
wie mir Fühler wuchsen, deren Grund warst du. Offen und heimlich, aufrecht und
peinlich war der Zufall geplant, entstand so ein Land, das wir oft verließen, öfter
aufeinander stießen, es bei Ahnungen beließen, die uns neues verhießen, deine
Gedanken, die konnten nicht klärn, wer gewinnt. Unser Traum fand die Worte nicht,
die er verdient, doch fand die Neugier ihren eigenen Lohn, und bahnte sich Wege im
Flüsterton.
Wie alles begann, kommt mir dann und wann in den Sinn,
über tausend Mauern führte doch mein Gang zu dir hin.
Was alles geschah, glänzt wieder wie Gold,
Fortsetzung folgt.
Wir liefen los nebeneinander einen schier endlosen Weg, im Wald der Stille die
Hoffnung gesät und gespäht, worin sich der andre verrät, wohin der Pfad geht, wie
die Prüfung gerät. Kühne Gefühle, tanzten nun auf der Bühne, im Keller der
Zweisamkeit wurde es heller, so hell, dass das Augenlicht schreckte, versteckte
Signale, die ich dir zum Leuchtfeuer erweckte. Verwebte Erwartung gesteigert,
erweitert die Sinne, war uns an der Stelle der Schwelle der Zutritt verweigert, der
Anfang vom Ende das Ende vom Ende und mit ihm die Wende.
Wie alles begann, kommt mir dann und wann in den Sinn,
über tausend Mauern führte doch mein Gang zu dir hin.
Was alles geschah, glänzt wieder wie Gold,
Fortsetzung folgt
Die Sinne, die wurden uns neu geboren, verborgene Dinge verborgen geborgen. Der
Morgen danach war ein Morgen davor, ein Endpunkt wurde zum glänzenden Tor. Die
Eindrücke füllten uns unsere Seelen, verhüllte Gefühle warn nun anzusehen, freizügig
zu stehlen aus unendlichem Schatz - unsre Heimat nahm Platz.