Meghan Trainor

Meghan Elizabeth Trainor (born December 22, 1993) is an American singer-songwriter and record producer. Born and raised in Nantucket, Massachusetts, Trainor wrote, recorded, performed and produced three independently-released albums between ages 15 and 17. In 2011, she signed a publishing deal with Big Yellow Dog Music, and pursued a career in songwriting.

After signing a record deal with Epic Records in 2014, Trainor rose to fame with the release of major-label debut studio album, Title (2015). The album debuted at number one on the Billboard 200 and produced four top 20 singles: "All About That Bass", "Lips Are Movin", "Dear Future Husband", and "Like I'm Gonna Lose You". Later certified platinum by the RIAA, the record passed one million sales domestically.

Prominently influenced by the 1950s and 1960s eras in music, Trainor's music has been noted for its retro style aesthetic. Common themes in her lyrics include subjects of modern womanhood, body image, and empowerment. Trainor's work has been recognized with several awards and nominations, including the Music Business Association's Breakthrough Artist of the Year accolade and two Billboard Music Awards.

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Title

A title is a prefix or suffix added to someone's name in certain contexts. It may signify either veneration, an official position or a professional or academic qualification. In some languages, titles may be inserted before a last name (for example, Graf in German, Cardinal in Catholic usage or clerical titles such as Archbishop). Some titles are hereditary.

Types

Titles include:

Titles in English-speaking areas

The following titles are the default titles:

Goto

Goto (goto, GOTO, GO TO or other case combinations, depending on the programming language) is a statement found in many computer programming languages. It performs a one-way transfer of control to another line of code; in contrast a function call normally returns control. The jumped-to locations are usually identified using labels, though some languages use line numbers. At the machine code level, a goto is a form of branch or jump statement. Many languages support the goto statement, and many do not (see language support).

The structured program theorem proved that the goto statement is not necessary to write programs; some combination of the three programming constructs of sequence, selection/choice, and repetition/iteration are sufficient for any computation that can be performed by a Turing machine, with the caveat that code duplication and additional variables may need to be introduced. At machine code level, goto is used to implement the structured programming constructs.

In the past there was considerable debate in academia and industry on the merits of the use of goto statements. Use of goto was formerly common, but since the advent of structured programming in the 1960s and 1970s its use has declined significantly. The primary criticism is that code that uses goto statements is harder to understand than alternative constructions. Goto remains in use in certain common usage patterns, but alternatives are generally used if available. Debates over its (more limited) uses continue in academia and software industry circles.