First Nations Emerging Critic Carissa Lee looks at why intersectional feminism in Australian Indigenous theatre is profoundly necessary.

Alison Croggon looks at sexual harassment in the performing arts. Australia, we have a problem.

Witness Histories Part 1: Choreographer and creative director of the Yirramboi First Nations Festival Jacob Boehme talks to Robert Reid about 80,000 years of Indigenous performance history in Australia. 

Witness Histories Part 2: Jacob Boehme talks to Robert Reid about 80,000 years of Indigenous performance history in Australia. Modernism? Post-dramatic theatre? What makes Europeans think that these are new ideas?

This is Lepage at his best, opening epic dimensions within intimate, domestic moments. Alison Croggon on The Far Side of the Moon and Polyglot Theatre’s playful Cerita Anak

Nassim has the apparently artless simplicity that emerges only from endless artfulness. It begins with nobody knowing anything: even the actor has never seen the script before.

Fanfare! As we threatened, we have put together an exciting program of Melbourne Live Nights with our Stage Partners, in which you come to the theatre with us and tell us what you thought. This is Book Club for theatre: an informal chat after a show, facilitated by Witness.

Come with Witness to see Jodee Mundy’s Personal, a blend of performance, storytelling, multimedia and animation that delves into the contradictions of living in a Deaf family in a society that views the family with voyeuristic curiosity.